8.2 | / 10 |
Users | 0.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
In the series' second season, the newly awakened "hosts" explore their new reality, and flashbacks dig deeper into the origins of the world's most sophisticated theme park.
Starring: Evan Rachel Wood, Thandiwe Newton, Jeffrey Wright, James Marsden, Ben BarnesSci-Fi | 100% |
Mystery | 23% |
Western | 14% |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1, 2.35:1
Original aspect ratio: 1.78:1
English: DTS-HD Master Audio 5.1 (48kHz, 16-bit)
French: Dolby Digital 5.1 (640 kbps)
Spanish: Dolby Digital 5.1 (640 kbps)
Portuguese: Dolby Digital 5.1
English SDH, French, Portuguese, Spanish, Danish, Dutch, Finnish, Korean, Norwegian, Swedish
Blu-ray Disc
Three-disc set (3 BDs)
Digital copy
Slipcover in original pressing
Region A (B, C untested)
Movie | 4.5 | |
Video | 5.0 | |
Audio | 4.5 | |
Extras | 3.0 | |
Overall | 4.5 |
(Warning: The following assumes that the reader is familiar with Season One of Westworld and
contains major spoilers for anyone who isn't. If you have not watched the show's first season,
please consult the Season One review for a
spoiler-free introduction. Otherwise, proceed at your
own risk.)
The title of this review—"Is it now?"—is a question asked in the opening moments of Season
Two by Bernard Lowe (Jeffrey Wright), Westworld's chief programmer, and secretly one of the
android "hosts" that populate the theme park. The query is repeated throughout the season, and
it's central to the intricate narrative puzzle constructed by creators Jonathan Nolan and Lisa Joy
and their talented writers room for the HBO series' sophomore outing. Having staged a massive
temporal deception the first time around, Nolan and Joy expect viewers to be wise to their tricks;
so they tell the audience up front that they're going to do it again, just as a magician might
pretend to give away one illusion while engineering another that's even more startling. Indeed,
throughout Season Two, Nolan and Joy manipulate time with such dazzling complexity that you
can watch the season repeatedly and still be sorting out how the narrative strands are
connected. (Hint: Watch for shifting aspect ratios and Bernard's glasses.)
But here, unlike in Season One, where production had to shut down for several months for the
showrunners to unravel their own conundrums, all the pieces are in place from the outset. As the
full extent of Season Two's expanded canvas is gradually unfurled, with previously unseen
expanses of the theme park being explored and one mind-bending revelation following another,
you hold your breath, doubting whether such a high-wire narrative stunt can be sustained. But it
is—and then the creators promise even more to come. (HBO has already ordered a third season.)
Westworld continues to be the rare contemporary TV show shot on film. The principal
cinematographers for Season Two were John Grillo (Preacher) and Darran Tiernan (Star Trek:
Discovery), but arguably the most critical contributor to the show's distinctive look was colorist
Shane Harris of the Encore facility owned by Deluxe. The footage from each shooting day was
scanned at 4K by Encore and color-corrected by Harris in both SDR and HDR, in consultation
with the cinematographers and showrunners, with the goal of producing masters suitable for
broadcast, Blu-ray and UHD. According to Harris, care was taken to preserve the look of Season
One for sequences set in familiar environs like the mountains, forests and deserts of Westworld
itself and the underground control rooms, fabrication facilities and programming bays located
within the formation known as "the Mesa". However, for entirely new locations like Shogun
World and Raj World, Harris and the cinematographers aimed for new looks, with Shogun World
subjected to a digital version of the "bleach bypass" technique from the days of analog film to
desaturate colors, shifting the image toward black-and-white, and Raj World rendered warmer
and more golden. Several other new environments are given their own distinctive palettes, but
these cannot be described without spoilers.
As with Season One, Warner has spread the
ten episodes over three 1080p, AVC-encoded BD-50s, and the presentation is uniformly excellent, with superb sharpness, detail, color reproduction
and densities, solid blacks (deep blacks), and a complete absence of noise or distortion. While the
extensive digital processing has eliminated most indications of the image's origin on film, it
retains the distinctive look established in Season One reflecting the desire of the series' creators
to recall classic Westerns by Ford, Eastwood and Leone (and, in Shogun World, the samurai
films of Kurosawa). The Blu-rays handle the constant shifting among warm and cool palettes
with aplomb. Average bitrates hover around 19 Mbps, which is consistent with Season One's
presentation, and the compression and encoding have obviously been done with care.
Westworld's Season One dazzled on Blu-ray, and Season Two is its equal, with even more to see.
Westworld's Season Two Blu-rays reproduce the 5.1 soundtrack with which the episodes were
shown on HBO, but here encoded in lossless DTS-HD MA. It's a feature-film-quality soundtrack
in impact and dynamic range, and the amped-up violence of Season Two will give your sound
system a good workout, especially in scenes of heavy gunfire and explosions, breaking glass and
the occasional crashing vehicle. Subtler noises (e.g., Maeve's voice "whispering" to other hosts,
as she learns how to direct them) are woven into the mix, often echoing quietly through the
surrounds. There are moments of silence that are, by their contrast, as striking as any sound
effect. The dialogue is consistently intelligible and well-prioritized, which is no small
achievement in some of the louder and more chaotic scenes.
Ramin Djawadi's score remains a highlight of Westworld's soundtrack, from its haunting
opening theme to the recurring motifs associated with various characters and environments. The
soundtrack of Season Two also continues the show's creative appropriation of other composers'
work. "Paint It Black" makes a timely reappearance, and another Rolling Stones classic, "Play
with Fire", provides an ironic commentary on a critical sequence (so does Roxy Music's "Do the
Strand"). Even Beethoven gets a nod in one episode. With Djawadi leading the way,
Westworld's musical accompaniment has become as distinctive and memorable as any of its
characters, and the Blu-ray reproduction represents it faithfully.
The extras can be found on disc 3 (though they are listed on each disc). Many are new, although
some have already appeared on HBO's streaming service, HBOGo. A few additional brief extras
appeared exclusively on the streaming service, but most will disappear by the end of January
2019.
Nolan, Joy and the cast and crew are interviewed. Nearly every extra contains major spoilers, and
none of them should be viewed until after watching Season Two. The titles are appropriately
descriptive, and the discs provide a short pop-up expansion when each one is highlighted on the
Blu-ray menu.
I was mildly critical of Westworld's Season One for overusing sex and violence in what
sometimes appeared to be an effort to match the excesses of, e.g., Game of
Thrones. Season Two
offers even more violence, but now the violence makes more sense in the context of what
amounts to a war between humans and the hosts rising up in rebellion (and often emulating
the sadism they learned from the theme park's guests over many years of enslavement). As for
sex, there isn't time for such indulgences in a world where, to echo the Man in Black, the danger
is real and so is the thirst for survival. Season One tracked the general plot outline of Michael
Crichton's original 1973 sci-fi thriller, but Season Two takes us
far beyond. The show truly came
into its own this year. Where it goes next is anyone's guess, but Nolan and Joy will have to work
hard to top themselves. In the meantime, the Blu-ray discs are well-engineered and highly
recommended.
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