5.9 | / 10 |
| Users | 4.5 | |
| Reviewer | 4.5 | |
| Overall | 4.5 |
The Law Enforcement Technology Advancement Centre (LETAC) has developed SID version 6.7: a Sadistic, Intelligent, and Dangerous virtual reality entity which is synthesized from the personalities of more than 150 serial killers. LETAC would like to train police officers by putting them in VR with SID, but they must prove the concept by using prisoners as test subjects. One such prisoner is ex-cop Parker Barnes. When SID manages to inject his personality into a nano-machine android, it appears that Barnes might be the only one who can stop him.
Starring: Denzel Washington, Kelly Lynch, Russell Crowe, Stephen Spinella, William Forsythe| Thriller | Uncertain |
| Sci-Fi | Uncertain |
| Action | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Slipcover in original pressing
Region A (B, C untested)
| Movie | 2.5 | |
| Video | 5.0 | |
| Audio | 5.0 | |
| Extras | 4.5 | |
| Overall | 4.5 |
With the development of the internet and virtual reality in the early 1990s, Hollywood wasn’t about to let such futuristic fun simply walk on by. Instead, producers dabbled in tech-thrillers, trying to make sense of difficult concepts while playing to the mass audience. One of the most successful of these odd pictures was 1992’s “The Lawnmower Man,” as co-writer/director Brett Leonard endeavored to transform a bizarre Stephen King short story into a VR nightmare, generating unusual visual effects to create a film that strived to be scary and sensual. The approached clicked at the box office, giving Leonard a career to manage, making himself a valuable player in uncharted cinematic territory. 1995’s “Virtuosity” provides Leonard with a bigger budget to examine the ways of digital horrors, but instead of creating another creeper, he goes the action route, working with a promising manhunt tale from writer Eric Bernt that explores the wrath of an A.I. entity in the real world. The feature has the potential to be real fun, and the work has a few moments of B-movie clarity, but Leonard isn’t the proper fit for a bruising thrill ride. His vision tends to turn “Virtuosity” into a cartoon, which might connect for certain viewers, but promise of something more suspenseful and demented isn’t met in this mediocre offering.


Screencaps are taken from the Blu-ray.
"Virtuosity" was originally issued on Blu-ray in 2015, and now Vinegar Syndrome tries their luck with a UHD release, listed as "newly restored from its
35mm original camera negative." The Dolby Vision viewing experience is lively, leading with a strong sense of color in this futuristic world. Digital realms
and Los Angeles locations carry sharp primaries, exploding in more varied hues, including the bluishness of Sid's blood and wilder costuming. Urban
activity registers with a compelling coolness, along with VR hangar interactions. Skin tones are natural. Blood remains a deep red. Detail is excellent,
exploring skin particulars on the cast, and clothing is fibrous. Interiors are deep, surveying cavernous locations, and street action remains dimensional.
Delineation is exact, handling evening activity and shadow play. Highlights are tasteful. Grain is nicely resolved. Source is in good condition.

The 5.1 DTS-HD MA mix offers an immersive listening event for "Virtuosity," finding surrounds quite active, pushing out musical moods and atmospherics as the action heads into heavily populated spaces and digital environments. Sound effects are also distinct, supplying snappy gun play and glass-shattering movement. Dialogue exchanges are crisp, balancing Crowe's loudness with Washington's hushed performance. Scoring offers clear instrumentation and dramatic support. Soundtracks selections are also distinct, providing a chirpier techno presence. Low-end does well with heavier beats and violent activity.


Elements in "Virtuosity" do connect, including colorful, glossy cinematography by Gale Tattersall, and costuming by Francine Jamison-Tanchuck is certainly unique, working to bring some future L.A. to the mid-1990s. And there's Washington, who tries to remain stoic and sharply focused as Barnes, making for an interestingly unsettled protagonist. The rest of the picture tends to slide into ridiculousness, slipping out of Leonard's control as technical details and showy visual effects (which look incredibly crude, but they did in 1995) compete with unrelenting broadness, especially found in Crowe's performance, as he turns pure evil into Ace Ventura-style acting at times. "Virtuosity" is violent and loud, but it also runs out of energy long before it reaches a conclusion. It invests in flashiness and technology to add a special wow factor to the effort, but Leonard's not much of an action craftsman, unable to give the story much impact, despite having the exploitation ingredients to create a VR-enhanced roller coaster ride.

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