6.2 | / 10 |
Users | 4.5 | |
Reviewer | 2.0 | |
Overall | 2.0 |
Dr. Wilfred Glendon returns to London with a rare flower he sought and discovered in Tibet. He also returns with the bite of a werewolf, which causes him to change into one himself during a full moon. Only the juice from his new flower can provide a temporary antidote. But the disease puts a strain on his relationship with his wife; worse, she's still in love with her old beau. Meanwhile, the flower has attracted the attention of the mysterious Dr. Yogami from Tibet...
Starring: Henry Hull, Warner Oland, Valerie Hobson, Lester Matthews, Lawrence GrantHorror | 100% |
Sci-Fi | 17% |
Fantasy | 3% |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
1558 Kbps
English SDH, French, Spanish
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
Movie | 2.5 | |
Video | 2.5 | |
Audio | 2.0 | |
Extras | 0.5 | |
Overall | 2.0 |
Werewolf of London is being released as part of The Wolf Man: Complete Legacy Collection.
The 1930s were a halcyon decade for monster movies at Universal and with Stuart Walker's Werewolf of London (1935), the studio released
its first werewolf picture and perhaps the first cinematic study of lycanthropy. Henry Hull plays the title role as well as the overly ambitious Dr.
Wilfred Glendon who, as the film begins, embarks on an expedition to Tibet to find the ultra-rare mariphasa plant. When he kneels down to
extract a specimen from the Tibetan flower, he is attacked by a surreptitious werewolf. The bitten Hull manages to make it out with scrapes and
scratches on his arms but unbeknownst to him, his life-changing problems haven't really begun yet. Upon returning to London, he is approached by
fellow botanist Dr. Yogami (Warner Oland), who recalls that he made acquaintances with Glendon in Tibet but the returning doctor can't remember
him. Yogami is also obsessed with the mariphasa and he informs Glendon that it can serve as an antidote (albeit temporary) to
lycanthrophobia but not a cure. Glendon neither buys any of Yogami's scientific rhetoric nor he is terribly concerned about himself transforming into a
werewolf.
Dr. Glendon's "double" that will take over his body.
Werewolf of London appears in its original theatrical aspect ratio of 1.37:1 on this BD-50 that it occupies with She-Wolf of London. Unfortunately, the print Universal struck is not in good shape and this represents the weakest transfer in the set. There are an assortment of stability issues with the image, though Universal has done its best to make the picture as smooth in motion as possible. There isn't any major telecine wobbling but the framings can often appear tilted and unstable. There is contrast flickering and some splices that creep into the frame. There are also small scratches and a host of vertical tramlines (see Screenshot #6). Despite all of these anomalies, the picture is generally watchable and resolution is at least average.
Universal gives Werewolf of London a problematic DTS-HD Master Audio 2.0 track that will leave viewers reaching for their volume button. The
monaural mix derives from a damaged master that is plainly evident as the film plays all the way through. There are continuous pops and crackles on
the soundtrack, particularly during the first half when they are most amplified. There is a surfeit of analog hiss and it is advisable that viewers switch to
a "mono" field on their receivers so they can discern the dialogue on the center/fronts.
Fortunately, Universal has supplied optional English SDH, French subtitles, and Spanish subtitles. I watched the film entirely with the white English
subs and they are presented accurately and completely. They describe sound effects and occasionally (but not always) note the character whose
speaking in all caps. They are either centered in the middle of the screen or placed on the speaking character.
Werewolf of London has its moments but is arguably the weakest entry in The Wolf Man: Complete Legacy Collection. Despite my reservations about the film, I feel bad that Universal could not have given it a new restoration or accessed different elements for a composite print transferred to Blu-ray (if they could be found). The video and audio contain a variety of flaws so keep that in mind as you watch. The movie is worth seeing at least once for historical interest.
(Still not reliable for this title)
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