7.1 | / 10 |
Users | 4.0 | |
Reviewer | 3.0 | |
Overall | 3.6 |
A couple driven apart by the death of their daughter are brought back together when they meet a troubled young woman.
Starring: Melissa Leo, James Gandolfini, Kristen Stewart, Joe Chrest, Ally SheedyDrama | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 16-bit)
English, English SDH, French
25GB Blu-ray Disc
Single disc (1 BD)
BD-Live
Region A (C untested)
Movie | 3.5 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 0.5 | |
Overall | 3.0 |
I'm nobody's little girl.
Welcome to the Rileys is a film about doing good in the wake of something bad, about finding a purpose in life when life seems to have made
itself purposeless. It's a story of overcoming the odds with the help of an out-of-nowhere guardian angel, which, of course, are the best kind, the kind
that find it in their hearts to help someone in need not for money or for the camera but out of a sense of humanity, a sense of purpose, a sense of
doing good for the sake of doing good, not because it's been labeled as "the right thing to do" or because of some external coercion. It's about turning
life's negatives into
positives, about not reclaiming, reshaping, or canceling out the past but making sure that the past, no matter how unforgiving, can in some way make
things better in the future. It's about big hearts, patience, acceptance, seeing the inner positives through the worldly negatives and the inner potential
through even the nearly impenetrable veil of worldly failure. Welcome to the Rileys is, yes, a story about welcoming a wayward soul into the
hearts and lives of a couple who are themselves struggling not through physical decay but rather emotional and spiritual loss, the two opposites coming
together in search of that something that might make lives more complete and fulfilling because of a smile, a gift, an understanding that most of the
world would rather not offer. It's about nurturing when society sees only a lost cause, about growth of the heart and soul when they appear withered
and not much longer for this Earth. It's about tenderness and forgiveness, but most of all, it's about living even in the face of physical death,
emotional death, and figurative death.
Welcome back to life.
Welcome to the Rileys delivers a nearly pristine 1080p transfer that's reflective of the typical Sony output. The image features fine color balance, strong detailing, and a crisp, film-like texture that's accentuated by a native layer of film grain. Rarely does the transfer fail to yield pinpoint details; facial closeups excel, and fine object detail is wonderful throughout, whether the creases in an old leather chair or the wear-and-tear visible around Mallory's small home. Colors are neutral and the film doesn't lean towards a faded texture or an overly warm feel, and every hue is delivered accurately throughout the movie, regardless of lighting conditions. Black levels and flesh tones hover around perfection. The image does fluctuate a bit between looking unnaturally flat and sporting excellent depth for a 2D image. The print is immaculately clean, as is to be expected of a brand new release fresh from theaters. Welcome to the Rileys isn't a movie built for eye candy; the image is somewhat nondescript by its very nature, but Sony's transfer appears very faithful to the source and makes for a wonderful example of how Blu-ray can yield a great-looking image even for a movie that's not unique in its visual structure.
Welcome to the Rileys features a steady but generally unspectacular DTS-HD MA 5.1 lossless soundtrack. That's not a knock on Sony's audio presentation but merely a reflection of what is a fairly straightforward and generally bland sound design. Much like the film's pedestrian visual scheme, the audio is handled as well as can be expected given that there's really nothing of note going on. Most of the track is located up front, and even more, it seems, straight up the middle. Listeners will note some very subtle ambience in places -- the buzzing of overhead fluorescent lights, a rope knocking up against a flagpole -- that are small details but that add some much-needed support that manage to sound quite real for as inconsequential as they may be. Things spring to life in chapter four with some appropriately sloppy bass that helps set the mood inside the smoky and low-lit strip club. Otherwise, this one's primarily all about dialogue, and Sony's track handles the spoken word like a champion. It won't wow any listeners with power and an overload of directional effects, but this is a steady and pleasant soundtrack that does all it needs to do in support of what is a talk-heavy picture.
Fans are sure to be disappointed with this minuscule assortment of extras; Welcome to the Rileys contains but a single featurette.
Welcome to the Rileys isn't quite where it needs to be. Make no mistake, this is still a first-class film with a critically important message on the life-changing positives of acceptance, understanding, charity, and love in a world where people seem to have been reduced to things and those struggling on the bottom rung of the ladder seem like faceless nothings, people whose pains and misfortunes go unnoticed, blurs in a fast-paced world where the scramble to the top has lessened the importance of building a winning soul. Unfortunately, there's just not enough emotion here, at least of the real, honest-to-goodness heart-wrenching kind. It's not for a lack of effort or poorly-drawn characters that the film isn't quite where it needs to be, but instead the absence of some intangible, whatever that may be, that sees the film play with purpose but not with all that much heart. Still, this is a fine movie that's well worth watching; it just could have been a lot more. Sony's Blu-ray release lacks much in the way of extras, but the studio has still seen fit to provide another first-rate technical presentation. Despite some misgivings, Welcome to the Rileys nevertheless comes recommended.
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