Wandering Ginza Butterfly Blu-ray Movie

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Wandering Ginza Butterfly Blu-ray Movie United States

銀蝶渡り鳥 / Ginchô wataridori
Arrow | 1972 | 86 min | Not rated | No Release Date

Wandering Ginza Butterfly (Blu-ray Movie)

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Blu-ray rating

Users0.0 of 50.0
Reviewer3.0 of 53.0
Overall3.0 of 53.0

Overview

Wandering Ginza Butterfly (1972)

Nami is an ex-convict who becomes a hostess to support a sick woman who bailed her out. In doing so, she gets involved in a local gangster's scheme to take over the bar she works for.

Starring: Meiko Kaji, Tatsuo Umemiya, Tsunehiko Watase, Akiko Koyama, Tomiko Ishii
Director: Kazuhiko Yamaguchi

ForeignUncertain
DramaUncertain
CrimeUncertain
ActionUncertain

Specifications

  • Video

    Video codec: MPEG-4 AVC
    Video resolution: 1080p
    Aspect ratio: 2.39:1
    Original aspect ratio: 2.39:1

  • Audio

    Japanese: LPCM Mono

  • Subtitles

    English

  • Discs

    Blu-ray Disc
    Single disc (1 BD)

  • Playback

    Region A (B, C untested)

Review

Rating summary

Movie3.0 of 53.0
Video4.0 of 54.0
Audio4.0 of 54.0
Extras3.0 of 53.0
Overall3.0 of 53.0

Wandering Ginza Butterfly Blu-ray Movie Review

Reviewed by Jeffrey Kauffman April 3, 2026

Note: This film is available on Blu-ray as part of the Wandering Ginza Butterfly Collection from Arrow Video.

The studio system in the Golden Era of Hollywood was often accused of typecasting, especially after this or that performer had a huge hit with a certain kind of role. Two famous attempts to break contracts with Warner Brothers for at least typecasting adjacent reasons were big news when Olivia de Havilland and Bette Davis tried to get out what they perceived to be oppressive and restrictive deals. Meiko Kaji had her own brushes with both typecasting and leaving studios under precarious circumstances, though she evidently was able to break her relationship with Nikkatsu, the studio that had at least started to make her a star, by simply walking away when Nikkatsu wanted her to sign on to "pink films" (i.e., softcore pornography). Instead, Kaji started working with Toei, which did in fact keep her out of that kind of suggestive role, though it may have ultimately been a case of jumping out of a fire and into a frying pan. At Toei, Kaji actually had some studio run-ins in terms of what kind of roles she wanted, but one way or the other, she most definitely was typecast, at least for a period, with a whole series of arguably interchangeable roles featuring Kaji as a woman with a "particular set of skills", interestingly a kind of character Kaji had already tackled at Nikkatsu with the Stray Cat Rock series. Among the franchises Kaji starred in at Toei were Female Prisoner Scorpion and Lady Snowblood, in addition to the two films Arrow has aggregated for this release. Taking a page from both de Havilland and Davis (as well as in fact from her own previous "adventures" in the film industry), Kaji later again walked away from her studio when Toei wanted her to continue making Female Prisoner Scorpion films, something that may have affected her subsequent career.


Perhaps saliently with regard to Meiko Kaji trying to escape the strictures of typecasting, this film was evidently initially pitched to her as a kind of gender bender version of The Hustler. There is still some pool / billiards adjacent material here, but according to some of the supplements on this release, with the unexpected retirement of Toei's headliner Junko Fuji, Toei decided to refashion the material here to at least be somewhat more similar to the Red Peony Gambler franchise. The fact that Kaji portrays a character named Nami, but who is known as the Red Cherry Blossom (some sources state Gambler instead of Blossom), may provide some salient context in terms of this film's overall approach, and the connection to that Fuji franchise is made even more obvious by the overt use of Gambler in the second film's title.

Nami is an ex-con whose desire for a quiet post-stir life is of course rent asunder by the yakuza trying to infiltrate and take over the club where she works. If the sequel is arguably more overtly comedic than this premiere effort, even the first Wandering Ginza Butterfly can have a somewhat lighter tone than, say, the Lady Snowblood outings, and it's perhaps notable that this film opens with a scene featuring a turn by an evidently well known Osakan comedian. Still, Kaji is largely silent here, as in some of her other films, though along with a slight difference in overall tone, this film actually is perhaps surprisingly light on action until the climax.


Wandering Ginza Butterfly Blu-ray Movie, Video Quality  4.0 of 5

Wandering Ginza Butterfly is presented on Blu-ray courtesy of Arrow Video with an AVC encoded 1080p transfer in 2.39:1. Arrow's insert booklet lumps both films together on its informational page about the presentation(s) (along with one aspect ratio error):

Wandering Ginza Butterfly / Gincho Wataridori and Wandering Ginza Butterfly 2: She-Cat Gambler / Gincho Nagaremono: Mesuneko Bakuchi are presented in their original 2.35:1 aspect ratio with mono Japanese audio.

The restored high definition master for Wandering Ginza Butterfly was provided by Toei.

Wandering Ginza Butterfly 2: She-Cat Gambler was restored by Heavenly Movie Company. Source scans were provided by Toei.

Audio remastering was completed by Þorsteinn Gíslason.
I'm not always a fan of these (largely) pre-delivered masters, but in this case this film looks nicely spry on Blu-ray, with a really healthy palette and some nice fine detail in close-ups. Both of the Wandering Ginza Butterfly films can feature pretty peripatetic cameras, with some askew framings, and those can materially affect detail levels at times. This film arguably has a bit more variability in clarity than the sequel, but most of those issues tend to accompany what might have been second unit sections, some of them filmed outside. Grain resolves naturally throughout.


Wandering Ginza Butterfly Blu-ray Movie, Audio Quality  4.0 of 5

Wandering Ginza Butterfly features a nice sounding LPCM Mono track in the original Japanese. There can be a just very slight boxy quality to dialogue at times, but generally the track offers a full bodied account of spoken material, sound effects and score. The chaotic fight toward the close of the film offers nicely layered skirmish effects. I detected no issues like background hiss or outright damage. Optional English subtitles are available.


Wandering Ginza Butterfly Blu-ray Movie, Special Features and Extras  3.0 of 5

Note: Arrow is offering both films on one disc. While there's a Choose Film option on the Main Menu, with Special Features listed under each film's submenu, what it boils down to is the non-commentary supplements are available under both films' submenus, with the commentary tracks limited to the first film.

  • Commentaries
  • Commentary by Patrick Macias and Matt Alt

  • Commentary by Chris D.
  • Back to Back in the Yakuza Multiverse (HD; 21:21) features Patrick Macias and Matt Alt mostly discussing the second film.

  • Genre Mill Memories (HD; 37:30) is an interview with director Kazuhiko Yamaguchi. Subtitled in English.

  • Butterfly and Scorpion (HD; 10:59) is an appreciation of Meiko Kaji by J-Taro Sugisaku. Subtitled in English.

  • Trailers
  • Wandering Ginza Butterfly (HD; 3:16)

  • Wandering Ginza Butterfly 2: She-Cat Gambler (HD; 2:51)


Wandering Ginza Butterfly Blu-ray Movie, Overall Score and Recommendation  3.0 of 5

Neither of the Wandering Ginza Butterfly films probably approaches what might be called the grandeur of Lady Snowblood or the grittiness of Female Prisoner Scorpion, but as mid-level programmers, they both suffice quite handily, and I'd probably give this film the upper hand, at least in terms of maintaining a more consistent tone. Technical merits are solid and the supplements very enjoyable, for anyone who may be considering making a purchase.