7 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
A couple of two-bit thieving brothers try and keep a promise to their dying father: stick together and become successful outlaws.
Starring: Terence Hill, Bud Spencer, Yanti Somer, Harry Carey Jr., Pupo De LucaForeign | 100% |
Western | 91% |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.35:1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.0 | |
Video | 3.0 | |
Audio | 3.0 | |
Extras | 1.0 | |
Overall | 3.0 |
Note: This film is available as part of the Trinity Twin
Pack.
According to the frequently questionable Wikipedia, over six hundred so-called “European westerns” were made between 1960 and 1978, though in
typical Wikipedia fashion it’s left unclear as to how many of these were so-called “Spaghetti westerns”, i.e., Italian made efforts that became
legendary with the now iconic collaborations between Sergio Leone, Clint Eastwood and Ennio Morricone (A Fistful of Dollars, For a Few Dollars
More, The Good, the Bad and the Ugly).
Fans of this kind of odd subgenre will probably know that many Spaghetti westerns are not exactly masterpieces, and in fact quite a few of them
seem to have been made simply to cash in on the box office phenomenon created (or at least encouraged) by Leone and Eastwood’s contributions.
Two of the more successful films in this particular niche, though, both in terms of audience approval and just overall sensibility, are They Call
Me Trinity from 1970 and its follow up, Trinity is Still My Name from 1971. This appealing duo is considerably lighter in tone than
most of Leone’s oeuvre, offering Terence Hill as Trinity, a man with a name (so to speak), but a gunslinger who has a kind of
amiably goofy personality, one which tends to make both Trinity films play a good deal more comically than The Man with No Name Trilogy. The films have had a somewhat
spotty history in terms of home video releases, due perhaps in part to the fact that at least They Call Me Trinity reportedly lapsed into
public domain status. Hen’s Tooth Video has now released both Trinity on films on Blu-ray for domestic consumption (there are evidently
some previous global releases, none of which have received very good marks from videophiles), allowing longtime fans and new “initiates” to
discover a somewhat different “take” on Spaghetti western tropes.
Trinity is Still My Name is presented on Blu-ray courtesy of Hen's Tooth Video with an AVC encoded 1080p transfer in 2.35:1. This transfer offers many of the same attributes I mentioned in the They Call Me Trinity Blu-ray review, though perhaps ironically given the fact that this is at least a little more recent film, this particular element shows a bit more damage than that seen in the first film. As with the first film, it's obvious that there has been no real restoration work done here, meaning everything is in its "natural" state, for better and/or worse. There are still quite a few flecks, specks, scratches and other damage, but there are also a couple of curious blemishes that crop up toward the center of the frame that almost look like reel change markers except for their placement. There's also just a bit more image instability on display here, with what looks like a couple of misaligned frames snapping into place. The palette is generally quite nicely suffused, though it does have the same slightly faded look that the first film also had. Clarity and sharpness are also somewhat less generally pleasing than in the first film, with even some midrange shots not looking overly detailed. Grain is also arguably a bit more "chunky" looking in this transfer than on the first film.
Trinity is Still My Name features a DTS-HD Master Audio 2.0 mono track which, like the video element, is at least somewhat less pleasing than the track heard on the first film. There's some peculiar (and loud) popping going on, to the point that it almost sounds like someone tapping a microphone on a couple of occasions. There's also more prevalent hiss on this track than on the first film, and more noticeable (if still slight) distortion when amplitude is even slightly upped. That said, dialogue is generally clearly delivered, and effects and score are also decently rendered.
Trinity is Still My Name manages to coast by on the considerable charisma of Hill, as well as the frequently amusing interplay between Hill and Spencer, but narratively it's a pretty drastic step down from the already none too innovative first film, with a vignette driven screenplay that tends to miss about as frequently as it hits. Technical merits are less fulsome than on the first film, but fans of the film will probably be willing to overlook any shortcomings.
(Still not reliable for this title)
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