7.2 | / 10 |
Users | 4.4 | |
Reviewer | 4.0 | |
Overall | 4.4 |
Alien invasion threatens the future of humanity, one man races to keep his family safe.
Starring: Tom Cruise, Dakota Fanning, Miranda Otto, Justin Chatwin, Tim RobbinsAction | 100% |
Sci-Fi | 70% |
Adventure | 67% |
Thriller | 57% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
French: Dolby Digital 5.1 (640 kbps)
Spanish: Dolby Digital 5.1 (640 kbps)
Portuguese: Dolby Digital 5.1 (640 kbps)
English, English SDH, French, Portuguese, Spanish
50GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 4.0 | |
Video | 5.0 | |
Audio | 5.0 | |
Extras | 3.0 | |
Overall | 4.0 |
Are we still alive?
Roland Emmerich may be the "King of the Disaster Movie," but Steven Spielberg is the "King of All
Trades;" has there ever been a more capably-diverse filmmaker than he? Directors like Roland
Emmerich excel within the cozy confines of a singular genre, whereas Spielberg has shown time
and again the ability to branch out and not only make a movie, but craft a work of art. Whether
the terrors of Jaws, the throwback adventurous spirit of Raiders of the Lost Ark,
the cuddliness of E.T., the groundbreaking vision of Jurassic Park, the historical
drama of Amistad, the poignancy of Schindler's List, the grittiness of Saving Private Ryan,
the excitement of Minority Report, or
the simplistic sentimentalities of The Terminal, Steven Spielberg proves time and again his
ability to build a film that's often radically different from anything else he's done, yet still remain
at the top of his craft. With 2005's War of the Worlds, Spielberg dives head-first into
Emmerich's sacred ground and builds a movie that's a rival for anything that Roland has ever done
in terms of special effects, but one-ups the King of the Disaster Movie in thematic content,
characterization, and visual acumen, three elements that aren't a requirement for a Disaster
picture, but three that can
only add to the tension and drama of any fictional end-of-the-world scenario.
Don't move.
War of the Worlds arrives on Blu-ray with an impressive 1080p, 1.85:1-framed transfer that's reflective of Director Steven Spielberg's intended visual style. As the film opens, it features something of a blown-out look about it that's excessively bright with some intentional blooming effects and desaturated colors, all of which often influence the characters' flesh tones and surrounding colors. This palette gives the film a throwback look and feel that borders on looking black-and-white in a couple of dusty gray city scenes, but there's still a fair amount of color to be found throughout the movie, particularly on Rachel's multicolored winter apparel. War of the Worlds isn't always razor-sharp; several scenes and backgrounds wander towards a soft, mushy texture, though again, such seem in-line with the director's vision and style and not necessarily reflective of an error in the transfer-to-Blu-ray process. The transfer isn't always impeccably defined, but it's instead raw, gritty, uncertain, not always under control, not always perfectly-staged and framed, which only accentuates the film's style and story. Black levels are consistently deep and true without ever appearing too bright or, on the other end of the spectrum, absorbing fine details where they shouldn't. The picture does enjoy a strong film-like look thanks to a thick layer of grain that's maybe even a bit heavier than that seen in Minority Report and Saving Private Ryan. War of the Worlds does not offer high definition "eye candy" in the traditional sense, but it is reflective of the way the film is supposed to look, which is the ultimate compliment to any Blu-ray, no matter how rough around the edges it may be.
War of the Worlds lands on Blu-ray and devastates sound systems with a reference-quality
DTS-HD MA 5.1 lossless soundtrack. Though this track will be remembered and enjoyed first and
foremost for the picture's aggressive action scenes, it delivers plenty of establishing and
environmental effects that set a nice tone for the action to come, before a single alien tripod even
rises from the ground. The picture opens with a scene featuring Ray at work; machinery sends a
deluge of high-powered effects through the listening area with a full surround accompaniment and
a
good deal of bass, followed by the seamless effect of trucks rumbling from right to left through the
middle of the soundstage. Preceding the aliens' arrival is a gusty wind that blows unmercifully
through the soundstage and seems to extend well beyond the confines of the speakers, creating a
seamless sound field that sends a shivering chill across the room, accompanied by some incredibly
aggressive and potent thunder-like sounds, all of which is played at a ridiculously loud volume at
reference level, but never at the sake of clarity and precision.
The action scenes are often highlighted by the track's prodigious levels of bass; the alien tripods
lurch
through the soundstage with a powerful foghorn-like pulse that reverberates about the listening
area
with what is nothing short of a system- and eardrum-testing low end; War of the
Worlds
rivals some of Blu-ray's finest soundtracks, including Saving Private Ryan and Terminator Salvation,
for
sheer amounts of earth-shattering bass that also retains a superb amount of clarity, playing as
impeccably defined and natural and not just a jumble of messy sound. The track also excels in both
close-up military engagements with the aliens and distantly-heard battles that feature strings of
popping machine gun fire and hefty explosions far off in the distance. In the closer and more
personal battles, gunfire tears through the
soundstage, tanks belt out shell after shell at the tripods, and fighter jets scream overhead,
delivering their payloads on the stout alien visitors, all with thunderous sonic effect. Additionally,
John Williams' excellent score plays with a deep, big, cinematic feel, a fitting companion to the film
and that's superbly implemented in every scene. Rounded out by pitch-perfect dialogue
reproduction,
War of the Worlds' DTS-HD MA 5.1 lossless soundtrack is the very definition of
reference-quality audio.
War of the Worlds invades Blu-ray with a healthy selection of bonus content. First up is
Revisiting the Invasion (480p, 7:39), a piece that features Director Steven Spielberg
speaking on his
fascination with Alien Invasion films and the themes and metaphors of films past and in his own
War
of the Worlds, followed by interview clips with cast and crew speaking on the picture's
structure,
story, and what makes for good Science Fiction. The H.G. Wells Legacy (480p, 6:34)
features
Wells' grandson Martin, his great-grandson Simon, and Director Steven Spielberg speaking on the
legacy of H.G. Wells. Steven Spielberg and the Original 'War of the Worlds' (480p, 8:00)
looks
at some of the connections between the original 1953 film and Spielberg's 2005 vision of the story
while looking back at the history behind the 50s version of the film. Next is Characters: The
Family Unit (480p, 13:22), a piece that closely examines the character traits through which
the
picture frames its story and themes. Also explored is the film's costuming, casting, and the work of
Dakota Fanning, Justin Chatwin, and Miranda Otto.
Previsualization (480p, 7:42) examines the importance of this relatively new technique
that's crucial to constructing a high-dollar special effects film. Production Diaries (480p) is
a four-part segment that delivers a fascinating in-depth chronicle of the shoot, featuring
interview snippets, plenty of behind-the-scenes footage, and clips from the film. The segments
include East Coast -- Beginning (22:30), East Coast -- Exile (19:39), West
Coast -- Destruction (27:29) and West Coast -- War (22:20). Next is Designing
the Enemy: Tripods and Aliens (480p, 14:07), a glimpse into the extensive process of bringing
the film's villains from imagination to screen. Scoring 'War of the Worlds' (480p, 11:57)
features a look into the collaboration between Composer John Williams and Director Steven
Spielberg, with
emphasis on Williams' ideas that influenced his War of the Worlds score. We Are Not
Alone (480p, 3:14)
features Spielberg sharing some of his memories that shaped his desire to create films that look at
the possibilities of life existing elsewhere in the universe. Rounding out this collection of
supplements are four still galleries (1080p) -- Sketches by Costume Designer Joanna
Johnston, Production Stills, Behind the Scenes, and Production
Sketches -- and the War of the Worlds theatrical teaser trailer (1080p, 1:59).
Based on the story of the same name (and the subsequent panic-incudicng radio broadcast performance by Actor Orson Welles) by acclaimed Science Fiction Writer H.G. Wells and once already made for the silver screen by Paramount Pictures in 1953, Steven Spielberg's 2005 War of the Worlds is an excellent companion piece to the original novel and film. It's a remake that works, in large part because Spielberg takes the time to update the picture without sacrificing the integrity of the story. Audiences might be disappointed with the picture's rather abrupt ending, but it stays true to Wells' vision and works well within the context of the film. With extraordinary special effects, fine characterization, and several underlying themes, War of the Worlds is an excellent genre film and another winner from Steven Spielberg. DreamWorks' Blu-ray release of War of the Worlds is out-of-this-world good. Sporting a 1080p transfer that reflects Spielberg's intended visual tone, a mesmerizing lossless soundtrack, and a good assortment of extras, this disc is well worth a purchase. Highly recommended.
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