6.5 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
This provocative sci-fi outing is set in an over-populated, horribly polluted 21st century where child-bearing has become illegal. To help ease the tension and stress caused by not procreating, married couples use robot dolls to substitute for children. One couple decides to break the law and have a real baby in secret. Unfortunately, their neighbors find out and demand that the couple share the baby with them. The other couple does so, but finds that the neighbors get too attached to the infant. They stop sharing their child, and the neighbors becomes so angry that they report them to authorities. The couple and their baby are arrested and sentenced to death. Fortunately, the clever husband anticipated this and made a few plans in advance.
Starring: Oliver Reed (I), Geraldine Chaplin, Don Gordon, Diane Cilento, Bill NagyThriller | Insignificant |
Sci-Fi | Insignificant |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 (48kHz, 16-bit)
BDInfo
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (C untested)
Movie | 4.0 | |
Video | 3.0 | |
Audio | 3.5 | |
Extras | 2.0 | |
Overall | 3.5 |
The 1970s were a fertile time for dystopian adventures. Reflecting an increasingly hostile and hopeless world rife with political upheavals, terrorism, and pollution concerns, world cinema took notice, producing a great number of films throughout the decade that attempted to turn societal ills into mass entertainment, often granted a license to be as depressing as possible, to best brand audiences looking to grab a peek at the dark side of life. Think “Soylent Green,” “Logan’s Run,” and even “Planet of the Apes.” Offered early in this revolution is 1972’s “Z.P.G.” (“Zero Population Growth”), which examines life in an overpopulated futureworld where the air is choked with smog and babies are outlawed to preserve global control, pitting the few against the many as free will fights to survive. Directed by Michael Campus (“The Mack”), “Z.P.G.” has all the ingredients for a vivid examination of oncoming misery, delivering impressive production achievements that sell the sterility of a society built on complacency. While not precisely satiric in nature, the feature has some fun with era-specific concerns between bouts of depression as the end of the world is recreated for the screen.
After a DVD release nearly a decade ago, "Z.P.G." graduates to Blu-ray with an AVC encoded image (1.78:1 aspect ratio) presentation. The results are mixed with moments of greatness, finding detail to be a highlight of the viewing experience, isolating strong facial particulars on immobile faces, delivering an examination of pores and hairs during close-ups, and futureworld design is also open for inspection, with clear set decoration and electronic comforts. Colors are equally satisfying, handling primaries with care, especially with male costuming, which favors bright yellows and oranges (fuzzy turtlenecks are huge in the future of menswear). The bluish dystopian world is retained as well, and skintones are natural. Source issues are common throughout, with the print displaying a whitish discoloration on the right side of the frame, which intensifies to almost a strobe-like effect during scenes with limited lighting. Delineation suffers, with blacks milky. Artifacts are also detected, with the viewing experience hitting periodic encounters with banding and mild pixelation. Speckling is present.
The 2.0 DTS-HD MA sound mix isn't precise, but it delivers the essentials of "Z.P.G." without distraction. Age is apparent, found in sharp highs during dialogue exchanges, but dramatic communication is easy to follow, riding emotional waves and future environments without losing intelligibility. Atmospherics are adequate, providing a full read of group encounters and apartment gadgetry. Scoring handles pleasingly, with agreeable instrumentation and support, never steamrolling over performances.
While the first half of the endeavor details the boundaries and textures of the diseased world, which is distinctly Orwellian, the rest of the film evolves into a paranoia thriller. Bringing in George and Edna for closer inspection, the screenplay transforms into a custody battle between the formerly intimate couples, with one side protecting what they've created in secret, while the other tries to collect what isn't theirs, motivated by blinding need and envy, creating hostilities between the neighbors. Suspense escalates, taking the story into a few unexpected directions, but it remains focused on the primal needs of the characters, who are forced to fight for their future. "Z.P.G." suggests a world uprising climax to come, but it remains modest in design, preferring to bathe in the bleak atmosphere of the feature, which is periodically popped by hope. It's not a lively movie by any means, but Reed and especially Chaplin show commitment to the premise, and the overall effort fits in nicely with the decade's attention to disaster, showcasing the determined trying to break free from the miserable and the weak. "Z.P.G." doesn't offer hospital corners on its narrative, but it's memorable and ambitious at times, and, as these productions tend to go, likely prescient.
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