6.3 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Remake of the 1960 movie of the same name has four college coeds; virginal Jennie, outgoing Carole, wealthy and spoiled Southern belle Sandra, and horny Laurie traveling to Fort Lauderdale for their Easter week of Spring Break and the series of adventures and mis-adventures they encounter, which include the naive Jennie persued by musician drifter Scott and Sandra's snobish musician cousin Camden. Meanwhile, Carole is seeking a break in her relationship with the jealous Chip who follows her down to Florida. Sandra pursues a romance with local policeman Ernie who arrests her on the first night for being drunk and disorderly, while Laurie just seeks any man she can get her hands on.
Starring: Lisa Hartman, Lorna Luft, Wendy Schaal, Lynn-Holly Johnson, Howard McGillinComedy | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0
None
25GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 3.0 | |
Video | 3.5 | |
Audio | 4.5 | |
Extras | 3.0 | |
Overall | 4.0 |
While teen cinema in the 1980s was primarily geared toward young boys, 1984’s “Where the Boys Are” emerges as the rare switcheroo, targeting females with its collection of bonding, non-threatening male characters, and weirdly chaste forays into sexual experimentation. It’s a remake of a 1960 production, with producer Allan Carr (“Grease”) trying to bring cutesy beach party shenanigans into a more cynical decade. “Where the Boys Are” doesn’t connect as intended, but it’s not a complete wipeout, finding charm with its four lead actresses: Lisa Hartman, Wendy Schaal, Lynn-Holly Johnson, and Lorna Luft.
The AVC encoded image (1.78:1 aspect ratio) presentation has an advantage, surveying brightly clothed characters visited sun-soaked locations, creating an acceptable viewing experience that represents the original cinematography. Detail runs into softness but remains to a modest degree, bringing out facial and body particulars, while more expansive scenes of celebration are open for survey. Grain is filmic but runs on the thicker side. Delineation carries accordingly, making sense out of evening encounters. Source displays a few scratchy moments, but remains mostly clean.
The 2.0 DTS-HD sound mix delivers wonderfully bold soundtrack cuts, with defined instrumentation and expanse providing a lift to the listening event, while live performances also carry heft. Dialogue exchanges are clear and group activity is managed, leaving nothing lost when party scenes heat up. Atmospherics are defined to satisfaction, feeling out beach encounters and hotel shenanigans.
Those on the prowl for cheap thrills aren't going to find much in "Where the Boys Are," which aims to please its target demographic through romantic displays of affection and peaceful resolutions, trying to keep the whole presentation comfortable enough to pass. It's successful in that regard, but also disappointingly flat and, of course, predictable. "Where the Boys Are" is content to observe the party scene, not become one.
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