British distributors Indicator/Powerhouse Films have announced their June batch of Blu-ray releases. They are:
Eye of the Cat (1969) and
Hammer Volume Six: Night Shadows (1961-1964).
Eye of the Cat
Synopsis: Penned by Psycho screenwriter Joseph Stefano and directed by film and TV movie veteran David Lowell Rich (The Horror at 37,000 Feet), Eye of the Cat is a skilfully crafted, San Francisco-set chiller starring Michael Sarrazin (They Shoot Horses, Don't They?) and Gayle Hunnicutt (Voices) as Wylie and Kassia – a couple whose scheme to rob wealthy, cat-loving Aunt Danny (Eleanor Parker, The Sound of Music) goes awry when Wyle's compulsive feline phobia comes up against the many cats defending Aunt Danny's mansion.
David Lowell Rich's film benefits from suspenseful cat-attack set-pieces, a menacing Lalo Schifrin (Dirty Harry) score, and a seductive sixties wardrobe courtesy of legendary costume designer Edith Head (Sweet Charity).
Special Features and Technical Specs:
- High Definition remaster
- Two presentations of the film: the theatrical version (102 mins), presented in High Definition; the TV version (102 mins), presented in Standard Definition
- Original mono audio
- Audio commentary with The Encyclopedia of Fantastic Film and Television editor Kevin Lyons (2021)
- Pussies Galore (2021): writer and critic Kim Newman on Eye of the Cat and the feline horror subgenre
- Original theatrical trailer
- Radio spot
- Image gallery: promotional and publicity material
- New and improved English subtitles for the deaf and hard-of-hearing
- Limited edition exclusive booklet with a new essay by Kasandra O'Connell, archival articles and interviews, an overview of contemporary critical responses, and film credits.
- REGION-B "LOCKED"
STREET DATE: JUNE 21.
Hammer Volume Six: Night Shadows
Description: Hammer Volume Six: Night Shadows revives four consummate Hammer classics from the early sixties, exemplifying some of Hammer Films' best work in the horror and thriller genres. Edgar Allan Poe looms large in The Shadow of the Cat, a macabre 'old dark house' tale of feline revenge, starring André Morell (Cash on Demand) and Barbara Shelley (The Camp on Blood Island); Peter Cushing (The Gorgon, Corruption) and Oliver Reed (The Scarlet Blade) star in Captain Clegg, which sees Hammer fuse horror and adventure in an eighteenth-century-set tale of smugglers and marsh phantoms; Herbert Lom (Mysterious Island) stars as The Phantom of the Opera in Hammer's acclaimed production of Gaston Leroux's Gothic classic, whilst Freddie Francis (Torture Garden) directs Nightmare, a spooky psychological thriller in the Les Diaboliques vein, which benefits from full-blooded central performances by Moira Redmond (Jigsaw) and Jennie Linden (A Severed Head).
This collection contains a wealth of new and archival extra features, including documentaries and appreciations, interviews with actors and crew members, audio commentaries, and extensive booklets. Strictly limited to 6,000 numbered units.
The Shadow of the Cat (John Gilling, 1961)
Synopsis: A house cat sees her mistress murdered by two servants under orders from her husband , and becomes ferociously bent on revenge.
Captain Clegg (Peter Graham Scott, 1962)
Synopsis: When a captain arrives on an English coastal town to investigate reports of smuggling, he ends up with much more to deal with, including marsh phantoms and a suspicious vicar.
The Phantom of the Opera (Terence Fisher, 1962)
Synopsis: Composer Lord Ambrose D'Arcy (Michael Gough) and his backer, Harry Hunter (Edward De Souza), struggle to find a replacement for the female lead in their new opera after she quits in the wake of a gruesome murder. When a new prospect, the nubile Christine Charles (Heather Sears), disappears, Harry cautiously investigates. Meanwhile, a mysterious masked man (Herbert Lom) who is eerily familiar with the opera holds Christine captive and offers to groom her to play the part.
Nightmare (Freddie Francis, 1964)
Synopsis: Janet is a young student at a private school. Her nights are troubled by horrible dreams in which she sees her mother, who is in fact locked in a psychiatric hospital, haunting her. Expelled because of her persistent nightmares, Janet is sent home where the nightmares continue.