6.5 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
A hybrid documentary feature film about the genesis of "memetic magick" and its application by the alt-right in the United States.
Director: Hayley Garrigus| Documentary | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A, B (C untested)
| Movie | 1.5 | |
| Video | 3.5 | |
| Audio | 4.0 | |
| Extras | 2.0 | |
| Overall | 3.0 |
A documentary is meant to be an educational experience. It typically presents a topic, working to bring new ideas to viewers perhaps unaware of the subject, delivering information to help the audience best appreciate the analysis constructed by the filmmaker. 2021’s “You Can’t Kill Meme” doesn’t offer such development, with director Hayley Garrigus (making her helming debut) looking to explore the world of “memetic magic,” only doing so without much concern for those new to a universe of manipulation and mental illness. It’s the rare documentary where one has to fully understand the details of the subject to understand the documentary. “You Can’t Kill Meme” is niche work from Garrigus, who doesn’t have a master plan for the endeavor, bouncing around random topics and meeting various personalities, attempting to be eloquent about the ways of chaos without really putting in the effort to craft a cohesive and welcoming picture.


The AVC encoded image (1.78:1 aspect ratio) presentation for "You Can't Kill Meme" deals with cinematography that uses commercial grade cameras, offering a low-tech look at interviewees and their skin particulars. Interiors are mostly preserved for exploration, along with some dimensional tours of the outside world. Color is maintained, handling everyday clothing and more amplified hues with meme imagery. Skin tones are natural. Additional footage from internet sources is often low-res.

The 5.1 DTS-HD MA track provides a clean understanding of interviewees and their various accents and emphasis. Narration is also defined, claiming a more consistent presence in the mix. Scoring cues support with heavier synth and bass stings, and surrounds push out some music cues for dramatic purpose.


"You Can't Kill Meme" is filled with terminology and nicknames that aren't explained, making it potentially confusing for viewers who don't spend all day online. And Garrigus makes questionable journalistic choices, especially when she visits Packwood in the final act, sharing her friendship with the visibly unsettled man (there's even a shot of the pair hugging), refusing to challenge his wilder ideas on "disruption," positing himself as a deity in the making. "You Can't Kill Meme" has potential to spotlight the cancer of social media and the organization of hate, but Garrigus doesn't seem to have a game plan for her documentary, often going random with what's basically a tedious college presentation on the state of the world.
(Still not reliable for this title)

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