6.7 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
This film centers on three men and three women whose lives converge during the run of a play in Paris. The star of the play, Camille, is returning to Paris after leaving her stuffy boyfriend Pierre and residing in Italy. Her Italian theater company has brought her to France, where the show is run by her lover, director, and co-star Ugo. Ugo is concerned with the show's poor attendance, but also busy searching for a long-lost play by an Italian playwright. While on his quest, he discovers the beautiful young Do, a student who offers to help him. Do's mother has a library that may contain the lost play, and Ugo runs into her possessive half-sibling Arthur, a shady man pursuing an affair with Pierre's wife Sonia, who also has a questionable past. After a brooding dinner at Pierre and Sonia's home, tensions mount in everybody's relationships and their romantic journeys are similarly tested.
Starring: Jeanne Balibar, Marianne Basler, Catherine Rouvel, Sergio Castellitto, Jacques Bonnaffé| Foreign | Uncertain |
| Drama | Uncertain |
| Romance | Uncertain |
| Comedy | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
French: DTS-HD Master Audio 2.0
English
Blu-ray Disc
Two-disc set (2 BDs)
Region B, A (C untested)
| Movie | 3.5 | |
| Video | 5.0 | |
| Audio | 4.0 | |
| Extras | 3.0 | |
| Overall | 3.5 |
Jacques Rivette can be something of an acquired taste, and it might be jokingly stated that even after having acquired that taste, palette cleansers may be in order, at least interstitially and/or in between "courses". There have been several intervals in my reviewing life where suddenly Rivette features would appear, many courtesy of Cohen Media Group. Over the course of quite a few years, but with at least one weird little spurt of almost regular monthly releases lasting for a season or so, I watched and reviewed many Rivette films, including (with review dates in parentheses): The Jacques Rivette Collection (May 2017), which included Duelle, Noroît and Merry-Go-Round; La Belle Noiseuse (May 2018); Joan the Maid (December 2019); The Gang of Four (January 2023); Love on the Ground (February 2023); Secret Defense (March 2023); and Up, Down, Fragile (April 2023). This is all to say that a little Rivette can go a long way, and a lot of Rivette may frankly be too much at times, and so it's probably a good thing that I've had a couple of years in between review assignments, since Va savoir is very Rivette-esque in any number of ways, including its blatant use of theatricality (not to mention theater), a certain mischevious "meta" quality with regard to a perceived dialectic between stage performing and moviemaking, and an examination of interpersonal relationships which can often seem picayune.


Note: Screencaptures 1 through 18 are from the Director's Cut, and screencaptures 19 through 23 are from the Theatrical Cut.
Va savoir is presented on Blu-ray courtesy of Radiance Films with AVC encoded 1080p transfers in 1.85:1. Radiance sent check discs for
purposes of this review, and so I'm not privy to any verbiage that may be offered in an insert booklet, but Radiance's website states "new 4K
restorations of Va savoir (the 154-minute theatrical cut) and Va savoir+ (the 223-minute director's original cut), presented on two
discs". It may be salient to note, however, that prefatory text before each presentation only overtly mentions a 4K restoration for the theatrical cut.
Disc One in this set features the (much) longer Director's Cut, and comes with the following prefatory information:
The first version of Va Savoir, called Va Savoir +, was filmed in Paris in August - September 2000, and restored in the autumn of 2021 at the Hiventy laboratory in Boulogne-Billancourt, under the supervision of Irina Lubtchansky. Colour grading: Pauline Bassenne; Digital Restoration: Frédéric Hedin; Sound Restoration: Aymeric Gavend; Project Supervision: Lisa Soulie and Audrey Birrien.Disc Two offers the Theatrical Cut, and comes with the following prefatory information:
Va Savoir, filmed in Paris in August - September 2000, was restored in 4K in 2022 by Les Films du Veilleur and La Cinémathèque française at the Hiventy Laboratory, from the original negative and 35mm magnetic tracks under the supervision of Irina Lubtchansky. Colour grading: Pauline Bassenne; Digital Restoration: Frédéric Hedin; Sound Restoration: Aymeric Gavend; Project Supervision: Lisa Soulie and Audrey Birrien.I frankly noticed no major differences between the two presentations, and I've included some "near frame" duplicate screenshots from both versions so that those interested can do a little side by side comparisons. Both of these transfers have a really gorgeous accounting of an often subtle but still evocative palette, one that can often favor burnished yellows and bronzes. Detail levels are typically excellent throughout, perhaps faltering only very slightly in some less well lit material, as in some of the on stage scenes before full lighting comes up. But even these moments can offer some surprising fine detail levels when Rivette chooses to get closer than merely midrange framings. Grain resolves tightly throughout and I noticed no real signs of even any minimal age related wear and tear.

Both versions of Va savoir feature DTS-HD Master Audio 2.0 tracks in the original French. This is a typically bare bones sound design offering from Rivette, one that emphasizes naturalism in spite of the blatant theatricality on tap. As such, there's really not much here other than extended dialogue scenes and occasional background ambient environmental sounds. Everything is delivered cleanly and clearly. Optional English subtitles are available.

Note: Disc One in this set offers the longer Director's Cut and no supplementary material. Disc Two offers the Theatrical Cut and the following
special features:

If you seen any of Rivette's film dealing with actors and/or plays, you'll at least have an inkling of what to expect here. This is nevertheless a somewhat breezier and more charming outing than some of Rivette's other, arguably more pretentious or portentous, offerings, though I'd frankly recommend beginning with the much shorter Theatrical Cut, especially if you're a newcomer to Rivette. Technical merits are solid and the supplements enjoyable. Recommended.

A Woman Is a Woman / Godard: The Essential Collection
1961

Aimer, boire et chanter / Masters of Cinema
2014

La femme de l'aviateur
1981

Domicile conjugal
1970

Baisers volés
1968

The Rules of the Game
1939

Les amants
1958

2012

1966

La peau douce
1964

Les deux Anglaises et le continent / Two English Girls
1971

Jules & Jim / Jules et Jim
1962

Golden Marie / Vintage World Cinema
1952

The Earrings of Madame de...
1953

Matrimonio all'italiana
1964

1999

The Bohemian Life / Boheemielämää
1992

La ley del deseo
1987

Cet obscur objet du désir / StudioCanal Collection
1977

1987