7.3 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
During Spanish Civil War, young Fando navigates parents' clashing ideologies after father's arrest. Explores his imagination, friendships, views on sex and death amid family upheaval. Questions mother, seeks father's fate.
Starring: Anouk FerjacDrama | 100% |
Surreal | 9% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.67:1
Original aspect ratio: 1.66:1
French: LPCM 2.0 Mono
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.5 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 4.0 | |
Overall | 4.0 |
The basic "plot" outlines of Viva la muerte are simple enough, but when you mix in the fact that this completely gonzo film might have been made by some weird Frankenstein monster cobbled together out of people like Sigmund Freud and Luis Buñuel, the presentational and narrative aspects of the production start to become considerably more complex, and quite possibly beyond unsettling. That Buñuel reference is perhaps especially salient given the fact that this film was the handiwork of Fernando Arrabal, who shares not just Buñuel's basic "national" background (and "exile" status), but also his penchant for surrealism and provocative political content. Arrabal is famous for having co-founded the so-called Panic Movement (named after the Greek god, whose name has been appropriated etymologically for the more commonly understood noun), along with his cohort member Alejandro Jodorowsky, and like that divinity, this film's focal character, a little boy named Fando (Mahdi Chaouch), can be seen frolicking in the fields, often with a pipe in his hand and/or mouth.
Viva la muerte is presented on Blu-ray courtesy of Radiance Films with an AVC encoded 1080p transfer in 1.66:1. Radiance sent only a check disc for purposes of this review, and so I'm not privy to any verbiage about the transfer that might be included in the insert booklet, but their website offers a brief blurb stating this is a "new 4K restoration of the original 35mm negative by the Cinémathèque Toulouse in collaboration with Fernando Arrabal". A brief text card (in French) at the very end of the film further elaborates that the 4K restoration was accomplished in 2022 utilizing both the negative and an interpositive. As can be seen by parsing through the screenshots I've uploaded to accompany this review, the presentation is actually split between 35mm film (the odd numbered screenshots) and videotaped and aggressively tweaked footage (the even numbered screenshots). The film material typically looks great, if maybe just slightly cool at times and skewed toward blues. Detail levels are typically excellent, if somewhat variable due to Arrabal's "artier" tendencies. Contrast looked just slightly milky to me, especially in some of the outdoor material. The videotaped footage is so bizarre looking most of the time that it's hard to really assess in the way we typically attempt to in our reviews, with negligible detail at times, but with some intentionally hallucinatory tones added, and with additional (intentional) distressing that makes these segments look like some nightmare-scape come to life.
Viva la muerte features an LPCM 2.0 Mono track in the original French. There's just a bit of high frequency background hiss that is discernable in some of the quieter moments, but the track is otherwise problem free, with a solid accounting of both ambient environmental effects and dialogue, which account for most of the sound design. Brief uses of music, as in the closing credits sequence (featuring illustrations by Roland Topor) also sound fine. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.
There are any number of notable films with at least a magical realist component that are tangentially connected to the Spanish Civil War (a couple of Guillermo del Toro outings spring instantly to mind), but Viva la muerte probably takes top honors in this peculiar subcategory. Prospective viewers are warned about some of the shocking imagery that's on tap, but the film has a weird, psychedelic power that is increasingly hypnotic. Technical merits are kind of hard to assess on the video side of things, given the stylistic quirks Arrabal employs, but seem to be generally solid, and the supplements are interesting. For the strong of heart and less squeamish, Recommended.
(Still not reliable for this title)
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