You, Me & Tuscany Blu-ray Movie

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You, Me & Tuscany Blu-ray Movie United States

Blu-ray + Digital Copy
Universal Studios | 2026 | 105 min | Rated PG-13 | Jun 16, 2026

You, Me & Tuscany (Blu-ray Movie)

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Movie rating

6.7
 / 10

Blu-ray rating

Users0.0 of 50.0
Reviewer3.5 of 53.5
Overall3.5 of 53.5

Overview

You, Me & Tuscany (2026)

When a woman crashes at an empty Italian villa, posing as the owner's fiancée, she discovers an unexpected romance that may transform her life.

Starring: Regé-Jean Page, Halle Bailey, Aziza Scott, Isabella Ferrari, Stefania Casini
Director: Kat Coiro

Comedy100%
Romance95%

Specifications

  • Video

    Video codec: MPEG-4 AVC
    Video resolution: 1080p
    Aspect ratio: 2.00:1
    Original aspect ratio: 2.00:1

  • Audio

    English: Dolby TrueHD 7.1
    English: Dolby Digital 2.0
    Spanish: Dolby Digital Plus 7.1
    French: Dolby Digital Plus 7.1

  • Subtitles

    English SDH, French, Spanish

  • Discs

    Blu-ray Disc
    Single disc (1 BD)
    Digital copy

  • Packaging

    Slipcover in original pressing

  • Playback

    Region A (B, C untested)

Review

Rating summary

Movie3.5 of 53.5
Video4.5 of 54.5
Audio4.5 of 54.5
Extras3.5 of 53.5
Overall3.5 of 53.5

You, Me & Tuscany Blu-ray Movie Review

In her latest film, Halle Bailey wants to be part of a different world.

Reviewed by Justin Dekker June 29, 2026

From the producer of 'Girls Trip' comes a new romantic comedy set in Italy, 'You, Me, & Tuscany'. Directed by Kat Coiro (2022's 'Marry Me'), the film stars Halle Bailey ('The Little Mermaid (2023)', 'The Color Purple (2023)') and Regé-Jean Page ('Black Bag', 'Bridgerton'), with Marco Calvani ('The Four Seasons (2025)') in a small but entertaining role, and Stefania Casini ('Suspiria (1977)') appearing as well. The film features solid technical merits and an interesting mix of supplemental features including a commentary with director Kat Coiro and producer Will Packer. An embossed slipcover and a Digital Code redeemable via Movies Anywhere are included, but a DVD is not.

Anna (Halle Bailey) is stuck. After dropping out of culinary school, her life is in something of a holding pattern as she struggles to keep a job, pay rent, and find her way. A chance meeting in a bar with the charming Matteo (Lorenzo de Moor, Another Simple Favor) inspires her to take a spontaneous trip to his hometown of Tuscany. Once there, a local festival inhibits her from finding a hotel room, prompting Anna to use what she learned from her night with Matteo and spends the night in his vacant home. But the following morning, before she knows it, a few "innocent" comments and actions lead to her being swept up into the lives of his family members and she'll need to find her way out of the snowballing falsehoods if anyone is going to find a happy ending.


Late in the commentary track, Director Kat Coiro speaks of her love for romantic comedies, stating that films such as Notting Hill, The Holiday and Pretty Woman are among her most favorite films, going so far as to say that they are, in a sense, "comfort food movies" for her. And, interestingly, that was very nearly the impression that I had as I watched this film for the first time in preparation for this review. Anna (Halle Bailey) is a little lost when we first meet her. A house sitter by trade, she seems to escape her own dreary and dreamless life by briefly trying on romanticized versions of the lives led by her clients; sleeping in their beds, walking the streets of their neighborhoods, and even wearing their clothes. Strangely, when this inappropriate behavior leads to her termination, the viewer is still on her side. This is a sensibility that persists throughout the film. But in the finest romantic comedy tradition, even as our main character continues to make choices that result in a general worsening of her situation, and while in the "real world" we would find her actions as highly questionable at best, here her actions when coupled with her innate innocence only conspire to draw the viewer ever more firmly into Anna's corner.

The same holds true for the film's stakes. Initially the viewer is concerned with the more mundane and immediate issue of Anna finding another house sitting engagement. But when a spontaneous (impulsive?) trip to Italy leads to an engagement of another kind, the seriousness of the situation escalates. Very quickly, the feelings and relationships between a great many others are placed at risk due to Anna's actions. Anna's search for her own sense of purpose and identity becomes an almost secondary concern. The dysfunctional (and wealthy) family begin to matter more. But again, no matter how serious things may seem on the surface, the true peril present in the film is mild at best, which is also in keeping with the film's rom-com roots. Anna's demeanor prohibits the viewer from ever judging her harshly. Matteo's wolfish and manipulative tendencies position him to add further complications which are often comedic rather than despicable. The occasionally stern or serious presences of the elders of Matteo's family provide some degree of "threat" or "danger", but their broad performances signal that they are relatively toothless. And while the obvious feelings developing between Anna and Michael provide a degree of sexual and dramatic tension, they function more to telegraph where the film will ultimately end up rather than being a legitimate or inappropriate source of temptation. With all of these players and plot points laid before us we're simply left trying to figure out the most efficient route between "A" and "B" (if one is so inclined). But from the get-go, scrutiny is not the order of the day. There's greater enjoyment to be had in just letting the tale unfold.

Capitalizing on all available assets is something that any savvy filmmaker will do, and Coiro is certainly no exception. For while slipping in various breathtaking landscapes and quaint shops, streets, and alleyways adds serious production value to the film as well as a certain romantic quality, that mindset does not end there. It applies to the cast as well. Leveraging and expanding upon a Dirty Dancing-esque moment as Michael and Anna explore the lengthy rows of his vineyard, an ill-timed running of the sprinkler system finds Anna trying to escape the deluge with Michael chivalrously offering his shirt to protect her perfect hair. Safe from the water, the camera slowly pans up Michael's shirtless and wet torso, reminding viewers of his popular and attention-grabbing turn on Bridgerton. While another character does the majority of the singing found in the film, the filmmakers would have been remiss to not allow Bailey to display her vocal prowess which was most recently showcased in the live- action adaptation of The Little Mermaid. For her "throwback" moment, Bailey will have to wait until the final reel of the picture before she finally has an opportunity to showcase her singing, albeit briefly, among those same vines.


You, Me & Tuscany Blu-ray Movie, Video Quality  4.5 of 5

You, Me & Tuscany's 1080p image boasts an amazingly precise image that delivers an incredible level of fine detail throughout. On the younger cast members, pores, fine lines, eyebrows, and stubble are open for examination, as is every strand of Bailey's fabulous hairstyle. Once the production moves to the rural Italian settings that are home to the bulk of the film, age-related lines and wrinkles are just as visible adding character, and occasionally a bit of authority or potential "danger" to more mature cast members. Skin tones are healthy and realistic, displaying appropriate gradations over knees, knuckles, and various imperfections. Environmental details such as brickwork, cracked and damaged stucco and plaster present with real-world accuracy and a strong tactile presence. Markets display a wide variety of colors in the flowers and produce that populate the stalls. Primaries are frequently on display, and reds are afforded the most noticeable opportunities to pop in women's dresses and the uniforms the brothers wear during the barrel race. The greens of the Italian landscape, both untamed elements and the carefully tended vineyards are incredibly lush and vibrant. The image, while wonderful, comes with one distinct downside which isn't tied to a defect but rather a production choice. Volume stages were used for the street scenes in New York City and in certain scenes once the action moves to Italy. Due to the typical crispness and precision of the image, such moments stand out rather obviously as the characters who are the focus of the scene are rendered with a high level of detail while the focus and precision of the elements of in the background fall off incredibly quickly. While looking significantly better than the process shots of the 1960s and '70s, their incongruity makes them just as easy to spot (refer to screenshot #2 for an example). Still, on the whole, it's a beautiful image that accurately represents the filmmaker's intent and vision.


You, Me & Tuscany Blu-ray Movie, Audio Quality  4.5 of 5

The Dolby TrueHD 7.1 audio track is well-crafted and impressive. The track is almost incessantly immersive, surrounding the viewer in music during mood-setting scenes, bird song and insects during quieter exterior scenes, and the sounds and voices of crowds at the barrel race and in the bustling kitchens. Bass support is more than sufficient to add depth to the bass lines of funkier selections of the soundtrack, the powerful drums found in the score, and sound effects such as the closing of heavy doors. More delicate sounds, such as the gentle clicking associated with typing text messages are handled well, also. Directionality is spot-on with viewers able to track people and objects through the stage. Dialogue is typically front and center focused, and is clean and intelligible at all times. Even in the most boisterous moments when multiple characters are all speaking over each other, individual lines of dialogue can be parsed out. It's a delightful track.


You, Me & Tuscany Blu-ray Movie, Special Features and Extras  3.5 of 5

You, Me & Tuscany comes outfitted with mix of on-disc supplemental features, most of which are quite light and breezy, but enjoyable. More substantive is the commentary track from Coiro and Packer.

  • You & Me (3.33) - A quick behind-the scenes peak with stars Halle Bailey and Regé-Jean Page as they speak about the film, their roles, and each other.
  • Racing Through Tuscany (2.26) - Regé-Jean Page and Lorenzo de Moor discuss the film's barrel race, a key moment between the two brothers.
  • La Famiglia (5.42) - Halle Bailey and Regé-Jean Page discuss Michael and Matteo's family, with the actors appearing briefly as well.
  • Taste of Italy (5.21) - The film's food made in the family's restaurant comes into focus, as do the cars they drive, and the incredible locations that are part of their lives.
  • Going Green in Italy (1.25) - The productions push toward environmental responsibility and sustainability are briefly highlighted.
  • Feature Commentary With Director Kat Coiro and Producer Will Packer - The pair get right to work, explaining the process of crafting the NYC street scenes from the film's first act in a volume stage in Rome, and the driving shots throughout the film as well. From their they move onto the cast, genre tropes, and their push to keep the various Italian elements as authentic as possible. The casting of Marco Calvani is a topic, as is the three-wheeled truck that Regé-Jean Page's character drives, the score, the work done to age Stefania Casini for her role, the breathtaking landscapes captured at routine intervals, and the other locations used as well. Coiro also takes a moment to point out her quick comedic cameo that closes out a memorable moment. The duo compliment each other quite well, and their interplay is as lively as it is informative. Fans of the film will want to give it spin.


You, Me & Tuscany Blu-ray Movie, Overall Score and Recommendation  3.5 of 5

You, Me & Tuscany is every bit the healthy serving of cinematic comfort food as some of its edible counterparts that make their way to the table during the movie. It's spicy but safe, and exotic but familiar. Anna's actions may create a bit of a tangled web, but the audience is never at a loss for the movie's ultimate destination, and the attractive and talented cast pulls the viewer in and whisks them along from one beautiful location after another, as the characters find themselves and each other. It's no deeper than any of the films that serve as Coiro's touchstones, nor should it be. More importantly, and as is the case with films such as Notting Hill, the chemistry between the leads, when mixed with just enough comedy, allows us to set aside the implausibility of the film's premise and simply enjoy the trip, just as intended. For fans of romantic comedies, You, Me & Tuscany is strongly recommended.