6.8 | / 10 |
| Users | 0.0 | |
| Reviewer | 2.5 | |
| Overall | 2.5 |
England, the 19th century. Young Victoria is crowned to be the queen of England. She aims to do her best in order to help her country prosper. However, the family and her trustful advisor, Lord Melbourne, plan marriage for her. She is to get married to a German prince Albert. But Victoria sees her future differently and decides to leave London for a few days. She goes to Paris. On her way to France, she stays incognito in a little tavern in Dover with a baroness. There by chance she meets a handsome man and falls in love head over heels. Later, however, in very strange circumstances, it turns out that the handsome man is prince Albert himself...
Starring: Romy Schneider, Adrian Hoven, Magda Schneider, Karl Ludwig Diehl, Christl Mardayn| Romance | 100% |
| Foreign | 84% |
| History | 36% |
| Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.75:1
German: DTS-HD Master Audio 5.1
German: Dolby Digital 5.1
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 2.5 | |
| Video | 3.0 | |
| Audio | 3.5 | |
| Extras | 0.0 | |
| Overall | 2.5 |
Note: This film is available as a part of
The Sissi Collection.
Peter O’Toole will enter the cinematic record books for any number of reasons, including the fact that he remains one of the most Oscar nominated
actors to never receive an “official” award (O’Toole was feted with an honorary Academy Award in 2003, perhaps precisely because he had
never “really” won). O’Toole’s second and third nominations for Best Actor made history in a different way, for in 1964’s Becket and 1968’s The Lion in Winter, O’Toole was playing the same real life historical character (at different ages), King Henry II. There
have been at least a few other performers who have played the same character in different films, and some of them, like Bing Crosby in Going My Way and The Bells of St. Mary's, or Al Pacino, in The
Godfather and The Godfather: Part II, have also
garnered Oscar nominations for each film, like O'Toole, though by and large those performances have been of fictional characters. One of the few
other
times the same performer has played the same real life historical character in otherwise unrelated films was when Romy Schneider "recreated" her
take on Empress Elisabeth of Austria for Luchino Visconti's Ludwig
, years after she had taken on the same role in a series of films that became known as The Sissi Trilogy ("Sissi" was the diminutive
nickname family members called Elisabeth). This in and of itself is kind of a fascinating "trivia" phenomenon, since I personally can't think of
another example where one performer essayed a role based on a real life historical figure in a "series" and then played the same role years later in
a completely unrelated film. There are of course other manifest differences between the series and the Visconti film, due not just to the different
eras in which they were produced, but also due to the fact that Ludwig is an often provocative, even trenchant, entry, while all three
Sissi films tend to exploit a glossy quasi-"Hollywood" style where happily ever after is never too far out of reach.


Victoria in Dover is presented on Blu-ray courtesy of Film Movement with an AVC encoded 1080p transfer in 1.78:1. Like the three Sissi films, Victoria in Dover was evidently originally released in Academy Ratio, but unlike the Blu-ray presentation of the three Sissi films, Film Movement has only provided a 1.78:1 version of the film in this package. This is probably the least pleasing looking of all the films in this set, one that has fairly visible damage in the form of things like scratches (including a really ugly yellow one that recurs more or less down the middle of the frame at various points). Colors are just a little anemic looking (even beyond the typical Agfacolor tendencies), and there are also odd anomalies at the edges of the frame that repeatedly look like things are out of focus (you can see a few of these moments in some of the screenshots I've included with this review). It also looks to me like some noise reduction has been applied to this release, perhaps because after having been "reformatted" for 1.78:1 the grain field was considered too heavy. There is definitely grain here, but as with the Sissi films in this set, it's weirdly variable looking at times, and freezing any given frame will show clumps of grain in various spots with an absolute absence of it in others.

As with the three Sissi films, Victoria in Dover features a DTS-HD Master Audio 5.1 track in the original German, with no original mono track offered. Once again, as with the Sissi films, that can sometimes lead to some kind of odd prioritization issues, where elements like ambient environmental sounds can occasionally overpower dialogue. This film has quite a bit of music in it, and there's the same minor distortion (especially in the higher frequencies) that can be heard on occasion in the Sissi films.

While there are some supplements included in this package, none are on this particular disc. See our The Sissi Collection Blu-ray review for details.

Victoria in Dover plays like a dry run for the first Sissi film in particular, and as such it has some "curio" value, but this is the least involving of any of the four films in this set, and also has the least pleasing technical merits. Schneider is as "scenic" as ever, but this film only touches briefly on "real" history, choosing instead to create an artificial world with equally artificial feeling emotion.
(Still not reliable for this title)

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