7.2 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Agnès Varda tracks down a Greek emigrant relative she's never met, discovering an artist and kindred soul leading a bohemian life in Sausalito.
Director: Agnès VardaDocumentary | 100% |
Short | 69% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
French: LPCM Mono
English: Dolby Digital Mono
English
Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 4.0 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 0.5 | |
Overall | 4.0 |
Note: This film is available as part of
The Complete Films of Agnès Varda.
In the wake (figurative or otherwise) of Agnès Varda’s death last year at the age of 90, quite a bit has rightfully been written about this iconic force
in
both
French and global cinema. Varda’s output includes well over fifty credits as a director (including some television entries as detailed by the
IMDb), and aside from listing some of her better known triumphs,
many obituaries and/or eulogies about Varda mentioned any number of other biographical data points, including her rather unique position as a
woman in France’s nouvelle vague movement, her own feminism which was featured none too subtly in some of her films, and her
frequently provocative experimental style. But you know what one of the things that kind of fascinates me personally most about Varda? That she
was married for 28 years to Jacques Demy, from 1962 until Demy’s death in 1990. That Varda, often a purveyor of verité infused
“realism”,
whether that be in outright documentaries or at least ostensibly more “fictional” outings, and Demy, a director whose candy colored, dreamlike and
at least relatively "Hollywoodized" musicals with
Michel Legrand brought a new luster and gloss to French cinema, managed to make a marital go of it for so long is certainly testament to the
maxim
that “opposites attract”, even if those oppositional forces in this instance played out at least in part in terms of what kinds of films the two were
often
best remembered for. If Varda's long marriage to Demy is more than enough reason to celebrate her personal life, her professional life is
beautifully
feted in this rather astounding new set from Criterion, which aggregates an amazing 39 films (albeit some running as short as a few minutes) to
provide what is arguably one of the most insightful
overviews of Varda's cinematic oeuvre. Perhaps unavoidably, but also undeniably movingly, these personal and professional sides of
Varda
merge in at least some of the films in this set, including
The
Young
Girls Turn 25, The World of Jacques
Demy, Jacquot de Nantes, and The Beaches of Agnès.
Uncle Yanco is presented on Blu-ray courtesy of The Criterion Collection with an AVC encoded 1080p transfer in 1.37:1. Some prefatory text discloses that this was restored in 2013 by L'Immagine Tirtovata Laboratory, in association with The Film Foundation, the Annenberg Foundation, the Los Angeles County Museum of Art and Ciné Tamaris, with a 2K restoration from the 35mm original negative. Agnès Varda supervised the color grading. This is a really lush and rather beautiful looking presentation that features a gorgeously saturated palette that is appropriately psychedelic at times, given the era in which the film was shot. Detail levels are generally excellent, and even some nighttime footage shot as a car travels across the Golden Gate Bridge offers above average shadow detail. But it's the daytime material that pops extremely well, with all of the seaside scenes looking great. There is some intentional tinting on display, including orange tones added to some stills. Grain resolves naturally throughout.
Uncle Yanco features an LPCM Mono track in French, and a Dolby Digital Mono track in English. Prefatory text states that the "original mono sound was restored from two 35mm magnetic tracks, French and English." As with some of the other features that offer this same "two fer" delivered with these same audio codecs, the dialogue and narration is a bit hotter in the French track, and there's better overall depth in that track as well, though this is not a sonically ambitious film, so the lossy Dolby track may suffice perfectly well for those averse to reading subtitles. Music is typically used in the background, swelling during interstitial moments where no dialogue or narration is featured, and it sounds fine throughout.
Uncle Yanco is a sweet, charming and completely distinctive piece, and, if you're like I am, will leave you wanting to meet as many folks in the Varda family as possible. Technical merits are solid, and Uncle Yanco comes Recommended.
(Still not reliable for this title)
Ydessa, the Bears and etc.
2004
1964
Réponse de femmes: Notre corps, notre sexe / Women Reply: Our Bodies, Our Sex
1975
1958
The So-Called Caryatids
1984
1982
1966
1968
Along the Coast
1958
Mural Murals
1981
L'univers de Jacques Demy
1995
Les glaneurs et la glaneuse... deux ans après
2002
Agnès Varda: From Here to There
2011
1976
2015
You've Got Beautiful Stairs, You Know
1986
1984
Les demoiselles ont eu 25 ans
1993
2003
Varda par Agnès
2019