6.8 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Zebraman awakens fifteen years in the future, unclear on what has happened to him, and quickly discovers that the evil Zebra Queen has a hold on Tokyo.
Starring: Shô Aikawa (II), Riisa Naka, Tsuyoshi Abe (II), Guadalcanal Taka, Naoki TanakaForeign | 100% |
Action | 20% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
Japanese: Dolby TrueHD 5.1
English
50GB Blu-ray Disc
Three-disc set (1 BD, 2 DVDs)
DVD copy
Slipcover in original pressing
Region A (locked)
Movie | 3.5 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 3.5 | |
Overall | 3.5 |
I’m guessing that we Americans don’t have much wiggle room for complaining about outlandish superhero ideas, considering we’ve been the nation that’s given the world everything from a web-slinging arachnid human mutant to an alien from Krypton to however it is you want to describe Kick-Ass. And so we must all cut a little slack for the patently odd Zebraman franchise, a Japanese creation that debuted several years ago with a well received initial film, but which like so many outings in the superhero universe, sputtered somewhat with its sophomore presentation, Zebraman 2: Attack on Zebra City. Like many a superhero before him, Zebraman posits the life of a mild-mannered everyday sort of guy, in this case a nebbish third grade teacher named Shinichi Ichikawa, a guy whose family life is in shambles, whose professional life hasn’t amounted to very much, and who escapes into fantasies sprung from his memories of a short-lived seventies television show called (you guessed it) Zebraman. Shinichi fantasizes about Zebraman, and in best unlikely superhero fashion, he manages to become his idol, unexpectedly discovering he actually has superpowers, powers which help him defeat an invading horde of green Gumby-like aliens. Filmmaker Takashi Miike shot the original Zebraman on what was likely a shoestring budget (maybe only half a shoestring at that), but part of Zebraman’s decided charm was the very lo-fi ambience with which the film was imbued. Miike is not exactly known for his restraint, and in fact many of his films have been greeted by shocked outrage from the normally reserved Japanese, but the fact is Miike’s oeuvre is really rather surprisingly varied, as Zebraman itself patently proves. The first Zebraman was awash in a certain nostalgia, especially for those who grew up worshiping any given superhero on television. Zebraman 2: Attack on Zebra City, on the other hand, pretty much jettisons the lo-fi ethos of the first film, and some may fear it similarly jettisons all of the charm of the first Zebraman as well.
Zebraman 2: Attack on Zebra City is presented on Blu-ray courtesy of FUNimation Entertainment with an AVC encoded 1080p transfer in 1.78:1. Shot on HD video, Zebraman 2: Attack on Zebra City has that smooth, shiny, textureless look that is one of the immediate signs of this "film" format. Miike also intentionally filters a lot of the footage here, especially in the recap sequence which is desaturated and skewed toward the yellow side of things. Later the film glories in a slate gray and cool blue ambience which deprives the film of at least a little fine detail. A lot of this film is quite dark (as in actual lighting conditions, not tone, though it's dark that way, too), and many scenes suffer from fairly noticeable crush. All of that said, fine detail is at the very least above average, and when the film approximates a more realistic palette in more natural lighting conditions, it's excellent. Contrast is played with throughout the film, occasionally pushed quite a bit, at other time dialed back, giving the film a slightly surreal look quite a bit of the time.
No English dub is included on this new Blu-ray, meaning only Zebraman 2: Attack on Zebra City's original Japanese track is offered here, on a good if not spectacular Dolby TrueHD 5.1 mix. I was a little surprised at the lack of consistent surround activity on this track. While the traditional dialogue scenes are expectedly anchored front and center, some of the action sequences as well are weighted much more toward the front channels than the sides or rears. The good news is the surrounds come fully alive in the quasi-music videos which The Zebra Queen performs a couple of times throughout the film, and the film's J-music proclivities offer some wonderful low end, with some great thump heavy bass and drum work. Fidelity is excellent and dynamic range is well above average considering the contrast between some of the film's quieter dialogue scenes and its over the top action and music elements.
If you're a fan of Miike, you kind of—kind of—know what to expect with Zebraman 2: Attack on Zebra City, at least as much as you ever know what to expect with Miike. This is another deliberately outré, quite odd offering from the director. It's also an odd sort of follow up, one which seems to jettison a lot of the first Zebraman's innocent charm in favor of a much darker, almost sadomasochistic approach. The film is visually quite spectacular, and it's often quite funny despite being fairly violent a lot of the time. If you don't mind something a bit nonsensical and completely weird, Zebraman 2: Attack on Zebra City comes Recommended.
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