7.6 | / 10 |
| Users | 0.0 | |
| Reviewer | 5.0 | |
| Overall | 5.0 |
Novice nun Viridiana does her utmost to maintain her Catholic principles, but her lecherous uncle and a motley assemblage of paupers force her to confront the limits of her idealism.
Starring: Silvia Pinal, Francisco Rabal, Fernando Rey, José Calvo, Margarita Lozano| Foreign | Uncertain |
| Drama | Uncertain |
| Dark humor | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.67:1
Original aspect ratio: 1.66:1
Spanish: LPCM Mono
English
Blu-ray Disc
Single disc (1 BD)
Region B (A, C untested)
| Movie | 5.0 | |
| Video | 5.0 | |
| Audio | 3.5 | |
| Extras | 5.0 | |
| Overall | 5.0 |
Note: This film is available on Blu-ray as part of the Nothing is Sacred: Three Heresies by Luis Buñuel set from Radiance Films.
The filmography of Luis Buñuel is liberally sprinkled with enough classics that it might be a challenging assignment to aggregate a "greatest hits"
collection, but in terms of Buñuel's early to mid sixties output, Radiance is offering fans two of Buñuel's most celebrated features, with a third
somewhat shorter offering that is probably not quite as well known, but which should provide considerable interest along with the two better known
works. Buñuel's anarchic spirit is alive and well in all three films, and it's perhaps salient to note that the influence of the director in general and at
least one of these films in
particular continues to be felt throughout our own more or less current cultural zeitgeist, as evidenced by the fact that (as weird as it
admittedly sounds)
the
late Stephen Sondheim kinda sorta adapted both The Exterminating Angel and the at least somewhat linked The Discreet Charm of the Bourgeoisie for his final
(arguably
incomplete) musical
Here We Are. On the other end of the zeitgeist spectrum, though, is the kind of amazing fact that as of the writing of this
review
Viridiana has yet to have a Region A Blu-ray release (the check discs sent to me for purposes of the reviews of the films in this set were
all
region free).


Viridiana is presented on Blu-ray courtesy of Radiance Films with an AVC encoded 1080p transfer in 1.67:1. While Radiance provided check discs for purposes of this review, I was able to secure a retail version and so can reproduce verbiage from Radiance's insert booklet about the transfer (Radiance lumps all three films together on its page devoted to the transfers):
Viridiana and Simon of the Desert were scanned in 4K from the original camera negatives and restored in 4K by Mercury Films in Madrid, Spain. Additional colour correction was applied to Viridiana by Radiance Films in 2024.This is a gorgeous looking transfer with only a couple of very minor passing issues momentarily detracting from an otherwise nicely detailed and commendably organic appearance. Contrast is generally great, with some impressively deep blacks and nicely modulated gray scale. Fine detail on fabrics of costumes and some aspects of the sets and props also is typically excellent. There are just a few very minor sudden downgrades in imagery where contrast can falter slightly and image clarity lessens. Damage and age related wear and tear are negligible. There is still a bit of wobble during the opening optically printed credits that the above referenced image stabilisation hasn't completely ameliorated.
The Exterminating Angel was scanned in 4K from the original camera negative by Mercury Films in Madrid, Spain. The film was restored by Radiance Films at Heavenly Movie Corp in 2024. Thousands of instances of dirt, dust, stains and tears were removed and dozens of shots stabilised to attentuate mechanical jitter. The film was graded by Stephen C. Horne.
All three films are presented with their original uncompressed PCM mono soundtracks.

Viridiana features LPCM 2.0 Mono audio. It actually takes a moment or two for the Hallelujah Chorus to kick in under the credits, and listeners will be able to hear a bit of slight hiss and crackle in the background before the music starts. As with the wobbliness of the credits, the music itself has a bit of quasi-tape flutter for just a moment, but then settles down. Once the film starts, that same background hiss and crackle can be heard during some of the quieter moments, but dialogue, scoring and sound effects are all presented without any major issues. Optional English subtitles are available.


Viridiana continues to shock and provoke to this day, a (no religious pun intended) testament to its enduring power and impact. Technical merits are generally solid and the supplements engaging. Highly recommended.
(Still not reliable for this title)

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1965

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1962

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