| Users | 0.0 | |
| Reviewer | 2.0 | |
| Overall | 2.0 |
See individual titles for their synopses.
| Action | 100% |
| Thriller | 66% |
| Sci-Fi | 5% |
| War | 4% |
Video codec: MPEG-2
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
Spanish: Dolby Digital 5.1
French: Dolby Digital 5.1
1-3 Universal Soldier, 1-2 Second in Command
English, English SDH, French, Spanish
50GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
| Movie | 1.5 | |
| Video | 2.5 | |
| Audio | 4.0 | |
| Extras | 0.0 | |
| Overall | 2.0 |
Universal Soldier: The Return
Score: 1.0/5.0
Note: Sony previously released this film to Blu-ray in 2009. Mill Creek has dropped all extras, used
what appears to be the same transfer, and switched lossless soundtracks.
I'm just warming up.
It's always odd to come across an R-rated movie that sets its sights on a demographic too young to
legally see the movie in theaters. Universal Solider: The Return is a movie that is likely to
appeal to younger, pre-adolescent boys with a thirst for inane action and things blowing up all over
the screen. It offers a paper-thin plot, ridiculous dialogue, plenty of gunplay, big explosions, and a
few poor special effects -- everything a growing boy needs. Starring a still-sculpted, still-flexible, and
still-mediocre-actor Jean-Claude Van Damme (Maximum Risk), martial
artist Michael Jai White (Spawn), and pro wrestler Bill Goldberg, Universal Soldier: The
Return has "bad movie" written all over it. The truth is, it's an abysmal picture but one that
does all it sets out to do, which is provide 80 minutes of wall-to-wall action for fans to absorb. A
mindless time-killer at best and a substandard sequel to a slightly-above-average Action picture at
worst, Universal Soldier: The Return is irrelevant entertainment with virtually nothing
going for it that can't be found -- and done better -- in hundreds of other movies.
Luc Deveraux (Van Damme) is no longer a Universal Soldier. He's been returned to natural
human form but continues to work in the UniSol program, a program that has developed
re-animated soldiers
that are more advanced than ever before. While still under the guise of the U.S. Military, a
supercomputer named S.E.T.H. oversees the entirety of the program and controls the soldiers.
When word comes down that the government is cutting military spending and that the UniSol
program is on the chopping block, S.E.T.H. goes into self-preservation mode, commanding the
UniSols, led by Romeo (Goldberg), to overthrow the humans at the base. S.E.T.H., in its infinite
wisdom, didn't count on Deveraux and intrepid local television reporter Erin Young (Heidi Schanz)
playing spoiler, and must acquire a human body (White) with
which to physically defeat the former UniSol and win the day.
For a movie that offers virtually nothing other than nonstop action packed inside a brief 83
minute
runtime, Universal Soldier: The Return is particularly dull and slow. The most
obvious defect
is the film's repetitive feel; shot after shot seem virtually identical, with stoic UniSols blankly
gazing
at their enemies and nonchalantly firing their weapons. For whatever reason, the UniSol
"grunts"
are practically zombies with a firm trigger finger, while those that are played by name actors are
assigned monikers, personalities, and dialogue. When the film isn't showing repetitive gun
battles between Army regulars and UniSols, the film subjects the audience to a seemingly
nonstop chase scene
where Deveraux and Young (herself seemingly a carbon copy of a similar character played by
Ally Walker in the first film) are on the run
from the witty*, large, and in-charge Romeo. Unfortunately, Universal Soldier: The
Return doesn't seem to understand that a good action sequence requires more than a
million gunshots, several big explosions, and headache-inducing hard rock music
accompaniment. The film just has "cheap" written all over it, from poorly-designed prop guns to
generic costumes and sets. Universal Soldier: The Return adds insult to injury,
opening Kobayashi
Maru-style and concluding with a Terminator 2-esque
finale, sans good special effects.
*Not so much, unless dialogue that would even sound bad coming from Mr. Freeze's polar
opposite
may be considered as such.

I hate negative reviews!

Universal Soldier: The Return
Score: 2.5/5.0
Note: The below text is sourced from the review of the original Sony standalone Blu-ray release. A/B comparisons reveal this to be an identical
transfer. No noticeable differences are apparent. Also note that screenshots from the original Sony review feature incorrect color. That issue has
been corrected for this review.
Universal Soldier: The Return features a lackluster 1080p, 1.85:1-framed transfer. The
transfer is rather dark, slightly hazy, uninspired, and plenty grainy. Colors are decent, certainly not
too bright but not too dark, either. Most seem obscured under the many nighttime exterior shots
and the rather poorly-lit interiors of the military facility where much of the action takes place. Fine
detail is acceptable but underwhelming throughout. Black levels are decent, and flesh tones tend
towards a shade of red. This is not a bad transfer, just a dull one. The material gives the disc little
to work with, and this is likely the best fans are going to see Universal Soldier: The Return
for a very long time.
Second in Command
Score: 2.5/5.0
Second in Command isn't the prettiest Blu-ray at the dance. Mill Creek's presentation of this Sony property is about as exciting and
stimulating
as watching beige paint dry. The picture plays with a stuffy, hazy, color-sucking yellow/brown/bronze sort of tint. Color is drained, and even the
overlay
looks awfully faded. There's no brilliance at all. The entire thing appears worn down and washed out. A few shots of camouflage uniforms look good
enough,
but this is about the worst color palette Blu-ray fans will find. Details aren't exactly leaping off the screen, either. The grain structure remains intact,
and there's a basic proficiency to faces and
clothes, but as far as nuanced textures go, there are none. Flesh tones are defined by those same awful color parameters, and black levels are usually
terrible, appearing pale and pasty. For a good-looking picture, go elsewhere.

Universal Soldier: The Return
Score: 4.0/5.0
Gone is Sony's old Dolby TrueHD 5.1 lossless soundtrack (as well as the old disc's Portuguese language track, lossless French track, and multiple
additional subtitle options), replaced by a DTS-HD Master Audio 5.1 lossless soundtrack. On the old release, the soundtrack proved the dominant
feature,
and that quality remains despite the switchover. This track enjoys a rich front side spacing to music, with solid clarity and a full surround support.
Opening title text scrolls across the listening area, and gentle swampy ambience fills the stage in the following scene. Big sound effects -- ski jets
zooming from side-to-side, for instance -- play with good energy, natural presence, and crisp, fluid delivery through the speakers. Gunfire is big and
potent, filling the stage with zippy shells that impress from the strike of the primer to the bullet's impact on various surfaces. Explosions pack a nice
punch, too, proving the value of the track's hefty bass element. Dialogue is firm and accurate with center-channel placement. This is a quality
presentation in every area.
Second in Command
Score: 3.5/5.0
Second in Command's lossless soundtrack fares better than its video counterpart. The DTS-HD Master Audio 5.1 presentation finds some real
energy in places, and it's fairly well defined. There's a decent presence and fair heft to even the most routine scene and sound effect. The crowd
ambience heard throughout the film is rarely authentically engaging, but it gets the job done with a fairly wide front end and a generous surround
support. Gunfire never really explodes out of the speakers, but it's adequate for a low-end DTV flick. On the other hand, RPG projectiles zip through
the
stage with some accuracy and explosions pack a fairly hefty wallop. Music isn't all that aggressive, but that's its nature. Dialogue plays clearly enough
through the center. The track offers an above-average listen for a below-average movie, but it's hardly reason enough to labor through the film.

Neither film features supplemental content. Note that Sony's older release of Universal Soldier: The Return does contains a few extras.

Both Universal Soldier: The Return and Second in Command represent the lower end of the DTV scale, the former because it's so unimaginative and the latter because it feels excessively cheap and nonlinear to the point that it could be rearranged many different ways and still offer basically the same movie. UniSol is the technical superior of the two by a great bit, even if it lags far behind the original film. Van Damme gives a more energized performance in UniSol, too. At the end of the day, however, there are plenty of other, better options. Mill Creek's featureless double bill offers mediocre video and quality lossless audio. Recommended to DTV Action movie junkies.