6.4 | / 10 |
Users | 5.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Bitter, tough-as-nails vampire hunter Jack Crow leads a specialized team, funded by no less than the Vatican, that is dedicated to destroying the race of vampires that inhabit the earth. The team is successful, and becomes lazy in its success, eventually falling victim to an elaborate ambush set up by a powerful master vampire. Crow and two others of his team are the only survivors, and are determined to get revenge for the massacre. Based on the book by John Steakley.
Starring: James Woods, Daniel Baldwin, Sheryl Lee, Thomas Ian Griffith, Maximilian SchellHorror | 100% |
Thriller | 14% |
Fantasy | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: LPCM 2.0 (48kHz, 24-bit)
Music: LPCM 2.0
English SDH
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Region free
Movie | 3.0 | |
Video | 4.0 | |
Audio | 5.0 | |
Extras | 3.5 | |
Overall | 3.5 |
John Carpenter's "Vampires" (1998) arrives on Blu-ray courtesy of British distributors Indicator/Powerhouse Films. The supplemental features on the disc include an original trailer for the film; archival featurette with cast and crew interviews; archival interview with John Carpenter; isolated score; and more. The release also arrives with a 20-page illustrated booklet featuring writings on the film and technical information. In English, with optional English SDH subtitles for the main feature. Region-Free.
Jack Crow
Presented in an aspect ratio of 2.40:1, encoded with MPEG-4 AVC and granted a 1080p transfer, John Carpenter's Vampires arrives on Blu-ray courtesy of Indicator/Powerhouse Films.
The master that was used to source this release was likely prepared a while ago. I don't know when exactly, but there are some minor yet obvious limitations that are quite common on older masters that Sony has used or licensed to other parties for various catalog releases. If I had to guess, I would say that the master was prepared some time around or after 1998, when the film had its U.S. theatrical release. It is possible that some additional remastering work was done later on, but the basic qualities are typical for masters from the DVD era.
Generally speaking, detail and clarity range from decent to quite good. Most well-lit close-ups, for instance, look quite nice (see screencaptures #5 and 10). Even larger panoramic shots convey decent depth (see screencapture $16). However, occasionally there are small areas where some unnatural flatness can be quite easy to spot. There could be traces of light crushing, and even visible gentle traces of denoising, and the larger your screen is, the easier it will be to notice how depth fluctuates (see screencapture #7). Some of these fluctuations are clearly introduced by digital work, though I have to say that for the most part balance is maintained rather well and the end result is mostly pleasing. The primary colors are stable and there is a good range of nuances, but in some cases saturation could be a bit too strong. Image stability is excellent. Finally, I noticed a few tiny flecks, but there are no distracting large debris, cuts, damage marks, or torn/warped frames to report. (Note: This is a Region-Free Blu-ray release. Therefore, you will be able to play it on your Blu-ray player regardless of your geographical location).
There are two standard audio tracks on this Blu-ray release: English DTS-HD Master Audio 5.1 and English LPCM 2.0. Optional English SDH subtitles are provided for the main feature. When turned on, they appear inside the image frame.
I viewed the film with the 5.1 track and did a few random comparisons with the 2.0 track. The 5.1 track is very clearly superior and in a lot of different ways. Indeed, not only is the dynamic movement better on the 5.1 track, but I think that dynamic balance is better as well. To be clear, it appears that on the 2.0 track the transitions between the dialog and the action sequences is a bit more abrupt, while on the 5.1 track the sound design seems more compact. There are no technical or mastering errors to report.
James Woods is the heart and soul of this occasionally entertaining but mostly very uneven film from director John Carpenter. This new release is sourced from the same Sony master that was used for the out-of-print U.S. release, but it has some additional supplemental features. As it is the case with all Indicator/Powerhouse Films releases, it is Region-Free and perfectly playable in North America. RECOMMENDED but only to fans of the film.
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