6.2 | / 10 |
| Users | 0.0 | |
| Reviewer | 2.5 | |
| Overall | 2.5 |
The plot revolves around a group of young people that take a trip to the ruins in order to film a documentary about Epecuen. Ignoring the warnings, and after a brief tour, they get stranded...
Starring: Mirta Busnelli, Victoria Maurette| Horror | 100% |
| Foreign | 34% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.50:1
Original aspect ratio: 2.50:1
Spanish: DTS-HD Master Audio 5.1
Spanish: LPCM 2.0
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 2.5 | |
| Video | 4.5 | |
| Audio | 4.5 | |
| Extras | 1.0 | |
| Overall | 2.5 |
It's probably a good thing that co-writers and co-directors (and siblings) Luciano and Nicolás Onetti are reportedly open (according to of course always questionable online sources) about the fact that What the Waters Left Behind owes more than a passing amount to a certain Tobe Hooper film which has entered the annals of horror classics, at least for some fans. That admission can lend credence to perceptions that What the Waters Left Behind is an "homage" rather than a complete "ripoff", but aside and apart from any "been there, seen that" tendencies the film offers, there's at least one way What the Waters Left Behind manages to create a distinctive identity: its location. This film doesn't take place in some fetid Texas backwater, but there is water involved, as evidenced by the film's English language title. (The original title is Los Olvidados, which is indeed what the title card on this presentation offers, but perhaps someone wanted to avoid confusion with The Young and the Damned, one of Luis Bunuel's early efforts which was also originally released as Los Olvidados.) Villa Epecuén was an Argentinian tourist mecca that was kind of "Venice"-like in that it was evidently kind of thrust out into water and was accessible only via trains that ran on rather narrow raised beds. Villa Epecuén was more or less completely destroyed in 1985 by a freak flood that wiped everything out and left a devastated landscape in its (literal) wake. That apocalyptic environment provides What the Waters Left Behind with some viscerally effective imagery, even if the actual story seems awfully rote.


What the Waters Left Behind is presented on Blu-ray courtesy of Unearthed Films and MVD Visual with an AVC encoded 1080p transfer in 2.50:1. I unfortunately have been able to, um, unearth even one whit of technical information on this shoot, but this is an exceptionally crisp, well detailed looking effort that features some really appealing levels of detail throughout the presentation, even when various stylistic tweaks have been employed (which is fairly frequently). Some of the grading is really interesting, including a kind of coolish blue-green-yellow tint to a number of outdoor moments, notably before the group arrives at their destination. There's repeated use of what I assume is drone footage offering various aerial views of Epecuén, and it looked to me like at least some of that may be at a lower resolution than the bulk of the material. The faux "documentary" video footage is also intentionally pretty ragged looking, as can be gleaned by a couple of the screenshots I've uploaded to accompany this review.

What the Waters Left Behind features a surprisingly vivid and aggressive DTS-HD Master Audio 5.1 track in the original Spanish (with optional English subtitles), though a lot of that energy is not derived from typical "startle" effects and the like, but rather from a pretty nonstop score which features a glut of harder rock guitar-centric cues (Luciano Onetti is credited with the score). There is still noticeable surround activity in non- muiscal moments, with a glut of outdoor material offering opportunities for well placed ambient environmental sounds. Once the film gets into its more gruesome content, there are some stomach churning sound effects as various bodily harm is inflicted. Dialogue is rendered cleanly and clearly thoughout this problem free track. For the record, there's also a very nice sounding LPCM 2.0 track on this disc, one which I actually preferred at times for its more focused accounting of the score.


In doing some background research for this review, I discovered that there's a documentary about a real life survivor of Epecuén entitled Pablo's Villa, which I really wish Unearthed Films and MVD Visual had somehow been able to license and include here (for those interested, it's on YouTube in segments for some reason, but you can start by searching "The Last Man of Epecuen" on that site). The location is what gives this film its real "flavor" (cannibalism notwithstanding), and that alone may be enough to recommend it to some. The story here is beyond trite, but both the setting and some of the Onettis' distinctive stylistic approaches give this film considerable visual impact, with a frenzied guitar drenched soundtrack also adding to the overall effort. Technical merits are solid for those considering a purchase.
(Still not reliable for this title)

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