6.9 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
An up-and-coming chef and a recent divorcée find their lives forever changed when a chance encounter brings them together, in a decade-spanning, deeply moving romance.
Starring: Andrew Garfield, Florence Pugh, Grace Delaney, Lee Braithwaite, Aoife Hinds| Drama | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 5.0 | |
| Audio | 4.5 | |
| Extras | 2.0 | |
| Overall | 4.0 |
Amazon is also offering a wide release of this title.
Note: While even writer Nick Payne and director John Crowley more or less dispense with any potential arguments about "spoilers" in
their
commentary, overtly mentioning how this film's unusual structure "lets the cat out of the bag" in terms of a major plot development within the
film's
first few minutes, those averse to any discussions of that plot point, among others, are encouraged to watch the film before reading this review.
It may be hard for younger folks in particular to realize, but the admittedly pretty "simple" and "basic" Love
Story was a cultural phenomenon the likes of which hadn't been seen in years, maybe decades, when the book first appeared in February
1970 and then the film version was released right before Christmas that year, becoming the "holiday film" of 1970 (leaving more
expected
seasonal fare like Scrooge in the box office dust in the
process). The overwhelming success of Love Story might be thought of as occurring either because of or despite a
somewhat
depressive
plot line. And here's the really interesting part, at least for closet sociologists — everyone knew the "big secret" about
Love
Story going in, namely that the general outlines of the plot were boy meets girl, they fall in love and marry, and the girl then dies. Love
Story was compared to so-called "three hankie weepies" from the veritable days of yore, but in terms of foreknowledge of plot machinations,
it's
arguable that Love Story was very much in a class by itself, since the tragic trajectory of Oliver and Jenny's doomed romance was really
the
entire emotional arc of the narrative. In that regard, it might be cheekily suggested that the famous tag line of Love Story, one so
hilariously parodied in everything from The Carol Burnett Show
's send up of the movie to What's Up, Doc?, where
Barbra Streisand impishly states it to Ryan O'Neal, might be "reconfigured" to describe We Live in Time as sorry you're means love
say to never having, or something
similarly out of whack in terms of "normal" grammar. That's because while this film indeed follows the same
basic tragic trajectory of a doomed romance as the long ago Erich Segal tale did, the film toys with structure, delivering several different
timeframes "colliding" with each other, so that the announcement of a cancer diagnosis for focal female Almut Brühl (Florence Pugh) comes
very early in the film despite happening somewhat later in a more "traditional" narrative chronology, and butts up against vignettes
documenting both Almut's romance with Tobias Durand (Andrew Garfield), but also her
pregnancy.


We Live in Time is presented on Blu-ray courtesy of A24 with an AVC encoded 1080p transfer in 2.39:1. As of the writing of this review the IMDb lists the Arri Alexa as having been utilized, but fails to specify the resolution of the DI. One way or the other, this is a really appealing looking presentation, one that offers typically excellent clarity and some really nice fine detail levels, while also providing nice support for a rather widely variant palette. There are a number of interesting grading choices on display, including some cool blue tones (as in the opening scene with Almut on a jog) to more buttery warm yellows (as in several of the romancing sequences), and commendably detail levels don't really tend to ebb that much even with these choices. There's also a lot of more naturally lit and/or graded material, all of which looks great. I noticed no compression issues.

It's maybe a little surprising that We Live in Time features a Dolby Atmos track, and in fact as a Dolby Atmos track it may frankly not be the "showiest", though as a surround track, it's really rather effective, establishing good spatial relationships even in some pretty cloistered environments, but then also opening things up quite a bit in scenes that utilize ambient environmental effects. There are quite a few source cues by various performers (none overly familiar to me) and underscore by Bryce Dessner, all of which typically engage the side and rear channels. Dialogue is rendered cleanly and clearly throughout. Optional English and Spanish subtitles are available.


It is completely arguable that the structural artifice of We Live in Time is nothing other than a gimmick, and some may find it such a gimmick that it may detract from the actual story. I found the disjunctive approach to be both effective and emotionally gut punching on several occasions. Technical merits are first rate and both the commentary and brief making of supplement are enjoyable. Recommended.

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