7.3 | / 10 |
Users | 4.5 | |
Reviewer | 4.5 | |
Overall | 4.5 |
Explores every facet of Yankovic's life, from his meteoric rise to fame with early hits like 'Eat It' and 'Like a Surgeon' to his torrid celebrity love affairs and famously depraved lifestyle.
Starring: Daniel Radcliffe, Evan Rachel Wood, Rainn Wilson, Julianne Nicholson, Diedrich BaderComedy | 100% |
Music | 33% |
Biography | Insignificant |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Slipcover in original pressing
Region A (C untested)
Movie | 4.0 | |
Video | 4.5 | |
Audio | 5.0 | |
Extras | 4.0 | |
Overall | 4.5 |
It’s fitting that a bio-pic of “Weird Al” Yankovic doesn’t contain a single authentically biographical moment from his life. “Weird: The Al Yankovic Story” isn’t out to deliver an honest overview of the subject’s life and times, it’s a “Funny or Die” co-production, presenting not just an exaggerated take on Yankovic’s career, but a complete farce concerning the twists and turns of his existence. It’s in the tradition of “Walk Hard: The Dewey Cox Story,” delivering a parody of bio-pics for the master of song parodies, turning his experiences into an operatic understanding of career determination and the intoxication of ego. “Weird” is often hilarious and always on the prowl for silly business, with director Eric Appel (who co-scripts with Yankovic) really going wild with this examination of one man’s quest to win the world over with his accordion and love of wordplay, facing incredible odds against his success and physical threats from Pablo Escobar.
Screencaps are taken from the Blu-ray.
"Weird: The Al Yankovic Story" makes its way to UHD after spending the last year on streaming. The Dolby Vision presentation offers nuanced colors
throughout, handling the extremes of the subject's adventures. Period hues are alert, with vivid primaries on clothing choices. Interiors retain the
warmth of domestic spaces and the coldness of hospital stays and arena antics. Skin tones are natural, and makeup additions are precise (even
exposing budgetary limitations). Greenery is also defined. Highlights are appealing, with a tasteful sense of California life and performance presentation.
Detail is superb, exploring sharp skin particulars, and costuming remains fibrous, working with the oddball outfits of the era. Interiors deliver a
tour of decorative additions, and exteriors maintain dimension. Blacks are deep, selling tour activity and preserving evening action. "Faux" grain is
utilized for the HD-shot feature, and it doesn't always register in a natural way, but this appears to be an inherent issue.
The 7.1 Dolby TrueHD mix supplies a crisp listening experience for "Weird." Dialogue exchanges are sharp, securing nuance with performance choices and celebrity impressions. Scoring cues support with clarity and balance. Musical performances are commanding, with a pleasing sense of percussion, synth, and bass, and vocals are pronounced, keeping Yankovic's singing the focus of the songs. Musical moods offer circular activity, providing a feel of crowds and room tone. Atmospherics are active and full.
Madonna soon enters "Weird," putting Al on a path of alcoholism and arrogance, transforming him into a Jim Morrison-like figure, and there's an action element when the Material Girl is kidnapped by Escobar's goons. The feature is 107 minutes long, and one can feel the second half struggling to sustain the movie's early energy, with a few ideas and subplots in need of pruning. Still, laughs are relatively consistent, and Radcliffe gives his all to the part, trying to be the most animated "Weird Al" Yankovic possible, never turning down a chance to embrace the excess and amplification of this version of Al. Of course, it's all nonsense, but "Weird: The Al Yankovic Story" offers some inspired madness and it answers a question plaguing pop culture for the last 40 years: what came first, "Eat It" or "Beat It"? The answer may surprise you.
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