| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
See individual titles for their synopses.
| Foreign | 100% |
| Drama | 50% |
| Horror | 6% |
| Surreal | 6% |
| Dark humor | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.33:1
Spanish: LPCM Mono (48kHz, 24-bit)
English
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region free
| Movie | 3.5 | |
| Video | 3.5 | |
| Audio | 3.5 | |
| Extras | 3.0 | |
| Overall | 3.5 |
Severin's release of Tales to Keep You Awake: The Complete Series may have helped to spark interest in Narciso Ibáñez Serrador, and part of that series, the 1974 special El televisor, is included as the second offering in this double feature of sorts which also includes the shorter La cabina directed by Antonio Mercero. Both television productions are framed here as "political" statements made against the latter years of the Franco regime in Spain.


Note: Screenshots 1 through 5 are from La cabina. Screenshots 6 through 9 are from El televisor.
Two Boxes: Televised Terror in Franco's Spain is presented on Blu-ray by Radiance Films' Tranmission imprint with an AVC encoded 1080p
transfer in 1.33:1. Radiance sent a check disc for purposes of this review and so I'm not privy to any verbiage in an insert booklet, and their website
only offers relatively generic "world Blu-ray premiere of La cabina" and "high definition digital transfer of El televisor" as technical
data points. In that regard, La cabina definitely shows less damage than El televisor, which as recurrent vertical scratches running
from the top to the bottom of the frame, often in parallel abundance, as can probably be made out in some of the screenshots. El cabina
offers a really robust palette and typically excellent detail levels. El televisor is more variable both in terms of color temperature and clarity.
The above score is an average.

Two Boxes: Televised Terror in Franco's Spain offer LPCM Mono audio in the original Spanish. La cabina probably is comprised more of the increasingly insane sounds around the booth once the main character gets trapped than any traditional "dialogue", but all of the background clamor and dialogue is offered cleanly and clearly. El televisor has a more baroque sound design, especially in the opening which offers a montage of sorts of supposed "broadcasts" over the airwaves. As with the video side of things, audio may not fare as well here, either, as with La cabina. This track shows a bit more damage, with a somewhat boxy sound that has slight distortion. Optional English subtitles are available.

- Audio Commentary on La cabina by Reece Shearsmith and Steve Pemberton
- Audio Commentary on El televisor by Jonathan Rigby and Kevin Lyons

This is an interesting double feature that may have as much interest for its supplements as with its main offerings. La cabina sports overall better technical merits than El televisor. With caveats noted and especially for those with an interest in this era of Spanish anti-Franco sentiment, Recommended.