7.1 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
Hoyle, a girl with a sharp mind and a weakness for bourbon, finds herself on the trail of a reclusive genius. But her work takes a series of unforeseen twists as events around her grow increasingly fragmented... disconnected... surreal. With an ethereal lounge singer and her loyal partner as her only allies, Hoyle is plunged into a dark world of intrigue and earth-shattering cosmological secrets. Haunted by an ever-present shadow whom she is destined to face, Hoyle discovers that the most powerful force in the universe -- the power to bend reality, the power to know the truth -- lies within the depths of the human heart.
Starring: Kipleigh Brown, Chase Masterson, John Newton (II), Mik Scriba, Nathan Mobley| Sci-Fi | Insignificant |
| Drama | Insignificant |
| Romance | Insignificant |
| Mystery | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: Dolby Digital 5.1
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 4.0 | |
| Audio | 3.0 | |
| Extras | 2.0 | |
| Overall | 3.0 |
Yesterday Was a Lie is a film with a lot on its veritable mind, but perhaps by design without a clear explanation of at least some of the ideas running through it. The commentary on this disc includes a lot of explanatory information from writer and director James Kerwin, but even he seems to realize that the film is open to various interpretations and is therefore almost willfully a hard nut to crack. Suffice it to say that Yesterday Was a Lie traffics in a general noir sensibility while attempting to explore ideas prevalent in such disparate (yet linked) areas as quantum physics and Jungian iconography. Some readers of this review may remember a film shot here in my hometown of Portland (featuring some great Portland actors, I should add) called What the Bleep Do We Know!? (note that the link points to a DVD, not a Blu-ray) which similarly attempted to “explicate” ideas of quantum physics, time loops and other incomprehensible concepts, with (exactly like Yesterday Was a Lie ) a female protagonist in a story where some at least might be expecting a male to take the lead. Unfortunately, the similarities between these two films extend to the fact that much like What the Bleep Do We Know!?, Yesterday Was a Lie may ironically work better as an idea rather than as a completed project.


Yesterday Was a Lie is presented on Blu-ray courtesy of IndiePix Films, which is evidently aligned with Amazon's streaming service (it seems like the film may be available to stream there from some of the supporting material provided with this release), with an AVC encoded 1080p transfer in 1.78:1. (This release comes on a BD-R.) This release comes with two kind of odd statements about the transfer, including "digitally remastered shot by shot for optimal viewing" and my new favorite "now fully remastered from the digital negative". The IMDb lists a Sony model and I am presuming things were finished at a 2K DI. There are some passingly odd anomalies on display here, with slight "fuzziness" intruding into the image at times (see screenshot 6). I'm frankly not sure if some of this is due to the encode or if some stylistic tweaks were added for some reason. Generally speaking, though, detail levels are very good to excellent in close-ups, though the glut of really dark framings tends to keep general detail levels and especially fine detail levels tamped down quite a bit of the time. Contrast is exceptional for the most part, promoting very deep blacks and nicely modulated gray scale. There are some issues with banding that accrue due to the variances in light and some sequences that are filled with smoke and/or haze.

Yesterday Was a Lie unfortunately only offers a lossy Dolby Digital 5.1 track, something that some audiophiles may find especially disappointing since one of the film's inarguable high points is its nicely jazz inflected score by Kristopher Carter, which includes Masterson warbling a standard or two. Surround activity isn't especially forceful, limited to things like ambient environmental sounds (a scene in the rain is notable in that regard), or the background clatter of the club where Hoyle and the Singer interact. Dialogue is rendered cleanly and clearly throughout the presentation.

- Trailer A (Theatrical) (1080p; 2:13)
- Trailer B (60 Second Spot) (1080p; 1:05)
- 30 Second Internet Spot (1080p; 00:32)

Yesterday Was a Lie has a really ingratiating style, and a neatly smoky soundtrack, but it's desperately in need of more clarification, this despite the fact that not one but several "Moishe the Explainer" exposition dumps take place during the film. Video is generally fine looking on this BD- R, but this is another release that sadly only offers lossy audio, for those considering a purchase.