6.3 | / 10 |
Users | 3.8 | |
Reviewer | 3.0 | |
Overall | 3.3 |
WWE WrestleMania XXVII Pay-Per-View.
Starring: Dwayne Johnson, Randy Orton, Eve Torres, Paul Reubens, John CenaSport | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
English: Dolby Digital 5.1
English: LPCM 2.0
Spanish: LPCM 2.0
None
50GB Blu-ray Disc
Two-disc set (2 BDs)
Slipcover in original pressing
Region A (B, C untested)
Movie | 3.0 | |
Video | 4.0 | |
Audio | 3.0 | |
Extras | 3.0 | |
Overall | 3.0 |
If there’s any question about how successful World Wrestling Entertainment has become, all anyone need do is take a gander at at least a couple of elements in the 2011 iteration of its “flagship” annual event, WrestleMania. First of all, no less than 70,000 people are in attendance, at least according to the breathless hype of one of the announcers. But perhaps more tellingly, WrestleMania XXVII marks the “return” (as if he had ever been away) of The Rock to the arena which made him famous. Simply taking The Rock as the most prominent recent example of WWE’s reach into entertainment areas far beyond the ropes of muscle-bound child-men, it becomes easy to see what an incredible impact the WWE stable has had on popular culture. The Rock, whether he goes by his WWE pseudonym or his actual moniker—Dwayne Johnson—has become a rather formidable movie star, and that stardom is indelibly linked to his long tour as one of WWE’s most charismatic performers. With other guys like John Cena at least attempting to follow in The Rock’s wake, there’s little question that the WWE franchise is alive and kicking (and punching and body slamming) its way to a multi-media empire. WrestleMania XXVII combines all the outlandish showmanship that heralds virtually every WWE event into one big party, and this twenty-seventh outing is certainly no exception. The Atlanta audience is hyped to the max, and the WWE carnival—and it really can be termed nothing other than a carnival—is in full swing, with good versus evil center stage in the guise of any number of WWE heroes and villains. It’s loopy, to be sure, and there are of course a lot of people who would argue that this kind of “wrestling” is hardly a sport, but as an arena attraction, a show, it’s hard not to get swept up in the absolute lunacy of it all.
WrestleMania XXVII arrives on Blu-ray with an AVC encoded 1080i transfer in 1.78:1. As with most WWE telecasts, this sports above-average visuals that nonetheless never really rise to spectacular levels. A lot of shots look on the soft side due to the often overly aggressive lighting schemes. Better in this regard is the Hall of Fame Induction Ceremony, which boasts a relatively more natural lighting scheme. But several of the bouts, when lit with more or less normal stage lighting, boast decent sharpness and good to excellent fine detail, especially in close-ups. Color is very good throughout both of the discs on this set. Contrast sometimes gets muddled in the overly bright lighting, but overall this is an above-average looking set that should please most WWE fans.
WrestleMania XXVII sports one of the oddest combination of audio tracks I've seen (heard?) lately on a major Blu-ray release. Looking at the specs above, you might think you have your choice between two English offerings—an LPCM 2.0 and a Dolby Digital 5.1—as well as a Spanish language track in LPCM 2.0. But here's the weird part. The main WrestleMania feature, which takes up Disc One of this two Blu-ray set, offers the English Dolby Digital 5.1 mix and the Spanish LPCM 2.0 mix. In other words, no lossless mix, surround or otherwise, in English for this part of the set. On the other hand, the 2011 WWE Hall of Fame Induction Ceremony which fills Disc Two is presented in English in uncompressed LPCM 2.0. Isn't that just kind of weird? In any event, the main WrestleMania offers suitably immersive audience noises, which indeed spill around the soundfield with regularity, as well as occasional discrete directionality in terms of some of the actual bouts inside the ring. What's missing here is the bombast that a lossless track would have offered, especially considering the fact that there is so much pomp, circumstance and out and out sonic insanity which accompanies the entire WrestleMania event. Fidelity is fine as far as it goes, but the Dolby tendency toward clipped highs and less than resonant lows is noticeable if not all that troubling. The LPCM 2.0 track on the Hall of Fame telecast is certainly more rounded and full on the extreme frequency ranges, but it's obviously very narrow, and a lot of this particular piece is made up of archival footage, which sports less than state of the art audio to begin with. This is peculiar, to say the least. One way or the other, while the most ardent audiophiles will probably be at least a little disappointed with some aspects of this release, there's nothing here that is going to make you want to body slam anyone—at least, probably.
Disc One:
Maybe the simplified good versus evil world that WWE gives us is what we need in this era of grays and political spin. This isn't the best WrestleMania ever, but it continues the long tradition of showcasing the WWE's stable of performers, and it adds in a number of intriguing guest stars that at the very least ups the camp quotient considerably. If you're not too demanding, and are in the properly loopy (and/or looped) frame of mind, WrestleMania XXVII, while certainly not "immortal," provides a reasonable amount of fun.
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