6 | / 10 |
Users | 0.0 | |
Reviewer | 2.5 | |
Overall | 2.5 |
Every six hundred years, a great evil has the opportunity to escape and unleash Armageddon. A group of five stones has the power to either free the evil, or banish it for another six hundred years. An order of Druids battles with a Warlock determined to unleash his father upon the world.
Starring: Julian Sands, Chris Young (I), Paula Marshall, Joanna Pacula, Steve KahanHorror | 100% |
Fantasy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 (48kHz, 16-bit)
English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 2.5 | |
Video | 3.5 | |
Audio | 4.0 | |
Extras | 2.5 | |
Overall | 2.5 |
Note: This film is available as part of the Warlock
Collection.
Like many a good American kid raised on endless afternoon reruns seen after getting home from school, I’m pretty sure the first time I heard the
term “warlock” was a reference to a male character on Bewitched, where it
was
shorn of any nefarious (let alone Satanic) subtext. The Warlock franchise posits a titular (and otherwise unnamed) character who is
hardly in
that “kinder, gentler” context of a mid-sixties sitcom, even if there are manifest differences between the stories revolving around him in the three
Warlock films. Like a lot of ostensible horror franchises, Warlock starts out at least relatively winningly, but then offers what
some
may perceive as an example of the law of diminishing returns. The first film at least presents a time traveling tale that is a kind of odd combo
platter
of elements from The Terminator, Highlander, Time After Time
and
Witchfinder General, though the two sequels also included in this
set
have little if anything to do with that original setup, instead merely porting over the Warlock branding into what are essentially standalone
stories.
Warlock: The Armageddon is presented on Blu-ray courtesy of Lionsgate Films' Vestron Video imprint with an AVC encoded 1080p transfer in 1.78:1. To my eyes, this is the least effective looking transfer of the bunch in this set, which is not to say it's overly problematic. There are signs of age related wear and tear, as well as what might be an older master, as evidenced by elements like wobble during the credits and repeated hurdles with grain resolution, with many darker moments looking fairly noisy at times. It's the wide variance in grain resolution that may strike some as the most annoying issue with this transfer, and in fact some sequences kind of ping pong back and forth between relatively natural looking grain and chunky, clumpy looking grain, with no apparent reason for the moment by moment changes. As Anthony Hickox kind of jokingly relates in his engaging commentary, this film was made at the dawn of CGI, and some of the "special effects" aren't especially convincing, though some of the practical effects (including that reptilian placenta) are quite effective. There are a number of process shots that literally show their seams, and some brief moments can actually look slightly out of focus (see screenshot 14).
Warlock: The Armageddon features a nice sounding DTS-HD Master Audio 2.0 track that supports the film's at times pretty turgid dialogue, as well as a glut of sometimes quite effective sound effects. As with the first film, there are no issues with damage, distortion or dropouts.
With a little more development, Warlock: The Armageddon could have arguably upped its effectiveness, but as it stands, it's an okay follow up that benefits from some excellent practical effects work and which is hobbled by some less than effective nascent CGI. Sands is as suave and sinister as ever, but the whole Druid angle is probably going to evoke some unintended laughter in some viewers. Video is a bit spotty at times, but audio is fine, and the supplements, while not as bounteous as on the first film, are enjoyable.
(Still not reliable for this title)
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