6.6 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Two childhood friends now in their thirties must decide whether to follow their heads or their hearts once the man decides to follow his parents' advice and enter into an arranged marriage in Pakistan.
Starring: Emma Thompson, Lily James, Taj Atwal, Shazad Latif, Shabana Azmi| Romance | Uncertain |
| Comedy | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
| Movie | 2.5 | |
| Video | 4.5 | |
| Audio | 4.5 | |
| Extras | 2.5 | |
| Overall | 3.5 |
Shekar Kapur, the director of 1998’s “Elizabeth” and its 2007 sequel, “Elizabeth: The Golden Age,” returns to duty after a 15-year-long break from big screen storytelling with “What’s Love Got to Do with It?” Shedding interest in historical dramas, Kapur joins screenwriter Jemima Khan for this study of arranged marriages and challenges with true love, endeavoring to make something that deals with authentic relationship issues while still hoping to remain approachable as a study of a tentative romance. “What’s Love Got to Do with It?” (which doesn’t have anything to do with the Tina Turner hit, but try explaining that to your brain) has the opportunity to say something meaningful about ongoing battles between the heart and mind, but the production isn’t courageous enough to really offer an honest assessment of near-misses when it comes to relationships, eventually turning to a to-do list of cliches just to make sure the material meets expectations.


The AVC encoded image (2.39:1 aspect ratio) presentation for "What's Love Got to Do with It" generally offers a warmer palette for cozier living spaces and celebratory gatherings. Bright yellows and oranges capture the presence of Pakistani culture, and shimmering golds are common, along with glowing lights. Primaries are powerful, exploring the richness of clothing choices and home decorative style. Exteriors retain intended coolness with autumnal atmosphere. Greener is distinct. Skin tones are natural. Detail is strong, doing well with skin surfaces, which deliver a great examination of texture. Costuming is also fibrous, exploring ornate matrimonial dresses and religious garb. Dimension is capable, with deep town tours and full views of community gatherings. Delineation is satisfactory. Some mild banding is briefly present.

The 5.1 DTS-HD MA mix on "What's Love Got to Do with It" isn't built to overwhelm. This is a delicate feature, and the track follows such a lead. Dialogue exchanges are prioritized, securing differences in accents and performance choices, also preserving softer emotionality along the way. Scoring is sharp and supportive, with distinct instrumentation. Celebration sequences offer more power, with snappy percussion and deeper beats, which leads to periodic low-end response. Surrounds are generally good with musical moods, creating a feel for party scenes, and atmospherics around town and inside living spaces are appreciable.


It's not hard to understand where "What's Love Got to Do with It" is going before the first act is over, with Zoe and Kaz dealing with hidden feelings as their chemistry returns, along with their personal history. The writing isn't aiming high, but it ultimately fumbles suspense by making potential romantic partners gradually undesirable, paving the way to a finale that's both predictable and deflating. Culture dominates the endeavor, and performances are capable for this type of movie, with chemistry appreciable between James and Latif, but "What's Love Got to Do With It?" doesn't take any creative risks, weakening a picture that could use genuine complications getting in the way of an inevitable pairing. Kapur gives in to formula, which involves some authentically complicated feelings concerning family ties and religious devotion, but the film doesn't have the strength to examine such topics with care for nuance. It's out to win hearts in the end, skipping a larger examination of personal psychological and emotional blockage.
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