7.3 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
A young woman's body is found frozen in a ditch. Through flashbacks and interviews, we see the events that led to her inevitable death.
Starring: Sandrine Bonnaire, Macha Méril, Yolande Moreau, Stéphane Freiss, Jacques BerthierForeign | 100% |
Drama | 58% |
Romance | 17% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.66:1
Original aspect ratio: 1.66:1
French: LPCM Mono
English
50GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 4.0 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 3.0 | |
Overall | 4.0 |
Note: This film is available as part of
The Complete Films of Agnès Varda.
In the wake (figurative or otherwise) of Agnès Varda’s death last year at the age of 90, quite a bit has rightfully been written about this iconic force
in
both
French and global cinema. Varda’s output includes well over fifty credits as a director (including some television entries as detailed by the
IMDb), and aside from listing some of her better known triumphs,
many obituaries and/or eulogies about Varda mentioned any number of other biographical data points, including her rather unique position as a
woman in France’s nouvelle vague movement, her own feminism which was featured none too subtly in some of her films, and her
frequently provocative experimental style. But you know what one of the things that kind of fascinates me personally most about Varda? That she
was married for 28 years to Jacques Demy, from 1962 until Demy’s death in 1990. That Varda, often a purveyor of verité infused
“realism”,
whether that be in outright documentaries or at least ostensibly more “fictional” outings, and Demy, a director whose candy colored, dreamlike and
at least relatively "Hollywoodized" musicals with
Michel Legrand brought a new luster and gloss to French cinema, managed to make a marital go of it for so long is certainly testament to the
maxim
that “opposites attract”, even if those oppositional forces in this instance played out at least in part in terms of what kinds of films the two were
often
best remembered for. If Varda's long marriage to Demy is more than enough reason to celebrate her personal life, her professional life is
beautifully
feted in this rather astounding new set from Criterion, which aggregates an amazing 39 films (albeit some running as short as a few minutes) to
provide what is arguably one of the most insightful
overviews of Varda's cinematic oeuvre. Perhaps unavoidably, but also undeniably movingly, these personal and professional sides of
Varda
merge in at least some of the films in this set, including
The
Young
Girls Turn 25, The World of Jacques
Demy, Jacquot de Nantes, and The Beaches of Agnès.
Vagabond is presented on Blu-ray courtesy of The Criterion Collection with an AVC encoded 1080p transfer in 1.66:1. Some prefatory text discloses that this was filmed on 35mm argentic color stock in a 1.66 panoramic format and was restored by Ciné Tamaris in 2014 at Laboratory Eclair, with a 2K digital restoration from a 2K scan of the original negative. Color grading was supervised by Agnès Varda and Patrick Blossier. Since Varda had a hand in color grading all of the main features included in this set, I have to assume she kind of prefers a slightly cooler looking palette, and this presentation once again has a slightly bluish tone at times that is probably highlighted even more by the prevalence of drab, wintry scenes in a lot of the outdoor material. That said, there are some really vivid pops of color in this presentation, and some of the flesh tones look positively ruddy. There is a relatively early sunlit scene on a beach where things look uncharacteristically warm (in terms of the look of the rest of the film), and things like the bright colors on a motorcycle helmet in this sequence pop very well. Textures on fabrics are also typically very nicely rendered, and the purples in a climactic scene involving wine are really very vivid. Grain is rather heavy throughout this presentation, and can be especially gritty looking against skies.
Vagabond features an LPCM Mono track in the original French. The sound restoration was made by L.E. Diapason from the original 35mm magnetic mix. This is another Varda film with a rather astringent string score, which sounds intentionally dry and brittle at times. Other score elements, like the muted trumpet jazz solo that plays under the closing credits, sound considerably warmer. The vast bulk of this film takes place outside, and there are some really nice ambient differences in the location work that help to vividly establish the various locations. Narration and dialogue are all presented without any problems whatsoever.
This is another stylistic tour de force for Varda (the supplement dealing with dolly shots is especially instructive in this regard), but this is a film probably "owned" lock, stock and (wine?) barrel by Sandrine Bonnaire. The story is unavoidably sad, even tragic, but it's also perhaps unexpectedly scenic, if in a rainy, gray sort of way. Technical merits are solid and the supplemental package very enjoyable. Recommended.
(Still not reliable for this title)
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