7.7 | / 10 |
Users | 5.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Director David Byrne takes an outside-looking-in glance at Texas and Texans in True Stories. Casting himself as the protagonist/narrator, Byrne adopts what he thinks is "standard" western garb and drives his red convertible into the small town of Virgil. Here he observes the town's preparations for celebrating Texas' sesquicentennial, taking time out to introduce us to several of the local oddballs. Swoosie Kurtz plays Miss Rollings, the Laziest Woman in the World; Alix Elias is The Cute Woman, who decorates her home in the most hideously "sweet" manner imaginable; John Goodman is talent-contest entrant Louis Fyne, who harbors dreams of being a C&W star; Spalding Gray is Earl Culver, a vegetable-obsessed civic leader; Jo Harvey Allen is The Lying Woman; and so it goes.
Starring: David Byrne, John Goodman, Annie McEnroe, Spalding Gray, Jo Harvey AllenSurreal | 100% |
Comedy | Insignificant |
Musical | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Two-disc set (1 BD, 1 CD)
Region A (locked)
Movie | 3.5 | |
Video | 5.0 | |
Audio | 5.0 | |
Extras | 4.5 | |
Overall | 4.0 |
David Byrne's "True Stories" (1986) arrives on Blu-ray courtesy of Criterion. The supplemental features on the disc include an exclusive new documentary about the film's production history; new program about designer Tibor Kalman; deleted scenes; and a lot more. Also included with this release are the film's entire soundtrack, placed on a separate CD, and an illustrated booklet featuring new writings on the film and archival material. In English, with optional English SDH subtitles for the main feature. Region-A "locked".
Party time
Presented in its original aspect ratio of 1.85:1, encoded with MPEG-4 AVC and granted a 1080p transfer, True Stories arrives on Blu-ray courtesy of Criterion.
The following text appears inside the booklet that is provided with the release:
"This new digital transfer was created in 4K resolution on a Lasergraphics Director film scanner from the 35mm original camera negative. Thousands of instances of dirt, debris, scratches, splices, and warps were manually removed using MTI Film's DRS, while Digital Vision's Phoenix was used for jitter, flicker, small dirt, grain, and noise management. The new 5.1 surround soundtrack was created from 35mm mono DME and 35mm 3-track LCR M&E magnetic tracks by the Criterion Collection and approved by David Byrne.
Transfer supervisors: David Byrne, Lee Kline, Ed Lachman.
Colorist: Joe Gawler/Harbor Picture Company, New York.
4K scanning: Motion Picture Imaging, Burbank, CA."
The release is sourced from a brand new 4K remaster that was supervised by director David Byrne and cinematographer Ed Lachman. Not surprisingly, the entire film looks fresh, clean, and appropriately lush and vivid. Obviously because of the unique stylization there are numerous unique contrasts and nuances and as a result the overall dynamic range of the visuals can shift quite dramatically, but it is actually very easy to tell that the fluctuations are part of the original cinematography. (Basically, the entire film has a very pronounced surrealistic edge, so color tonalities are expanded in pretty substantial ways). There are no traces of problematic degraining or sharpening adjustments, or other annoying digital tinkering that would cause visual anomalies. Image stability is outstanding. The entire film has been carefully cleaned up and there are no traces of age-related imperfections. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).
There is only one standard audio track on this Blu-ray release: English DTS-HD Master Audio 5.1. Optional English SDH subttiles are provided for the main feature.
The audio mix was supervised by David Byrne and given its rather impressive dynamic range I believe it is fair to assume that the film now sounds as its creator intended. Clarity, depth, and especially stability are terrific. Also, if there ever were any traces of background or other age-related anomalies, it is impossible to tell now.
The only way in which one can legitimately describe David Byrne's film True Stories is if one said that it makes perfect sense only while it lasts. Beyond this any other summation of the film is already mischaracterizing a lot and ignoring plenty. Why? Because the film does not tell a conventional story, it targets the mind for a unique experience, and in a way it is actually up to the viewer to make the most of it. Other more recent films that play with the mind and then temporarily plug it into their manufactured realities like True Stories does are Pleasantville and Fear and Loathing in Las Vegas, so perhaps they could give one a rough idea what type of entertainment to expect from it. Criterion's Blu-ray release is sourced from an excellent new 4K restoration that was supervised and approved by the creators of True Stories, and in addition to various informative bonus features has the film's entire soundtrack placed on a separate CD. RECOMMENDED.
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