6.7 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Professor Norman Reed falls in love with and marries an exotic woman named Paula while on vacation in the South Seas. When they return to his hometown, she is greeted coolly by much of the community, especially Illona, who felt that Reed was hers. Strange things begin to happen, including the death of a colleague, which turns people against her even more, especially as she believes in voodoo and other supernatural phenomena. Reed must work hard to prove her innocence and find the real culprit behind the strange doings. Later remade twice as 𝑵𝒊𝒈𝒉𝒕 𝒐𝒇 𝒕𝒉𝒆 𝑬𝒂𝒈𝒍𝒆 a.k.a. 𝑩𝒖𝒓𝒏, 𝑾𝒊𝒕𝒄𝒉, 𝑩𝒖𝒓𝒏 (1962) and 𝑾𝒊𝒕𝒄𝒉𝒆𝒔' 𝑩𝒓𝒆𝒘 (1980).
Starring: Lon Chaney Jr., Anne Gwynne, Evelyn Ankers, Ralph Morgan, Elisabeth RisdonHorror | 100% |
Mystery | 26% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.36:1
Original aspect ratio: 1.37:1
English: LPCM 2.0 Mono (48kHz, 24-bit)
BDInfo
English SDH
Blu-ray Disc
Single disc (1 BD)
Region B (A, C untested)
Movie | 3.5 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 4.0 | |
Overall | 3.5 |
Note: This film is available as part of Inner Sanctum Mysteries: The Complete Film Series.
There may be two schools of thought with regard to those who make horror films, with one group opting for graphic, on screen representations of
whatever traumas characters experience, and with another group thinking that it’s best not to show every jot and tittle of various
nefarious
behaviors, in the belief that the audience’s imagination can make things even scarier than any overt offerings can. In that regard, it’s interesting to
think
about some of the old radio shows that frequently featured mystery, thriller or horror elements, since it probably goes without saying that a
broadcast
without a video element necessarily requires the active participation of a listener’s imagination in order to make everything “click”.
There
were any number of “spooky” radio programs back in the day, including such well remembered efforts as Suspense (which kind of
amazingly
managed to last until 1962), though Inner Sanctum owed its genesis to another medium that requires an active imagination — namely,
reading. Simon and Schuster launched an imprint called Inner Sanctum in 1930 which did traffic in mystery and thriller novels, but which kind of
humorously also offered other genres, including romance.
In 1941, the radio edition premiered in January and became a staple of the American
broadcast landscape,
with a licensing deal with Simon and Schuster that required regular advertising of whatever the latest Inner Sanctum book was. A little bit over
two
years later, Universal did another licensing deal with Simon and Schuster to use the Inner Sanctum title, though as the commentary on
Calling Dr. Death gets into, Universal was kind of aggressively circumscribed by both the publishing house and the radio version in
that
the film company could not use the radio sound effect of a creaking door (which memorably opened and closed each episode), and was also
prohibited
from actually adapting any of the Simon and Schuster books (which may seem like a kind of odd requirement). Universal ended up making six
titles under their Inner Sanctum imprint, with all of them offering Lon Chaney, Jr. a chance to do something other than grow hair (The Wolf Man), get wrapped in
ragged bandages (The Mummy's Tomb) or attempt
to maraud around in Boris Karloff's oversized boots (The Ghost of
Frankenstein). With regard to the two "schools" of horror mentioned above, for reasons probably related as much to the production era
as to any deliberate stylistic choice, things can be somewhat discursive in terms of on screen horror.
Weird Woman is presented on Blu-ray courtesy of Eureka! Entertainment with an AVC encoded 1080p transfer in 1.36:1. This doesn't quite match the consistency of Calling Dr. Death, but often comes close. Kind of hilariously, what looks like the exact same hair in the gate of the credits of the first film reoccurs here and magically climbs up the left side of the frame during this film's credits. There's also some noticeable flicker at times, notably in the first scene where Paula runs home in the storm. A few transitional dissolves can look a bit fuzzy, but overall clarity is very good, contrast is strong, and detail levels are quite appealing throughout the presentation. Grain resolves naturally, but can look heavy in some opticals.
Weird Woman features an LPCM 2.0 Mono track that supports the musical elements, including the patently ludicrous "native" sequence, as well as dialogue. Interestingly, the introductory "crystal ball" talking head is easier to understand in this second film than in the first, at least to my ears. Some sound effects, notably the big storm that begin the film, can come off as unnatural and a little brash, but there's no actual damage or distortion to report. Optional English subtitles are available.
Eureka! has packaged this set on two discs, with both film specific and more generalist supplements on each disc. Here is a list of all the contents,
including supplements,
on both discs.
Disc One
- Calling Dr. Death
- Audio Commentary by C. Courtney Joyner and Regina Le Borg can be accessed under Calling Dr. Death on the Main Menu.
- Trailer (HD; 1:07) can be accessed under Calling Dr. Death on the Main Menu.
- Weird Woman
- Audio Commentary by Justin Humphreys and Del Howison can be accessed under Weird Woman on the Main Menu.
- Trailer (HD; 1:22) can be accessed under Weird Woman on the Main Menu.
- Dead Man's Eyes
- Trailer (HD; 1:05) can be accessed under Dead Man's Eyes on the Main Menu.
- The Amazing Death of Mrs. Putnam (25:15)
- The Black Seagull (28:46)
- The Skull That Walked (29:42)
- The Frozen Ghost
- Trailer (HD; 1:11) can be accessed under The Frozen Ghost on the Main Menu.
- Strange Confession
- Audio Commentary by Peter Atkins and C. Courtney Joyner can be accessed under Strange Confession on the Main Menu.
- Pillow of Death
- Skeleton Bay (29:44)
- The Man Who Couldn't Die (29:22)
- Death of a Doll (25:08)
The Inner Sanctum series doesn't really suffer any kind of so-called "sophomore slump" with this entry, and while there's an undeniable Val Lewton-ish quality to the proceedings, the combination of small town college life and "exotic" voodoo elements make for a fun viewing experience. Video is just a little inconsistent at times, but audio is fine, and Weird Woman comes Recommended.
(Still not reliable for this title)
1945
1945
1944
1943
Eureka Classics
1940
1945
2014
Schock / Beyond the Door II
1977
Burn, Witch, Burn / Cult Classics
1962
2017
La Casa 4 / Witchery / The Italian Collection #62
1988
1987
1990
1981
2016
1944
La notte che Evelyn uscì dalla tomba
1971
Slasher Classics Collection #32
1988
1997
Slasher Classics Collection #19
1983