8.1 | / 10 |
Users | 3.5 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Determined to ensure Superman's ultimate sacrifice was not in vain, Bruce Wayne aligns forces with Diana Prince with plans to recruit a team of metahumans to protect the world from an approaching threat of catastrophic proportions. The task proves more difficult than Bruce imagined, as each of the recruits must face the demons of their own pasts to transcend that which has held them back, allowing them to come together, finally forming an unprecedented league of heroes. Now united, Batman, Wonder Woman, Aquaman, Cyborg and The Flash may be too late to save the planet from Steppenwolf, DeSaad and Darkseid and their dreadful intentions.
Starring: Ben Affleck, Henry Cavill, Amy Adams, Gal Gadot, Ray FisherAction | 100% |
Adventure | 81% |
Comic book | 76% |
Sci-Fi | 75% |
Fantasy | 61% |
Epic | 18% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.33:1, 1.85:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
French: Dolby Digital 5.1 (448 kbps)
Italian: Dolby Digital 5.1 (448 kbps)
Spanish: Dolby Digital 5.1 (448 kbps)
Spanish: Dolby Digital 5.1 (448 kbps)
Portuguese: Dolby Digital 5.1 (448 kbps)
Czech: Dolby Digital 5.1
Polish: Dolby Digital 5.1 (448 kbps)
Polish: Dolby Digital 5.1 (448 kbps)
Slovak: Dolby Digital 5.1
Japanese: Dolby Digital 5.1
European and Latin-American Spanish, Brazilian Portuguese, Polish dub and VO
English SDH, French, Italian SDH, Japanese, Portuguese, Spanish, Cantonese, Czech, Danish, Finnish, Korean, Mandarin (Traditional), Norwegian, Polish, Swedish
Blu-ray Disc
Two-disc set (2 BDs)
Slipcover in original pressing
Region A (B, C untested)
Movie | 3.5 | |
Video | 4.5 | |
Audio | 5.0 | |
Extras | 1.0 | |
Overall | 3.5 |
Warner Bros.' Justice League, as originally released to theaters back in 2017, was a magnet for fan backlash due to the controversial bait-and-switch nature of its post-production. (Rather than slog through every detail, I'll instead point to this article that sums it up well enough.) But the short version is that original director Zack Snyder -- who previously helmed Man of Steel and Batman v Superman -- along with his wife Deborah, who served as producer, left the project in May 2017 after the untimely death of his daughter Autumn. Due to the studio's disapproval of his work on the film, Joss Whedon was hired to reshoot and recut Justice League to their liking over a two-month period. The final result was undoubtedly lighter, more streamlined, and ultimately comprised of maybe 20% Snyder material, which was more than enough to send die-hard DC disciples into a rage. Snyder's most vocal fans heavily pushed for the release of his elusive original cut... a campaign that, even up until two years ago, was generally regarded as a pipe dream.
Mercifully, it's divided into seven parts: "Don't Count On it, Batman", "The Age of Heroes", "Beloved Mother, Beloved Son", "Change Machine", "All the King's Horses", "Something Darker", and the epilogue "A Father Twice Over", with each segment running roughly 30-45 minutes apiece. But while these chapter divisions seem to offer little more than convenient stopping points for those unwilling to marathon this thing (can you technically marathon one movie?), they do give Justice League a more tolerable flow that's nonetheless clogged with some hefty pacing issues. Great moments abound, of course, and as a whole the new moments clearly increase the impact of its main and supporting characters. But speaking as someone who pines for the days when superhero movies weren't practically mandated to be at least 140 minutes (I blame Christopher Nolan, but he was just following Superman's lead), indulging this kind of pet project feels like a step in the wrong direction for a genre that's already well past the point of oversaturation.
But luckily, both still exist: if you prefer Whedon's lighter take on the material, no one's stopping you from watching that version exclusively. As for me, I admire and dislike parts of each version but prefer this director's cut by a decent margin. The overall plot hasn't changed one bit: it still follows the formation of the Justice League after the death of Superman (Henry Cavill) in the previous film, with Batman (Ben Affleck) and Wonder Woman (Gal Gadot) recruiting the Flash (Ezra Miller), Aquaman (Jason Momoa), and Cyborg (Ray Fisher) to stop alien lord Steppenwolf from using three powerful artifacts to conquer Earth. But small and large changes abound: a different opening, restored music by Tom "Junkie XL" Holkenborg (replacing Danny Elfman's score in the Whedon version), more face time for the other three Justice League members (especially The Flash, who's kind of tolerable now), no smarmy quips, a dark fate for Cyborg's dad Silas (Joe Morton), an expanded final battle, and a shiny new "R" rating for more cussin' and violence. Darkseid and even the Joker (Jared Leto, reprising his role from the lesser of two Suicide Squad movies) show up, which is neat. And of course, there's no digitally removed mustache for Superman, although I'll kind of miss that one.
Just by the nature of its very existence, Zack Snyder's Justice League ironically reminds me of a particular Joss Whedon production: Serenity, the movie surprisingly
born from the ashes of Whedon's short-lived but beloved TV series Firefly. Both films were largely the product of fan intervention, which was fueled by what could be
called unfair treatment by a major studio several years prior. In my opinion, both also ultimately fall into the "good, not great" category...
but really, any critical evaluation here is superfluous. The point is that this long-awaited director's cut of Justice League actually
saw the light of day, and it scored a solid Blu-ray set too (as well as a better 4K edition). That's impressive.
Even more so than Snyder's darker and more foreboding atmosphere, the biggest visual difference here is a brand new aspect ratio: like portions of the recently-released Ultimate Ultimate 4K Edition of Batman v Superman, Zack Snyder's Justice League now makes full use of 1.33:1 open-matte framing, a format usually reserved for IMAX films. (Since both recent recuts have not yet been granted any kind of giant-screen theatrical release, this seems a little odd during an era dominated by 16x9 TVs and projectors.) Nonetheless, Justice League's new framing gives it a unique appearance that doesn't sacrifice anything important on the left and right side or leave too much headroom either.
And while it's clearly bested by its 4K counterpart, Zack Snyder's Justice League holds up well enough on this two-disc Blu-ray set... but mostly because, yes, it's a two-disc set. Many of my previous complaints with Warner Bros. Blu-rays have revolved around questionable compression, specifically due to too much material squeezed on a single or double-layered disc... which isn't the case here, as the mammoth four-hour film gets plenty of room to breathe with bit rates that generally hover in the 20s and 30s during the film's most visually complex moments. Of course, this effects-driven film still pushes the limits of the format, with more than a few moments of mild banding and artifacts slightly gumming up the works... but it's hardly a distraction and, for the most part, not much of a sacrifice within Blu-ray's boundaries. Fine detail and textures are quite good, and the film's mostly muted color palette holds up well enough in all but the darkest scenes. Deep shadows can cause a few small problems in regards to black crush, but that "problem" (used in quotes here, because it may be due more to the film's stylistic appearance and grading that an actual disc shortcoming) is also visible on the 4K disc. Close-ups, wide shots, and everything in-between fares well, and to be honest if this Blu-ray came out a few years ago we'd all be singing its praises as a top-level disc because, pound for pound, it's almost a flawless effort. But the steady advancement of 4K since 2016 reveals a few unavoidable chinks in its armor that, while perfectly acceptable on most modest home theater setups, can't help but settle for silver.
While it might be tempting to write off this new cut of Justice League's Dolby Atmos mix as identical to the Atmos track on the 2017 film... I really can't, because again this is such a fundamentally different experience that they're basically two separate entities. Still, the similarities are here: it's a suitably massive track with an overall sonic presence similar to Zack Snyder's previous DC films, showcasing an absolutely room-filling soundstage that makes great use of Atmos' height channels during fly-bys, intense battles, and bustling city scenes (including the fateful truck crash where Barry Allen first shows off his powers). Channel panning and overall separation are uniformly excellent with plenty of discrete activity, smooth transitions in multiple directions, and potent low end that reaches as deep as you'd expect during the film's biggest moments. Dialogue remains clean and crisp, while the supportive music cues by Tom Holkenborg sound extremely bold without drowning out conversations or background effects (except for stylistic purposes, of course). Overall, it's a terrific mix that, pound for pound, stands alongside most of the studio's comic book-sourced epics, and doubly impressive since Justice League maintains a weighty, immersive presence from start to finish.
Optional subtitles, including English (SDH), are included during the film as well as the bonus featurette listed below.
This two-disc set ships in a dual-hubbed keepcase with appropriately bleak cover artwork, a matching slipcover, and an HBO Max promotional insert -- no Digital Copy this time. The bonus featurette below can be found on Disc 1.
Zack Snyder's Justice League was a long time coming, with fans clamoring for this elusive director's cut even before the almost completely separate 2017 film of the same name hit theaters. At more than four hours in total length, it's quite an undertaking -- at least in one session -- but is helpfully broken into multiple chapters to make things a little easier to digest. As for comparisons go, a conclusion is predictable: the much more full-bodied Snyder cut features better character moments, bigger action, fewer jokes, and other benefits... but at the expense of tight pacing, which does the end result no favors. But it's obviously worth watching for the franchise faithful, and Warner Bros.' Blu-ray set serves up a solid A/V presentation -- in a new aspect ratio to boot -- and one short but welcome bonus featurette. This one's Recommended for casual viewers, but die-hard fans might as well spring for the 4K edition.
2021
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plus Theatrical Cut on standard Blu-ray
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Cinematic Universe Edition
2019
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2022
Cinematic Universe Edition
2018
2019
Cinematic Universe Edition
2017
Cinematic Universe Edition
2015
Cinematic Universe Edition
2016
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