| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
Nami is an ex-convict who becomes a hostess to support a sick woman who bailed her out. In doing so, she gets involved in a local gangster's scheme to take over the bar she works for.
Starring: Meiko Kaji, Tatsuo Umemiya, Tsunehiko Watase, Akiko Koyama, Tomiko Ishii| Foreign | Uncertain |
| Drama | Uncertain |
| Crime | Uncertain |
| Action | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
Japanese: LPCM Mono
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 4.0 | |
| Audio | 4.0 | |
| Extras | 3.0 | |
| Overall | 3.0 |
Note: This film is available on Blu-ray as part of the Wandering Ginza Butterfly Collection from Arrow Video.
The studio system in the Golden Era of Hollywood was often accused of typecasting, especially after this or that performer had a huge hit with a
certain kind of role. Two famous attempts to break contracts with Warner Brothers for at least typecasting adjacent reasons were big news when
Olivia de Havilland and Bette Davis tried to get out what they perceived to be oppressive and restrictive deals. Meiko Kaji had her own brushes
with both
typecasting
and leaving studios under precarious circumstances, though she evidently was able to break her relationship with Nikkatsu, the studio that had at
least started to make her a star, by simply walking away when Nikkatsu wanted her to sign on to "pink films" (i.e., softcore pornography).
Instead, Kaji
started working with Toei, which did in fact keep her out of that kind of suggestive role, though it may have ultimately
been a case of jumping out of a fire and into a frying pan. At Toei, Kaji actually had some studio run-ins in terms of what kind of roles she wanted,
but one way or the other, she most definitely was typecast, at least for a period, with a whole series of arguably interchangeable roles featuring Kaji
as a woman with a "particular set of skills", interestingly a kind of character Kaji had already tackled at Nikkatsu with the Stray Cat Rock series. Among the franchises Kaji starred in at Toei
were Female Prisoner
Scorpion and
Lady Snowblood,
in addition to the two films Arrow has aggregated for this release. Taking a page from both de Havilland and Davis (as well as in fact from her own
previous "adventures" in the film industry), Kaji later again walked away from her studio when Toei wanted her to continue making Female
Prisoner Scorpion films, something that may have affected her subsequent career.


Wandering Ginza Butterfly is presented on Blu-ray courtesy of Arrow Video with an AVC encoded 1080p transfer in 2.39:1. Arrow's insert booklet lumps both films together on its informational page about the presentation(s) (along with one aspect ratio error):
Wandering Ginza Butterfly / Gincho Wataridori and Wandering Ginza Butterfly 2: She-Cat Gambler / Gincho Nagaremono: Mesuneko Bakuchi are presented in their original 2.35:1 aspect ratio with mono Japanese audio.I'm not always a fan of these (largely) pre-delivered masters, but in this case this film looks nicely spry on Blu-ray, with a really healthy palette and some nice fine detail in close-ups. Both of the Wandering Ginza Butterfly films can feature pretty peripatetic cameras, with some askew framings, and those can materially affect detail levels at times. This film arguably has a bit more variability in clarity than the sequel, but most of those issues tend to accompany what might have been second unit sections, some of them filmed outside. Grain resolves naturally throughout.
The restored high definition master for Wandering Ginza Butterfly was provided by Toei.
Wandering Ginza Butterfly 2: She-Cat Gambler was restored by Heavenly Movie Company. Source scans were provided by Toei.
Audio remastering was completed by Þorsteinn Gíslason.

Wandering Ginza Butterfly features a nice sounding LPCM Mono track in the original Japanese. There can be a just very slight boxy quality to dialogue at times, but generally the track offers a full bodied account of spoken material, sound effects and score. The chaotic fight toward the close of the film offers nicely layered skirmish effects. I detected no issues like background hiss or outright damage. Optional English subtitles are available.

Note: Arrow is offering both films on one disc. While there's a Choose Film option on the Main Menu, with Special Features listed under
each film's submenu, what it boils down to is the non-commentary supplements are available under both films' submenus, with the commentary
tracks limited to the first film.
- Commentary by Patrick Macias and Matt Alt
- Commentary by Chris D.
- Wandering Ginza Butterfly (HD; 3:16)
- Wandering Ginza Butterfly 2: She-Cat Gambler (HD; 2:51)

Neither of the Wandering Ginza Butterfly films probably approaches what might be called the grandeur of Lady Snowblood or the grittiness of Female Prisoner Scorpion, but as mid-level programmers, they both suffice quite handily, and I'd probably give this film the upper hand, at least in terms of maintaining a more consistent tone. Technical merits are solid and the supplements very enjoyable, for anyone who may be considering making a purchase.