6.9 | / 10 |
Users | 4.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
After trying to rescue a female German traveler who ran afoul of serial murderer Mick Taylor in the Australian desert, British surfer Paul must fight to survive.
Starring: John Jarratt, Ryan Corr, Shannon Ashlyn, Philippe Klaus, Gerard KennedyHorror | 100% |
Thriller | 32% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English SDH
50GB Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Slipcover in original pressing
Region A (locked)
Movie | 3.5 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 3.0 | |
Overall | 4.0 |
Writer/director Greg McLean's 2005 shocker, Wolf Creek, scared audiences and divided critics with its slow, eerie buildup and its grisly, unrelenting payoff. Working in the great tradition of "Ozsploitation" films, but with a genre fan's knowledge of horror film history, McLean set out to create an Australian boogeyman who could be every bit the equal of Jason Voorhees or Michael Myers. But, as memorably portrayed by character actor John Jarratt, Wolf Creek's Mick Taylor became even more frightening, because there was nothing supernatural about him. He was strong and resourceful, but he was just a man, which made him all the more dangerous, because he looked completely normal. No one saw the soulless psycho hiding behind the thin veneer of expansive "G'day!" bonhomie until it was too late. Although Wolf Creek, which isn't yet available on Region A Blu-ray, purported to be based on actual events, the story was more suggested than adapted. Several hikers have disappeared over the years in Australia. In some cases, the bodies have been found; in others, they haven't. None of the individuals convicted for these murders—some wrongly, according to their supporters—even remotely resembles Mick Taylor in depravity or sheer gusto. Mick is more closely related to those belligerent drinkers and exuberant hunters so indelibly captured in director Ted Kotcheff's Wake in Fright, a film that was initially condemned in Australia for its depiction of the Oz milieu. Mick Taylor is the horror-film doppelgänger of those characters, exaggerated to an absurd extreme, and perhaps it says something about the power of horror films that this terrifying figure was embraced as a kind of folk hero in his native land. Acknowledging the connection, McLean has included in the sequel, Wolf Creek 2, a scene that is a direct homage to Kotcheff's film. Anyone familiar with Wake in Fright will recognize it immediately. Although McLean planned a sequel to Wolf Creek from early on, it took him almost nine years to get it into theaters, partly because of struggles with his next project, a giant alligator film called Rogue, and partly because of financing issues. Wolf Creek 2 had a bigger budget (and looks it), but by the time it appeared, interest seemed to have cooled. The sequel did considerably less business than the original, although, ironically, the critical reaction was much improved.
Cinematographer Toby Oliver shot Wolf Creek 2 with the Arri Alexa, but he also used small GoPro cameras to obtain remote footage for some of the major stunt sequences. (As revealed in the "Creating a Monster" documentary, sometimes the memory card was the only part of the camera that survived the stunt.) After post-production on a digital intermediate, the result is the film-like clarity for which the Alexa is noted. The image on RLJ/Image Entertainment's 1080p, AVC-encoded Blu-ray was presumably sourced from digital files and features the usual virtues of a Blu-ray that has bypassed any analog processing: a clean, detailed image with solid blacks—essential for the many night scenes—and only an occasional flicker of video noise that is probably a hangover of visual effects work. The naturalistic color palette provides a gorgeous, travelogue-ready rendition of Australia's scenic wonders, which explains the allure for so many foreigners (and the steady supply of victims for Mick Taylor's slaughterhouse). It is surely no coincidence that the most garishly artificial hues appear both in the brief urban scenes before Katarina and Rutger depart on their trek and in Mick Taylor's lair. Neither is a natural environment. Perhaps because the substantial extras are all in 1080p, Image has departed from its usual practice of squeezing feature films onto a BD-25 and has granted Wolf Creek 2 a BD-50. The result is an average bitrate of 24.98 Mbps, which is unusually generous for a digitally originated film and particularly helpful for the complex action scenes.
Wolf Creek 2's 5.1 mix, offered on Blu-ray in lossless DTS-HD MA, rises to its major action scenes with thunderous dynamic range and deep bass extension, especially when Mick Taylor commandeers a semi-trailer truck for a highway pursuit. Other elements of the sound mix are equally impressive, though not quite as loud: various gurgling, splattering and grinding sounds caused by Mick's array of weapons and the powerful report of his trusty rifle, especially at close range. The sound designers have also created a variety of atmospheric effects that echo through the entire sound field, including the winds of the outback, a tell-tale clanging of cutting implements that accompanies Mick's truck and, in the opening scene, the slow turning of a windmill that director McLean added as a sly reference to Sergio Leone. Never buried under the mix is Mick Taylor's guttural growl, with an accent so thick that individual words can be difficult to distinguish, although his general meaning is rarely in doubt. The dialogue of the other actors is usually clear enough; Katarina and Rutger speak mostly in German, which is subtitled. The score by Johnny Klimek, returning from the first Wolf Creek, shifts readily from uneasy foreboding to full-out terror. It also segues well into several standards that figure prominently on the soundtrack, including Steppenwolf's "Born to Be Wild", The Tokens' "The Lion Sleeps Tonight" and Patsy Kline's "I Fall to Pieces".
Wolf Creek 2 is an exceptionally well-crafted film, made with wit and intelligence. Whether it's a viewing experience one will enjoy is another matter. The depiction of a villain who treats other humans as just so many animals for abuse and slaughter is certainly frightening, especially when it's done with the conviction that Jarratt brings to his performance, but it's not everyone's idea of a good time, especially since McLean denies the audience any form of catharsis. With few exceptions, Mick Taylor's victims don't deserve their fate, and Mick is never dealt any real payback. His victims suffer needlessly and pointlessly, which is part of the horror. They rarely escape, and when they do, they have been permanently damaged and are never the same. A boogeyman is supposed to frighten people into behaving well, but Mick Taylor punishes even the good. If this sounds like your idea of fun, the Blu-ray is technically a safe bet, and the extras are superior.
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