7.3 | / 10 |
| Users | 4.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
The story of a Navy SEAL team that, in 2006, got pinned inside a house in Ramadi, Iraq during the American occupation, took heavy casualties, and finally escaped with its surviving members in tatters. This was not a major battle in the conflict or by the standards of any conflict. But it happened.
Starring: D'Pharaoh Woon-A-Tai, Will Poulter, Cosmo Jarvis, Kit Connor, Finn Bennett| War | 100% |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.00:1
Original aspect ratio: 2.00:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
4K Ultra HD
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 0.0 | |
| Audio | 5.0 | |
| Extras | 1.5 | |
| Overall | 3.5 |
Note: I am continuing to caution prospective consumers about utilizing A24's own online shop for any Blu-ray purchases, since it has been
something of a disaster for me personally in terms or order fulfilment and response to inquiries.
A number of prominent film directors have either had direct combat experience or at least been tangentially involved in various global conflicts
going back to World War I. That fracas saw "recruits" who would later become iconic names in cinema, including William Wellman, King Vidor,
Merian C. Cooper, Howard Hawks, Lewis Milestone, and in the world cinema department Jean Renoir and Fritz Lang. Many of those men were
officially too old to be either conscripted or volunteer for World War II, but as the appealing multi-part 2017 documentary Five Came Back illustrated, any number of new iconic names participated in that conflict,
including William Wyler, Frank Capra, George Stevens, John Ford and John Huston. Now, the World War II guys tended to be utilized as
filmmakers, famously contributing to the war effort with propaganda pieces, but it's salient to note that their war experiences certainly
informed at least some of their subsequent work, as in Wyler's The Best Years of Our Lives and/or Stevens' The Diary of Anne Frank. There's absolutely no doubt, however, that some of the World War I vets made spectacular use
of whatever "particular set of skills" they may have picked up in the service, with ace flyer Wellman helming Wings and Milestone helming one of the all time great anti-war efforts, All Quiet on the Western Front. Later
directors, perhaps most saliently Oliver Stone, also famously put their wartime experiences to use in their filmmaking careers, and Stone
contributed a triptych of sorts documenting aspects of the Vietnam War in Platoon, Born on the
Fourth of July and Heaven & Earth. This is
all to say that while Warfare is another film (co)-written and (co)-directed by a veteran, in this case the story is arguably more personal
than in any of the above productions, even the redolent works of Oliver Stone. Warfare documents an ambush of sorts that Ray Mendoza
(that aforementioned writer and director) experienced in Iraq as part of a Navy S.E.A.L. team. The story here is based entirely on the documented
memories of Mendoza's platoon and is therefore an unusual visceral account of what it's like to be a soldier caught in a trap of someone else's
making, in more ways than one.


Note: While this is a standalone 4K release without a 1080 disc, I am offering screenshots from A24's standalone 1080 release of Warfare as I think it actually provides a better representation of the
look of the palette in particular, rather than offering screenshots from the 4K disc which are by necessity downscaled to 1080 and in SDR. Because this
release does not include a 1080 disc, the 2K video score above has been intentionally left blank.
Warfare is presented in 4K UHD courtesy of A24 with an HEVC / H.265 encoded 2160p transfer in 2.00:1. The IMDb lists the DJ Ronin camera
and a 4K DI as relevant data points. There's a quasi-vérité approach toward the cinematography, though interestingly in that regard there's
(thankfully in my opinion) relatively little "jiggly cam", something that helps to elevate the ability to actually perceive fine detail. There are
any number of peripatetic camera moves, especially during some of the actual moments of "battle", that can obfuscate things, and two key moments
include explosions where dust and debris further complicates matters, but this is actually all to say that this 4K presentation delivers fulsome detail
almost all of the time, and handles any compression hurdles vis a vis haze in the wake of a bomb with ease. The digital grain is probably
more apparent at this increased resolution. The Dolby Vision / HDR grades may frankly not have that much to "play" with, but in at least a couple of
instances do add some really interesting highlights. The most notable example for me was a kind of orange-red-pink curtain that swaths an
interior room with that combo hue, and that "combo" part is even more noticeable in this 4K version than in the 1080 release. On the potentially
slightly minus side, I frankly didn't see any huge uptick in shadow detail from HDR in scenes like the opening nighttime walk through deserted city
streets.

Warfare features an explosive Dolby Atmos track that provides at least two absolute whirlwinds of activity during an initial grenade attack and then later an IED explosion. But quite impressively even in the cloistered confines of the house the SEALs take over there is consistent engagement of the surround channels, which actually only helps to support the claustrophobic atmosphere, as various looming ambient environmental effects dot the side and rear channels, at times menacingly. There's actually not much music other than the disjunctive opening exercise video, which features "Call on Me" by Eric Prydz. Dialogue is rendered cleanly and clearly throughout. Forced subtitles accompany a few moments in Arabic, but otherwise optional English and Spanish subtitles are available.


This is a visceral examination of a group of men under incredible duress, and it's obviously an homage crafted by Mendoza to both his own experience but probably more importantly to his comrades in arms. Technical merits are solid and the supplements enjoyable. Recommended.

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