White Palace Blu-ray Movie

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White Palace Blu-ray Movie United States

Alliance Entertainment | 1990 | 103 min | Rated R | Jun 23, 2026

White Palace (Blu-ray Movie)

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Movie rating

7
 / 10

Blu-ray rating

Users0.0 of 50.0
Reviewer1.5 of 51.5
Overall1.5 of 51.5

Overview

White Palace (1990)

Max Baron is a 27-year-old high flying advertising executive still recovering from the death of his wife. One night, he is in a bar when he meets Nora Baker, a 43-year-old waitress with a fixation on Marilyn Monroe. The couple gradually fall in love, though age and social differences mean that the path of true love is strewn with problems.

Starring: Susan Sarandon, James Spader, Jason Alexander, Kathy Bates, Eileen Brennan
Director: Luis Mandoki

RomanceUncertain
DramaUncertain

Specifications

  • Video

    Video codec: MPEG-4 AVC
    Video resolution: 1080p
    Aspect ratio: 1.85:1
    Original aspect ratio: 1.85:1

  • Audio

    English: DTS-HD Master Audio 2.0

  • Subtitles

    English SDH

  • Discs

    Blu-ray Disc
    Single disc (1 BD)

  • Packaging

    Slipcover in original pressing

  • Playback

    Region A (B, C untested)

Review

Rating summary

Movie3.5 of 53.5
Video1.5 of 51.5
Audio3.5 of 53.5
Extras0.0 of 50.0
Overall1.5 of 51.5

White Palace Blu-ray Movie Review

Reviewed by Brian Orndorf October 3, 2026

“White Palace” is an adaptation of a 1987 novel by Glenn Savan, exploring the emotional damage inflicted on two people working to move through horrible losses to find each other in an unlikely relationship. It’s the stuff of a television movie, but the screenplay by Ted Tally and Alvin Sargent puts in a mighty effort to explore the psychological space of the story, examining the concerns of characters who are deeply attracted to each other, but the radical differences in their lives complicate unusual chemistry. Stars Susan Sarandon and James Spader are hired to bring atypical personalities to life, doing an excellent job with nuance as they follow the sometimes broad presentations of conflict found in the picture. “White Palace” probably shouldn’t work, and maybe it doesn’t for many viewers, but the actors understand what the offering needs, and director Luis Mandoki (“When a Man Loves a Woman,” “Message in a Bottle”) generates a mostly stable tone for the endeavor, which offers bits of comedy and tragedy as it pursues a kooky but effective romantic atmosphere.


Max (James Spader) is a 27-year-old marketing man who’s still working through the loss of his beloved wife, Janey (Maria Pitillo), who died in a car accident two years ago. He’s struggling with his reality, and his friends are concerned, including Neil (Jason Alexander), who hopes the young man will let loose at his bachelor party. Instead, Max gets wound up about a botched fast food order, returning to hamburger joint White Palace to demand a refund from waitress Nora (Susan Sarandon). Unexpectedly reuniting later that evening at a bar, Nora shares her attraction for Max, with the 43-year-old woman bringing him back to her home, where the pair enjoy an intensely sexual evening. Max is dazed, unable to shake Nora out of his system, soon pursuing a relationship with the woman, bonding over the loss of loved ones, including Nora’s only son. While heat is generated and fun is had, Max has difficulty bringing Nora into his world, working through issues of embarrassment as he struggles to accept love in his life again.

Character quirks are easily identified in “White Palace,” as Max is a man of order and cleanliness, keeping his apartment just so, while his tastes in music and style remain refined. However, he’s working to shield himself from the world around him, as the loss of Janey has left him shocked and saddened, unable to show much interest in joining friends or returning to the dating scene. The meet cute in the movie is not happy at all, with Max returning to the very White Castle-like White Palace restaurant to get dollars back for empty hamburger boxes in his sack, encountering a deeply fatigued Nora, who doesn’t have the energy to deal with the customer’s unusual tenacity. However, she’s curious about the odd man, and they reunite at a local dive bar, where Max is trying to drown his sorrows, and Nora is ready to probe the stranger. “White Palace” does a credible job setting up attraction, with Nora making her intentions clear to Max, who isn’t sure what to do with this kind of energy.

Nora’s world is a bit more claustrophobic, living in a filthy home covered in Marilyn Monroe pictures. Depression plays a major part in the story, and Nora is battling her everyday life after losing a child, creating a world for herself that she controls, while chain-smoking offers comfort as well. “White Palace” teases an opposites attract approach for the characters, but the movie resists sitcom antics, electing to get a little hot with sex between Max and Nora, which inspires the younger man to return to his new lover, finding something about her that snaps him to attention. The material explores the itchy relationship, finding Max committing to physical activities, enjoying time in a bubble with Nora. Reality isn’t too far away, and “White Palace” successfully introduces issues between the pair, as Nora can’t stand being lied to, and Max has difficulty covering for his embarrassment, laboring to prevent his worlds from colliding.

There’s clunkiness with the adaptation of “White Palace,” which introduces Judy (Eileen Brennan) in the second act. She’s Nora’s older sister, and happens to be clairvoyant, taking a moment to perfectly read Max’s secretive shame and sadness. It’s a bizarre semi-supernatural turn for the picture, but the acting mostly sells it. There’s also trouble at work for Max, who’s dealing with a boss (Kathy Bates) who’s concerned about his recent dive into irresponsibility. This area of the story seems like it’s meant to play a larger part in the film, but it’s only handed one scene to settle in the final cut. More time is spent with Max’s concerned friends and family, who finally meet Nora and don’t exactly know how to handle her, creating a few scenes of class divide that don’t feel particularly organic to the movie, mostly serving as a way to follow romance film formula. And it’s hard to ignore some awkwardly on-the-nose areas of the production, as Mandoki uses K.T. Oslin’s 1987 song, “Younger Men,” to help score a montage about the relationship.


White Palace Blu-ray Movie, Video Quality  1.5 of 5

The image presentation for "White Palace" is sourced from an incredibly old scan of the feature, possibly dating back to the DVD days. There's no fine detail available here, just a softer look at frame information, offering only a plain understanding of skin particulars on the cast. Costuming is also basic in appearance, lacking fibrousness. Interiors deliver only a mild sense of dimension, losing some decorative additions in backgrounds. Exteriors are equally flat, missing true depth. Color is aged, working with limp primaries on style choices and signage. Cooler hues on business attire and city events are understood, but not sharp. Skin tones are somewhat bloodless. Delineation is troublesome, fighting for clarity during evening encounters and limited lighting. Brighter displays of sunlight go nuclear at times, blasting away detail. Grain is noisy, with a chunkier appearance as well, missing a film-like appearance. Source is in decent condition, without major areas of damage.


White Palace Blu-ray Movie, Audio Quality  3.5 of 5

The 2.0 DTS-HD MA mix offers clear dialogue exchanges, handling softer emotional moments and more argumentative ones. Group activity is also intelligible. Scoring is defined, with sharp instrumentation, joined by soundtrack selections that offer crisp vocals. Atmospherics are understood, visiting bustling businesses and parties.


White Palace Blu-ray Movie, Special Features and Extras  n/a of 5

There is no supplementary material on this release.


White Palace Blu-ray Movie, Overall Score and Recommendation  1.5 of 5

"White Palace" finds stable ground when addressing emotional issues between the lovers, who both carry enormous mental health problems. Spader and Sarandon share terrific chemistry in the movie, communicating desire and comfort, but the performances really shine when handling uncomfortable areas of confession and honesty, getting to the core of pain with these lovers and their mutual areas of ache. The writing doesn't go too hard on dramatics, keeping humor part of the endeavor, but there's humanity here, which is appealing, and the stars know how to play with it. "White Palace" eventually goes for a more conventional conclusion, but the path to an ending contains many memorable and engaging moments, delivering an unusual viewing experience about broken people finding each other in the world, hoping to make sense of an unexpected union.