World Without End Blu-ray Movie

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World Without End Blu-ray Movie United States

Flight to the Future / Warner Archive Collection
Warner Bros. | 1956 | 80 min | Not rated | Mar 28, 2017

World Without End (Blu-ray Movie)

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Movie rating

6.9
 / 10

Blu-ray rating

Users0.0 of 50.0
Reviewer3.0 of 53.0
Overall3.0 of 53.0

Overview

World Without End (1956)

Four astronauts returning from mankind's first mission to Mars enter a time warp and crash on a 26th Century Earth devastated by atomic war. Our heroes meet with hideous mutants, giant spiders, love-struck beauties in short dresses, and jealous old geezers in sparkly skullcaps as they struggle to save humanity and build a new world.

Starring: Hugh Marlowe, Nancy Gates, Nelson Leigh, Rod Taylor, Shirley Patterson (I)
Director: Edward Bernds

Sci-FiInsignificant
AdventureInsignificant

Specifications

  • Video

    Video codec: MPEG-4 AVC
    Video resolution: 1080p
    Aspect ratio: 2.55:1
    Original aspect ratio: 2.55:1

  • Audio

    English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)

  • Subtitles

    English

  • Discs

    Blu-ray Disc
    Single disc (1 BD)

  • Playback

    Region free 

Review

Rating summary

Movie2.0 of 52.0
Video4.0 of 54.0
Audio4.0 of 54.0
Extras0.0 of 50.0
Overall3.0 of 53.0

World Without End Blu-ray Movie Review

Back to the Future

Reviewed by Michael Reuben March 23, 2017

The Warner Archive collection is adding the 1956 time travel tale, World Without End (or "WWE"), to its growing catalog of nostalgic cinema schlock. The film was an attempt by "B"-movie specialist Allied Artist to piggyback on the success of Paramount's The War of the Worlds at a fraction of the budget. Released on a double bill with Indestructible Man starring Lon Chaney Jr., the film quickly came and went, but it has since developed a cult following. Today, it is notable primarily for who worked on it, including a young Australian actor named Rod Taylor, in his first leading role in an American film, and the future director of The Wild Bunch, Sam Peckinpah, who served as "dialogue director" (albeit uncredited).


In 1957, the first manned expedition to Mars encounters a mysterious energy field that accelerates the spaceship beyond its instruments' capacity to measure. When the four-man crew regains consciousness, they have crash-landed on what they eventually discover to be Earth—in the 26th Century. A nuclear war has devastated the planet, but enough time has passed for the surface to become habitable. Unfortunately, the inhabitants are a savage one-eyed race that the astronauts dub "mutates". The remnants of human civilization have taken refuge below ground, where their society is slowly dying out. It's up to the new arrivals from the 20th Century to persuade the moribund cave dwellers to fight for their rightful place above ground.

WWE's plot has classic elements that would be recycled many times in future films and TV shows, from Planet of the Apes to Star Trek, but WWE is distinguished by a cut-rate cheesiness so consistent that it becomes almost charming. The model used for the rocket ship obviously has no weight; the snowy landscape in which the ship crashes looks like styrofoam; the giant mutant spiders that attack the astronauts resemble nothing so much as huge (and cheaply made) novelty toys; and no one fires a gun as if they intend to hit anything. While the artificiality continues unabated, the cast gamely pushes onward, reciting scientific jargon and social philosophy with stalwart conviction. Hugh Marlowe (The Day the Earth Stood Still) plays pilot John Borden, a former soldier with a tragic past, and Nelson Leigh (whose sober demeanor made him a regular as a judge on TV's Perry Mason) plays the expedition's resident scientist, Dr. Eldon Galbraithe. Christopher Dark (Suddenly) is engineer Henry Jaffe, who pines for the wife and two children he left behind. Newcomer Taylor plays the communications specialist, Herb Ellis, who is also the expedition's he-man, the object of intense desire by multiple women, including Deena (Lisa Montell), a refugee rescued from the mutate clan. One doesn't have to be Sigmund Freud to grasp why, when the team constructs a bazooka to fight off the mutates, Ellis is the one who hoists the makeshift cannon and fires round after round.

WWE's depiction of the sexes is entertainingly quaint. The women of the future are beautiful, vital and amorous, while the men are repeatedly described as bloodless, exhausted and worn-out. Despite this imbalance in strength and vigor, the women remain dutifully servile, but the arrival of four virile travelers from the future destabilizes the social order, setting every female heart aflutter. Even the elderly Dr. Galbraithe becomes an object of desire, an experience he describes as "exhilarating". The women's reaction to the newcomers prompts jealousy from the indigenous male population, leading to intrigue and, eventually, murder. Neverthless, 20th Century testosterone quickly prevails, as the astronauts rouse the dying subterranean culture to action and lead them in a battle to reclaim the surface, beating back the mutate threat and restoring humanity to its rightful place in the sun.


World Without End Blu-ray Movie, Video Quality  4.0 of 5

World Without End was an early Cinemascope production, which was a splurge by Allied Artists, and the image retains the characteristic softness imparted by first-generation anamorphic lenses. The cinematographer was Ellsworth Fredericks (Invasion of the Body Snatchers). For this 1080p, AVC-encoded Blu-ray, the Warner Archive Collection commissioned a new scan of an interpositive, which was performed (at 2K) by Warner's Motion Picture Imaging facility, followed by the usual color-correction and cleanup. The resulting image captures the often laughable set design, costumes and makeup in impressive detail that isn't always favorable to this low-rent production, but at least the image is clean and the film's grain is natural and, within the limitations of the source, finely resolved. Colors and densities tend to fluctuate at scene changes, but this is an unavoidable side effect of the process used to create optical dissolves, especially on a low budget. WWE doesn't have an especially rich or intense palette, except for the reds that first appear over the opening image of an atomic blast, then return for the Mars expedition and again in the underground civilization of the future, where they are associated with passion and vitality. With no extras, not even a trailer, WAC has been able to master the 80-minute film on a BD-25, while still retaining a high average bitrate of 33.98 Mbps.


World Without End Blu-ray Movie, Audio Quality  4.0 of 5

WWE's original mono audio has been taken from an optical track positive and encoded on Blu-ray in lossless DTS-HD MA 2.0. The soundtrack is serviceable but unremarkable, with generic effects for familiar elements like gunshots and explosions. The most memorable sound is that of automated doors opening and closing, which anticipates the Starship Enterprise. The dialogue is clearly rendered, and the melodramatic score by Leith Stevens (The War of the Worlds) does what it can to supply suspense and a sense of danger. WWE's audio may not amount to much, but the Blu-ray accurately reproduces the source.


World Without End Blu-ray Movie, Special Features and Extras  n/a of 5

No extras are included. Warner's 2008 DVD (in a double feature with Satellite in the Sky) was similarly bare.


World Without End Blu-ray Movie, Overall Score and Recommendation  3.0 of 5

Four years after WWE, Rod Taylor would star in another tale about temporal travel, The Time Machine, based on H.G. Wells's novel. Ironically, the Wells Estate is reported to have sued Allied Artists over WWE, claiming that writer/director Edward Bernds misappropriated Wells's story. The outcome of the suit has not been reported, but it's unlikely that the Estate prevailed. Aside from the element of time travel, the two plots have little in common, and each is recognizably a product of its era, with Wells reflecting Victorian concerns about the state of the British Empire and WWE mirroring the angst of the early nuclear age. (George Pal's adaptation of Wells's novel for the screen introduced similar elements.) WAC has done their usual creditable job with WWE, and if you're fond of the film, the presentation is recommended.


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