7.2 | / 10 |
| Users | 4.5 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
When his police detective best friend is killed, down-at-heel private eye and part-time blues singer BJ gets the blame. He must start his own investigation to clear his name, but what he uncovers is a tangled web involving crooked cops, drug-dealing gangsters, the city’s underground gay and biker scenes, and even his own past.
Starring: Yûsaku Matsuda, Rikiya Yasuoka, Taiji Tonoyama, Yûya Uchida, Ichirô Zaitsu| Foreign | Uncertain |
| Drama | Uncertain |
| Crime | Uncertain |
| Mystery | Uncertain |
| Thriller | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
Japanese: LPCM Mono
English
Blu-ray Disc
Single disc (1 BD)
Region A, B (locked)
| Movie | 3.5 | |
| Video | 3.5 | |
| Audio | 4.0 | |
| Extras | 2.5 | |
| Overall | 3.5 |
The original miniseries version of The Singing Detective was initially broadcast by the BBC in 1986, followed by the somewhat lackluster big screen The Singing Detective adaptation coming around nearly two decades later (!) in 2003, but both of those entries may have been eclipsed, at least temporally, by Yokohama BJ Blues, a film which posits Yūsaku Matsuda as the titular BJ, who is in fact, yep, a singing detective. In this particular case Matsuda, unlike, say, Michael Gambon or Robert Downey Jr., actually had a singing career, and so the music in this film is arguably more "authentic", and certainly isn't used for what might be called "pastiche commentary", though the fact that BJ, kind of like, um, a certain Lady , sings the blues may give some insight into a plot that sees BJ accused of a crime he didn't commit.


Yokohama BJ Blues is presented on Blu-ray courtesy of Radiance Films with an AVC encoded 1080p transfer in 1.78:1. Radiance's insert booklet provides only the following pretty minimal and generic information on the transfer:
Yokohama BJ Blues was transferred in high definition by Toei Company, Ltd. and supplied to Radiance Films as a high definition digital file.I've been on record repeatedly as stating I'm not always a fan of these "pre delivered masters" by Toei, and this is another presentation that has some noticeable issues, though I am assuming the omnipresent blue grading that can be pretty easily discerned in most of the screenshots I've uploaded to accompany this review was part of the original theatrical experience and meant to subliminally (or maybe liminally considering how aggressive it is) reflect the color in the film's title. Unfortunately, though, the blue hue tends to combine with both pretty heavy grain and some minor but still noticeable age related wear and tear (noticeable from the get go on even the opening production masthead) to mask fine detail levels, at least in midrange and wide framings. The emphasis on dark, mysterious environments combined with the blue also can lead to a near depletion of shadow definition at times. Some midrange shots in a nightclub where BJ sings can offer BJ and the backup band as virtual blobs in the distance, to cite just one example. All of this said, there is still a healthy organic quality to the presentation, and in close ups detail levels can improve markedly. The prevalence of heavy grain and ubiquitous flecks and speckling at least argue that no severe digital scrubbing, or indeed probably any substantial restoration effort, was undertaken here.

Yokohama BJ Blues features an LPCM Mono track in the original Japanese. While the repeated use of both diagetic cues and underscore might have benefitted from a stereo rendering, the mono track is really quite energetic and offers secure fidelity for all of the musical moments and the glut of urban ambient environmental effects that dot the soundtrack during the many outdoor scenes. As alluded to above, Yūsaku Matsuda does his own singing throughout, and sounds authoritative and gruff, kind of like the Japanese equivalent of, say, David Clayton-Thomas. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.


While it's perhaps handled a bit discursively and won't be overtly spoiled here, there is some rather interesting subtext at play in Yokohama BJ Blues that offers Yūsaku Matsuda a kind of interesting opportunity to deconstruct his "traditional" on screen image. The story here is both kind of rote and bracingly innovative at the same time, and the "mystery", while not ultimately mind blowing, is compelling enough to propel the narrative forward. Technical merits are decent if improvable (video) to very good (audio), and the supplements are interesting and enjoyable. With caveats noted, Recommended.

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