7.1 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
The last stand of the American exploitation film. In a post video store era, media consolidation has led to the censorship and near death of the independent and exploitation film industry. Joe Bob Briggs take us on an adventure that leads from the last Blockbuster video store in Bend Oregon to Troma Entertainment in New York, all in an effort to examine how history keeps repeating itself from the video store era to the modern streaming. This film is a follow-up to the award winning VHS Massacre documentary.
Starring: John Bloom (I), Debbie Rochon, Lloyd Kaufman, James Rolfe, Lynn Lowry| Documentary | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: Dolby Digital 2.0
None
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 2.5 | |
| Video | 3.0 | |
| Audio | 3.0 | |
| Extras | 3.5 | |
| Overall | 3.0 |
In 2016, director Thomas Edward Seymour ventured in the lost world of VHS nostalgia, joining his friends and fellow podcasters on a hunt to see what’s going on in the world of video distribution and independent production. “VHS Massacre” only offered a few mild pleasures while connecting to the old ways of home entertainment, becoming more of a grab bag of ideas, going the disappointingly random route to provide an entertaining sit. “VHS Massacre Too” isn’t really a sequel, with Seymour using some old footage and ideas to cover basically the same ground, with the emphasis here on distribution woes, bringing in filmmakers and commentators to examine the sorry state of low-budget moviemaking these days, where passion runs deep, but collecting money in the industry is next to impossible.


The AVC encoded image (1.78:1 aspect ratio) presentation offers a documentary captured with commercial-grade equipment, using a variety of video sources for clips. Detail is basic, best with interview footage, which brings out some skin detail. Colors are adequate, best with clothing options and video store tours, which supply bright primaries. Delineation is satisfactory. Blockiness is present at times.

The 2.0 Dolby Digital mix supplies a simple understanding of interviewees, who sound clear, though sync issues are periodic, perhaps inherent to original production limitations. Music is adequate, but never compelling.


Again, "VHS Massacre Too" isn't a sequel. It plays like a bunch of leftover topics and footage from the original feature, lacking a cohesive overview of filmmaking troubles and exploitation offerings. Seymour hits on a few important topics in the picture, but he doesn't remain with his candid interviewees and insider information.
(Still not reliable for this title)

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