6.4 | / 10 |
Users | 4.2 | |
Reviewer | 2.5 | |
Overall | 3.8 |
At work, Clark Griswold (Chevy Chase) has invented a long life food preservative, earning him a large bonus check. Clark announces to his family that he is taking them on vacation. Enthusiasm wanes, however, when Clark says they are headed to Las Vegas, Nevada. His wife, Ellen (Beverly D'Angelo), and teenage daughter, Audrey (Marisol Nichols) have their doubts, as Las Vegas is not known for its family-friendly atmosphere, while teenage son Rusty (Ethan Embry) appears to be more eager. Will everything go smoothly? Don't bet the house.
Starring: Chevy Chase, Beverly D'Angelo, Randy Quaid, Ethan Embry, Marisol NicholsComedy | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
Spanish: Dolby Digital Mono (Spain)
Spanish: Dolby Digital Mono
German: Dolby Digital 2.0
English SDH, French, German SDH, Spanish, Danish, Finnish, Norwegian, Swedish
25GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 2.0 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 0.5 | |
Overall | 2.5 |
In 1997, four years before he gathered the bevy of stars in Las Vegas that became the new Ocean's Eleven, super-producer Jerry Weintraub oversaw a much less impressive production in the Entertainment Capital of the World, when he acquired the rights to the National Lampoon's Vacation franchise for the fourth entry in the series. It had been eight years since the perennial holiday favorite Christmas Vacation —regarded by many as the best in the series—and star Chevy Chase had been on a downward slide throughout the Nineties, which accelerated to warp speed after hosting a disastrous TV talk show that Fox canceled after only five weeks. Still, Weintraub must have figured there was life in the old series yet. Unfortunately for viewers, Weintraub was unable to interest creator John Hughes in writing another Vacation script, and Hughes's absence is keenly felt in Vegas Vacation, which is the only entry in the series that doesn't bear the "National Lampoon" monicker. (Not that "NatLamp" is a guarantee of quality; I'm still recovering from The Legend of Awesomest Maximus.) Having created the characters, Hughes knew the exact pitch and tone for each one, and he understood the specific mix of slapstick and sentiment that a Vacation film requires. Hughes was also a solid craftsman when it came to structuring plots intelligently, so that antic behavior occurred within a narrative framework that felt like it was building to something—and then paid off. Hughes's replacement on script duties was Elisa Bell, who had written a few TV movies and has produced nothing of note since Vegas Vacation. (She received a story assist from film editor Bob Ducsay, who apparently found the experience so unrewarding that he has no other writing credits.) Returning in their former roles were Chevy Chase, who was no doubt grateful for the work, Beverly D'Angelo, Randy Quaid and Miriam Flynn. Directing duties fell to Stephen Kessler, who has directed few films before or since. The result was a listless mess that is only occasionally enlivened by a star cameo suggesting how much better a movie Vegas Vacation could have been.
I'm always fascinated when a world-class cinematographer shows up in the credits of a turkey, but producer Jerry Weintraub has a knack for recruiting talent. William A. Fraker—six-time Oscar nominee, past president of the American Society of Cinematographers, the DP of such films as Rosemary's Baby, Bullitt and 1941 and, three years after this film, a recipient of the ASC's Lifetime Achievement Award—shot Vegas Vacation with his usual unobtrusive professionalism. Fraker's work is ably represented on Warner's 1080p, AVC-encoded Blu-ray, which is detailed, fine-grained and colorful. Whether photographing the casino interiors, the desert exteriors near Cousin Eddie's trailer, the elaborate shows by Wayne Newton and Siegfried and Roy, or Newton's equally elaborate home (shot in the real location), Fraker lights for a "natural look", trusting in Vegas itself to supply the requisite sense of artificiality. Black levels and contrast appear to be spot on, and there is no indication of inappropriate digital filtering, artificial sharpening or other untoward manipulation. The film is short enough to compress easily onto a BD-25 without artifacts. If you're a fan of Vegas Vacation, this presentation should be just what you're after.
The film's original 5.1 track is encoded as lossless DTS-HD MA 5.1, and anyone who thinks that 5.1 makes no difference in a comedy should hear this track. (If only it accompanied a better film.) The original score by Joel McNeely (a frequent Disney composer) and the pastiche of Vegas-themed tunes assembled by the music department have been effectively spread across the front soundstage and into the surrounds so that they seem to wrap around the listening space. The swinging, brassy arrangements keep dangling the promise of the fantasy Vegas that everyone imagines from Rat Pack movies (and that Rusty actually manages to live for a brief time), while Clark keeps colliding with the reality that you lose your shirt and the beautiful women flock to the high rollers, not to middle-aged family men. The dialogue is clear (but unfortunately still not funny), and appropriate sound effects occasionally issue from the rear speakers at appropriate moments. The trip to Hoover Dam provides a few good opportunities. Bass extension is adequate, though rarely used.
Other than the film's trailer (480i; 1.78:1, enhanced; 2:14), the disc contains no extras.
Vegas Vacation made money at the box office, because fans are hopeful at heart. Even when the critics panned the film, lovers of the Vacation series hoped it was because the critical establishment simply didn't "get" it. But the film had no staying power, because in fact it isn't worthy of the series. Like the city in which it takes place, it promises you glitz, glamor and fun, but when it's over, your pockets are empty, you don't remember much and you wonder why you came. A technically fine Blu-ray, but not recommended as a film.
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National Lampoon Goes to the Movies
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