6.7 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
The plan was simple enough. Crash a big drug deal. Hold up the boss. Make off with the cash. Simple enough ... until an undercover cop takes a fatal bullet. Now, four small-time crooks are on the run with a suitcase full of cocaine, two yuppie hostages, and too many secrets to keep. In his theatrical feature directorial debut, Kiefer Sutherland orchestrates a gritty story of lost second chances along the back roads of America's once-wild West. Those back roads lead to a small town in New Mexico where the foursome hope to sell the goods and where the local law, the feds and the drug mob's ruthless enforcers will meet them for an explosive showdown.
Starring: Vincent Gallo, Kiefer Sutherland, Mykelti Williamson, Kim Dickens, Kevin PollakAction | 100% |
Thriller | 100% |
Crime | 94% |
Drama | Insignificant |
Romance | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English SDH
50GB Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.0 | |
Video | 3.0 | |
Audio | 3.5 | |
Extras | 0.0 | |
Overall | 3.0 |
During a long and varied career, Kiefer Sutherland tried on many roles before becoming inextricably identified as 24's unstoppable Jack Bauer. In the Nineties, he tried on the role of film director, helming two TV movies and two features, all but one of which he starred in. The best known is Truth or Consequences, N.M., which played briefly in seven theaters in the spring of 1997 before being sent to video. The script by Brad Mirman (best known as the writer of Madonna's albatross, Body of Evidence) bears the unmistakable stamp of the Age of Tarantino in its tale of a heist by small-timers gone wrong, followed by flight, squabbling, ineptitude and more bloodshed. But Mirman didn't have Tarantino's gift for tasty dialogue of the kind that has routinely attracted extraordinary talent to his projects, even when he was unknown. (Not that Mirman didn't try; the script is filled with chatter about such trivia as mind-reading, fast food and blind dates, none of it memorable.) It was Sutherland's long-established roots in the movie industry that allowed him to assemble a cast of the caliber that could elevate Mirman's story into something watchable, including extended cameos by Rod Steiger and Martin Sheen. If Sutherland gave himself the juiciest and most unhinged of the characters, he at least ensured that he'd be counterbalanced by performers of equal (or even greater) weight. Although the town of Truth or Consequences really exists—it renamed itself from "Hot Springs" in 1950 in response to a challenge from the radio show of the same name—the production did not film there, remaining in Utah and Nevada, where most of the action occurs. Truth or Consequences is the gang's ultimate destination, and one remote location is as good as another for the film's final showdown.
Sony has provided Mill Creek with a merely adequate transfer for its 1080p, AVC-encoded Blu-ray presentation of Ric Waite's (48 Hrs.) photography for Truth or Consequences, N.M. The image is soft, detail is minimally acceptable, blacks are decent and colors are somewhat faded, although this appears to reflect the original photography, which has a dusty, burned-out palette. Detail is better in closeups than in long shots, and I suspect a new transfer with current technology would harvest a more refined reproduction of the moody Southwest locations. This is no doubt the best the film has ever looked, but the transfer almost certainly dates from the early days of DVD, and it shows its age on Blu-ray. Some minor sharpening has coarsened the grain and added a touch of noise, but the effect is minimal. Although the film contains several sequences of frenetic action, it also has many quiet moments, and the average bitrate of 20.60 Mbps seems sufficient. In any case, no compression issues were in evidence.
Aside from the dialogue, the most prominent feature of the film's soundtrack, encoded in lossless DTS-HD MA 5.1, is the musical score, composed and selected by Jude Cole, with whom Sutherland runs Ironworks Studios in Los Angeles. Cole's rendition of "Heaven's Last Attempt" opens the film, playing over the credits and Raymond's release from prison, and his country-western-flavored rock score emphasizes the outlaw spirit throughout the film. A few well-chosen songs from other sources (including Van Morrison's "Crazy Love" and Bad Company's "Ready for Love") provide appropriate accents at key moments. The songs have been mixed with a strong presence and a robust sense of stereo separation that makes them as noticeable as sound effects. In the action sequences, the sounds of vehicles racing, tires squealing and, of course, gunfire are authoritative but not overdone. Sutherland and his mixers have not tried for a gimmicky action mix, with bullets whizzing from all sides, but they have provided enough noise to create the sense of violence erupting. The dialogue always remains clear.
No extras are included. A DVD released by Sony in 1998 had only trailers.
Truth or Consequences, N.M. isn't a major film, but it is certainly one of the better examples of the many neo-noirs inspired by the success of Reservoir Dogs and Pulp Fiction, both of which galvanized an entire generation of filmmakers and moviegoers. Much of the reason for the film's superiority is simply that it was made by someone with a lot of talent and experience and the connections to recruit others of a similar background, whereas numerous Tarantino imitators were newcomers who failed to grasp that films like Reservoir Dogs (or Robert Rodriguez's El Mariachi) were the result of years of painstaking and passionate, even though unremunerated, effort at learning how to make films. Sutherland was lucky enough to have been able to earn a living while getting his education, but craftsmanship shows, however it is acquired. Recommended.
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