7.3 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
The epic tale of the Iliad charting the rise and fall of the ultimate Greek hero, Achilles, explodes onto the screen in this adaptation. The section concerned, follows Paris's betrayal of the king of Sparta, Menelaus, which results in the almighty siege of Troy. The characteristic moment was the sending of the Trojan Horse, to trick the enemy into allowing warriors into the city.
Starring: Brad Pitt, Eric Bana, Orlando Bloom, Diane Kruger, Brian Cox| Action | 100% |
| Adventure | 62% |
| Epic | 46% |
| History | 30% |
| War | 29% |
| Romance | 2% |
| Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Three-disc set (3 BDs)
Slipcover in original pressing
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 5.0 | |
| Audio | 4.5 | |
| Extras | 5.0 | |
| Overall | 4.0 |
Maybe you've heard of this little movie called The Odyssey that's been getting a few mentions here and there as this review is being written. Probably not exactly by coincidence, Arrow Video is revisiting that "other" epic by Homer, namely The Iliad, or at least Wolfgang Petersen's cinematic version of it courtesy of this 2004 outing. If the Christopher Nolan opus is being hailed as a masterpiece, it may have been granted a bit more "adaptation slack" than the David Benioff scripted Troy was at the time of its release, though Benioff was perhaps able to salve any perceived slights that his ego suffered from the critical browbeating Troy endured with the acclaim he received for yet another "epic" adaptation, Game of Thrones. Nolan's films have often pretty artfully balanced style and substance, but one of the perceived deficits of Troy was that it sure looked and sounded "pretty" (despite all the violence, especially in the Director's Cut), but it was arguably curiously empty at its center. In revisiting the film now after several years for purposes of writing this review, I'm frankly not sure that was ever a fair assessment, but one way or the other, there is now an ability for anyone to decide for themselves with this three disc edition, and the fact that the film made close to a half billion dollars at the box office is certainly proof that there was (and probably continues to be) an audience for this effort. This features the previously released on 1080 Blu-ray Director's Cut, but also one of the true curios of the now little remembered (except by us old timers) "format wars", as the Theatrical Cut of Troy only made a brief appearance in 1080 on HD-DVD before HD-DVD met its demise (if you want a little laugh from a bygone age of another "obsolete technology", as if HD-DVD isn't funny enough, check out the image of the back cover of that release on the link provided and marvel at the marketing genius of AOL Keyword: Troy).


Note: Arrow sent a check disc for purposes of this 1080 review, but a full retail final set for purposes of our Troy 4K Blu-ray review . I'm assuming that per Arrow's standard operating procedure, the
packaging, including the insert booklet, is the same for both resolutions.
Troy is presented on Blu-ray courtesy of Arrow Video with an AVC encoded 1080p transfer in 2.39:1. Arrow's insert booklet
contains
the following information about the presentations:
Troy has been restored by Arrow Films. Both the Theatrical and Director's Cuts are presented in their original 2.39:1 aspect ratio with 5.1 audio, and are presented in 4K resolution, with the UHD presentation in HDR10 and Dolby Vision.Marty gave top notch marks to the old Warner 1080 presentation, but a 5.0 score in 2008 without anything to compare it with might not have received the same "love" today, and a cursory comparison of screenshots in Marty's review with the ones here and in my Troy 4K Blu-ray review should show quite easily what substantial improvements have been made with this release. For just one example (there are several more for those interested), compare the second screenshot in Marty's review with the second screenshot in this review to see that this is a less artificially brightened and more fulsomely suffused looking presentation. Outdoor material in particular (which is plentiful) pops with incredible finesse, especially toward cooler tones like blues. That said, there are an abundance of warm yellows and oranges throughout (along with more than a bit of blood red) that also display better nuance and vividness in this transfer. Detail levels are typically excellent, especially with regard to practical sets and costumes, with the possible exception of a few uses of CGI, though that may be even more apparent in the 4K presentation. There are some very slight variations in image quality in the Director's Cut stemming from the 2K DI utilized for interstitial material, but differentiations are almost negligible. Grain resolves naturally in both versions.
For the Theatrical Cut, the original 35mm camera negatives were scanned at 4K / 16 bit resolution at Warner Brothers Motion Picture Imaging. For those sections unique to the Director's Cut, a 2K DI was used. Both version of the film were restored in 4K resolution and color graded at Duplitech.
All materials sourced for this restoration were made available by Warner Brothers. QC review was completed by Pixelogic.

Troy features DTS-HD Master Audio 5.1 and DTS-HD Master Audio 2.0 options. The Warner Brothers 1080 release was so early that Marty's review actually encourages people to spring for a receiver that will decode lossless audio, even if Marty didn't give top marks to that disc's LPCM 5.1 track. While Arrow's verbiage doesn't explicitly mention a remaster as other releases have frequently cited, the surround track here is incredibly forceful and immersive (and it's notable to comment how Wolfgang Petersen explicitly mentions completely redesigning the audio for the Director's Cut). In both versions of the film offered here, surround activity in the action scenes can almost pummel the listener with effects, both emanating from discrete channels but also whizzing around the soundstage when, for example, spears are launched launched against the enemy. Another gorgeously burnished score from James Horner also gets a beautifully spacious rendition in the surround track. Unsurprisingly, the 5.1 track's low end is decidedly more energetic than the stereo version. Dialogue and occasional voiceover are delivered without any issues. Optional English subtitles are available.

Note: While the aforementioned 1080 release by Warner Brothers came early enough in this site's history that supplements aren't broken
out in discrete listings, Marty's above linked review does offer a descriptive paragraph or two about all of the archival supplements mentioned below.
Disc One - Theatrical Cut (2:42:49)
- Stills (HD)
- Behind the Scenes (HD)
- Promotional Material (HD)

I'm probably a contrarian of sorts (what else is new?) in that I rather enjoyed Troy when it was originally released, and actually liked it even more when the longer Director's Cut came out. Is it perfect? No, of course not, as even stalwarts like Peter O'Toole and Brad Pitt himself have gone on record about, but it's arguably more thoughtful than was originally perceived, and both visually and aurally it's a complete stunner. Arrow has done the film's fans a real service by offering both cuts with almost all of the previously available supplements. Technical merits are first rate, and Troy comes Recommended.
(Still not reliable for this title)

Director's Cut
2005

The Final Cut
2004

Director's Cut
2004

2010

2007

Rental Copy
2014

2000

1995

2010

2011

2003

2014

2010-2013

International Version
2007

2011

2001

2012

2006

2000

2010