6.7 | / 10 |
Users | 3.4 | |
Reviewer | 2.5 | |
Overall | 3.0 |
This English-made horror thriller is the story of two female vampires who hitchhike along a deserted highway in the English countryside, luring unsuspecting drivers to their gothic mansion for a night of passion - followed by the victim's murder at the hands of the femme fatale.
Starring: Marianne Morris, Anulka Dziubinska, Brian Deacon, Michael Byrne (I), Sally FaulknerHorror | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.84:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 7.1
English: Dolby Digital 5.1 EX
English: Dolby Digital Mono
English SDH, French, Spanish
25GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 1.5 | |
Video | 3.0 | |
Audio | 2.5 | |
Extras | 2.0 | |
Overall | 2.5 |
Very unnatural ladies.
Terms like "exploitation" and "cult" are labels that often draw in passers-by to movies that might
otherwise remain untouched -- and often rightfully so -- on dusty video store shelves. Pint-sized
budgets, miniscule production values,
no-name actors, and superficial plots don't always spell doom for those little obscure titles that
promise something dangerous, sexy, or otherwise often forbidden in more mainstream fare, but
there's a line between "alluringly different" and just "painfully dull." Unfortunately, Director José
Ramón Larraz's 1974 Erotic Horror picture Vampyres falls squarely into the latter
category; it's a movie built on nothing but naked bodies and filler material that makes the
88-minute runtime seem like 888 minutes (or maybe 666 minutes to take the "this movie is so
slow
it would be better to be sucked dry by a seductive vampiress/vampirette/whatever those
bloodsuckers of the fairer sex may be called). Vampyres, or Daughters of
Dracula (it's one of those old 1970s Horror films with multiple titles for multiple markets, see
also The Living Dead at
Manchester Morgue) doesn't even have a playfully fun title like 1971's Vampiros
Lesbos. In fact, the "i" for "y" switch-a-roo might be the most interesting thing about this
one, and for those that are watching solely for the eroticism, just keep Blue Underground's spicy
Blu-ray
menu playing on a loop.
That pretty much sums this one up.
Blue Underground and Vampyres fans will want to sink their fangs into this good-looking 1080p, 1.85:1-framed transfer. Though it's a bit rough around the edges and not without its faults, Blue Underground has nevertheless delivered another high quality and, more importantly, film-like transfer of an aging low budget movie. Despite some washed-out blacks, slight artifacting, errant speckles, a touch of softness, and an oftentimes painfully flat appearance, Vampyres looks awfully good for what it is. The transfer retains a fairly heavy layer of film grain which seems to vanish only in several shots. Not exactly a vibrant image, what colors there are -- green vegetation mostly -- appear rather dull, though seemingly as part of what appears to be less-than-stellar film stock used to shoot this low-budget motion picture. The level of fine detail often fluctuates but as a general rule strikes the viewer as more impressive than not; the dull color palette and generally dreary tone don't help matters, but there's a fair amount of clarity and visible detailing on clothing, furnishings, and the like, but outdoor vegetation often suffers from a clumpy look that's not unsightly but isn't as sharp and detailed as other objects found throughout the movie. Additionally, flesh tones remain consistently neutral throughout, here extending from head to toe and not limited to faces. Overall, Vamyres will probably never look at that much better than it does here; Blue Underground's transfer seems faithful to the source and should satisfy fans of low budget exploitative cinema.
Vampyres arrives on Blu-ray with a serviceable trio of soundtracks, a 7.1-channel DTS lossless mix, a Dolby Digital 5.1 EX lossy presentation, and a Dolby Digital 1.0 track. The DTS mix proves far richer and fuller than the original 1.0 mono track; it enjoys a more spacious and robust feel over the film's opening title sequence, which proves to be just about the most sonically-engaging part of the film. The DTS track spreads things out to each channel, but most of the rest of the movie is presented with minimal sound effects and is certainly a front-heavy presentation. There's a good, haunting support structure to be heard in some of the interior castle scenes; a constant low humming that seems evenly spread about the room and plays as somewhat convincing adds a nice amount of atmosphere to several scenes. However, outdoor ambience is limited and not particularly engulfing or convincing, though several rolls of thunder and light falling rain occasionally make for a halfway pleasurable and realistic environment. Dialogue reproduction is steady throughout. Vampyres may not make for a stellar track, but Blue Underground's presentation acquits itself well enough given the film's age and low budget.
Vampyres lures viewers in with the inclusion of a few supplemental features. First is a commentary track with Director José Ramón Larraz and Producer Brian Smedley-Aston. The participants jump straight in and recall the look and performances of the two lead female vampires, the politics surrounding the production of the picture, the assemblage of the cast, shooting locations, and more. There are also plenty of interesting anecdotes surrounding the shooting of the film. Next is Return of the Vampyres -- Interviews with Stars Marianne Morris and Anulka (480p, 13:39). The piece intercuts recent interviews with both actresses to tell the story of the movie and its production, interspersed with numerous clips from the film. Rounding out this collection of extras are the film's international (1080p, 2:33) and U.S. (480p, 3:05) trailers.
Vampyres isn't a very good movie, but it serves as a pretty good example of low budget/erotic/exploitative filmmaking. It's rough, unconvincing, poorly-acted, meandering, and boring, but it's worth checking out as a curiosity if nothing else. There are better cult films out there, and there are worse, though Vampyres still ranks pretty low on the list. It's a good film for a lazy afternoon and as a demonstration of filmmaking that's professional but far from memorable. Blue Underground's high definition release of Vampyres should satisfy fans. The technical presentation is about what one should reasonably expect of a movie of this sort, and the supplements are few but worthwhile. Recommended for fans of cult and unusual cinema.
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