6.9 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Ulmatramegalopolis presents a 2 and a half hour psychogeographic tour through the vast, post-riot, urban sprawl of Los Angeles, California circa the early ‘90s. Explore the war zone from within its graffiti-covered walls as director Larry Wessel trains his camcorder lens on a dizzying display of the city's most peculiar niches and residents including disabled street performers, junkies, sidewalk religious zealots, ex-cons, celebrity impersonators, and living mannequins. Visit the site of the infamous McMartin pre-school, hear the confessions of Charles Manson’s former cellmate, and experience the subterranean boxing gyms, wrestling rings, graffiti yards, and bullfighting arenas of America’s smog infested City of Angels.
Director: Larry Wessel| Documentary | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.34:1
Original aspect ratio: 1.33:1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A, B (C untested)
| Movie | 3.0 | |
| Video | 3.0 | |
| Audio | 3.0 | |
| Extras | 4.0 | |
| Overall | 3.5 |
Between 1990 and 1995, filmmaker Larry Wessel toured parts of Los Angeles with a camera. He wasn’t hunting for a story, but attempting to capture the experience of the city, away from the glitz and glamour typically associated with Hollywood. “Ultramegalopolis” is a document of this time, offering a wandering, mostly repetitive understanding of the world as it was. Wessel aims to capture experience with the endeavor, and he’s successful, but 157 minutes of “Ultramegalopolis” is a lot to ask of viewers, who are treated to a picture that’s filled with both interesting and agonizingly dull sequences.


The AVC encoded image (1.34:1) presentation deals with a shot-on-video production, and there's definite age with the footage used in "Ultramegalopolis." Clarity isn't present, but a general sense of screen activity is passable throughout most of the picture. There's no detail, but street performers are mostly on view and city tours are appreciable. Colors are also basic, with a muddier sense of hues, but brighter primaries register as intended.

The 2.0 DTS-HD MA mix fights the technical limitations of "Ultramegalopolis," which works with commercial grade equipment, with Wessel often attempting to capture sound in chaotic urban environments. Some presentations of vocals and conversation are lost along the way (subtitling gives up as well), but, for the most part, interviewees are intelligible. Street performers and preachers are also understood.


"Ultramegalopolis" is a long sit, with Wessel in need of a greater variety of subjects and events, often returning to the same idea, with religious types taking up a substantial portion of the run time. The viewing experience requires patience, but there are moments to appreciate, especially as a time capsule of the era, with Wessel exploring the weirdness of the city and its various forms of personal expression.
(Still not reliable for this title)

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