| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
Nami seeks revenge against the man who killed her father years earlier.
Starring: Meiko Kaji, Shin'ichi Chiba, Shingo Yamashiro, Fujio Suga, Junzaburô Ban| Foreign | Uncertain |
| Drama | Uncertain |
| Action | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
Japanese: LPCM Mono
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 4.5 | |
| Audio | 4.0 | |
| Extras | 2.5 | |
| Overall | 3.0 |
Note: This film is available on Blu-ray as part of the Wandering Ginza Butterfly Collection from Arrow Video.
The studio system in the Golden Era of Hollywood was often accused of typecasting, especially after this or that performer had a huge hit with a
certain kind of role. Two famous attempts to break contracts with Warner Brothers for at least typecasting adjacent reasons were big news when
Olivia de Havilland and Bette Davis tried to get out what they perceived to be oppressive and restrictive deals. Meiko Kaji had her own brushes
with both
typecasting
and leaving studios under precarious circumstances, though she evidently was able to break her relationship with Nikkatsu, the studio that had at
least started to make her a star, by simply walking away when Nikkatsu wanted her to sign on to "pink films" (i.e., softcore pornography).
Instead, Kaji
started working with Toei, which did in fact keep her out of that kind of suggestive role, though it may have ultimately
been a case of jumping out of a fire and into a frying pan. At Toei, Kaji actually had some studio run-ins in terms of what kind of roles she wanted,
but one way or the other, she most definitely was typecast, at least for a period, with a whole series of arguably interchangeable roles featuring Kaji
as a woman with a "particular set of skills", interestingly a kind of character Kaji had already tackled at Nikkatsu with the Stray Cat Rock series. Among the franchises Kaji starred in at Toei
were Female Prisoner
Scorpion and
Lady Snowblood,
in addition to the two films Arrow has aggregated for this release. Taking a page from both de Havilland and Davis (as well as in fact from her own
previous "adventures" in the film industry), Kaji later again walked away from her studio when Toei wanted her to continue making Female
Prisoner Scorpion films, something that may have affected her subsequent career.


Wandering Ginza Butterfly 2: She-Cat Gambler is presented on Blu-ray courtesy of Arrow Video with an AVC encoded 1080p transfer in 2.35:1. Arrow's insert booklet lumps both films together on its informational page about the presentation(s) (along with one aspect ratio error):
Wandering Ginza Butterfly / Gincho Wataridori and Wandering Ginza Butterfly 2: She-Cat Gambler / Gincho Nagaremono: Mesuneko Bakuchi are presented in their original 2.35:1 aspect ratio with mono Japanese audio.While the first Wandering Ginza Butterfly film looks pretty darned good (especially for a "pre-delivered" master), I'd probably rate this sequel as at least marginally more impressive in terms of both palette vivacity and detail levels, though this film exhibits some of the same kind of crazy framings that accompanied the first film, some of which can at least somewhat deplete detail levels in passing. Outdoor material is especially impressive here, as in the opening vignette. Primaries are very expressive throughout, especially reds, which virtually pop off the screen on occasion. Fine detail on practical sets and costumes is typically excellent. Grain resolves without any problems.
The restored high definition master for Wandering Ginza Butterfly was provided by Toei.
Wandering Ginza Butterfly 2: She-Cat Gambler was restored by Heavenly Movie Company. Source scans were provided by Toei.
Audio remastering was completed by Þorsteinn Gíslason.

Wandering Ginza Butterfly 2: She-Cat Gambler features an LPCM Mono track in the original Japanese that is similarly robust to the track on the first film. This sequel (kind of like the first film) opens with shots of moving vehicles, and ambient environmental sounds are noticeable from the get go, including some very vocal birds. The brass inflected score also sounds fine throughout, and this film includes a theme sung by Kaji which was evidently quite a big hit. While this track shows some of the slightly boxy quality of the first film's audio, dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.

Note: Arrow is offering both films on one disc. While there's a Choose Film option on the Main Menu, with Special Features listed under
each film's submenu, what it boils down to is the non-commentary supplements are available under both films' submenus, with the commentary
tracks limited to the first film. See the Wandering
Ginza Butterfly Blu-ray review for a list of the commentary tracks.
- Wandering Ginza Butterfly (HD; 3:16)
- Wandering Ginza Butterfly 2: She-Cat Gambler (HD; 2:51)

Even Patrick Macias and Matt Alt can't quite ignore how "wacky" and "schizophrenic" this film can be, so some curious fans should probably set their expectation bars accordingly. Technical merits are solid, and the supplements are very enjoyable (the featurette with Macias and Alt probably fills in somewhat for the lack of a commentary on this one), for anyone who may be considering making a purchase.