7.1 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
White Vengeance tells the story of two brothers contending for supremacy during the fall of the Qin Dynasty, which ruled Imperial China from 221 to 206 BC. As rebels rose, the nation fell into chaos. Liu Bang and Xiang Yu, became leaders of the rebellious army, and also became sworn brothers in battle. Xiang Yu and Liu Bang are close friends who both serve King Huai of Chu. King Huai uses a plot, saying that whoever can subvert the Qin kingdom in Guanzhong would be the Lord Qin, in order to benefit from the competition between Xiang Yu and Liu Bang. Xiang Yu is over-confident. He fights against the main force of Qin army, and entrusts Liu Bang with Yu Ji, the woman he loves.
Starring: Shaofeng Feng, Leon Lai, Anthony Chau-Sang Wong, Hanyu Zhang, Liu YifeiForeign | 100% |
History | 21% |
War | 14% |
Drama | 10% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.38:1
Original aspect ratio: 2.39:1
Mandarin: DTS-HD Master Audio 5.1
Mandarin: Dolby Digital 2.0
English
50GB Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
Movie | 3.5 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 2.0 | |
Overall | 4.0 |
Watching White Vengeance can be a little bit like attempting to play the mobile phone version of Go, the iconic ancient game which is also not so coincidentally part of the film’s plot. Go is supposedly an extremely simple game to grasp, though it also has layer upon layer of strategy underlying this presumed simplicity. But for anyone who has attempted to ferret the rules of the game from any number of free mobile app versions, calling Go “simple” is a little like saying E=MC2 is equivalent to 2+2. White Vengeance is a highly stylized and at least partially (maybe even mostly) fictionalized retelling of an apparently famous story from China’s long ago past, but it is a story so convoluted and site specific that outsiders—including probably most if not all Western viewers—are going to be playing “Stop”, rather than Go, including repeatedly hitting their “Pause” button on their remotes to catch subtitles that flit along with an almost Einsteinian speed of light due to the rapid fire dialogue. Writer-director Daniel Lee has had an impressive, if somewhat spotty, career helming such epics as Three Kingdoms: Resurrection of the Dragon and 14 Blades, and while his visual sweep is undeniable (if hampered by the always trendy use of “shaky cam”), his ability to tell a complex story in a meaningful and, most importantly, comprehensible way is still evidently a challenge. White Vengeance is a film that probably demands repeated viewings if for no other reason than to sort out the labyrinthine internecine warfare that is at the core of the story. The film is opulent but often a jumble and that combination means that while the eye and ear are almost always engaged, the mind may be wondering, to use a Go analogy, what exactly the pattern of white and black playing pieces actually means.
White Vengeance is presented on Blu-ray courtesy of Well Go USA with an AVC encoded 1080p transfer in 2.38:1. This digitally shot film looks gorgeous almost all of the time, and the best news here is that the digital intermediate has not been through the usual blender of color timing, filtering and contrast pushing or pulling. Generally speaking, this is an extremely sharp and clear looking high definition presentation. Things are slightly hobbled by Lee's use of the trendy "shaky cam" technique in several battle sequences, which may have been done to cover up some less than fulsome looking CGI elements that attempt to make a cast of hundreds look like a cast of tens of thousands. In fact the worst part of this presentation are wide shots, which often are more than a tad on the soft side. When the film concentrates on midrange and close-ups, things pop really well, with some exceptional fine object detail, especially with regard to the gorgeous costumes and sets. Colors are nicely saturated, contrast is strong and black levels are also solid throughout this presentation.
White Vengeance features a lossless DTS-HD Master Audio 5.1 mix in Mandarin. As is usual with these Chinese productions, it's more than obvious that many of the actors are not in fact speaking Mandarin, and there are some significant synch issues in terms of lip movements and the sounds supposedly emanating from them. Putting aside this very typical problem, the rest of the mix is often stupendously effective, with some thundering LFE and very nicely placed directional sound effects. The mix here is also unusually varied, in that the film segues from gigantic battle scenes to very quiet romantic or political scheming segments that are considerably more mellow, if no less nuanced. The foley effects in this film are frequently very engaging, including everything from hordes of horse hooves pounding across a barren plain to a large banquet hall door creaking expressively as it opens. Fidelity is very strong and dynamic range is also very wide.
I've made it through White Vengeance twice now, and I'm still not sure I understand everything that goes on in this film, so my advice is don't expect this movie to be an easy thing to digest in one sitting. The good news is White Vengeance is huge and intimate at the same time, offering gigantic epic set pieces with an affecting, if perhaps too melodramatic, tragic love story at its core. Lee obviously has the visual sweep side of things down pat, and White Vengeance offers a glut of gorgeous costumes and sets. But the storytelling on a very basic level is often muddled. There's simply so much material here, often told in a nonlinear way, that it can just become awfully confusing at times. Still, for those willing to spend a little time (or, frankly, a lot of time) ferreting out the nooks and crannies of this story, White Vengeance is an intelligent and captivating historical epic. Recommended.
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