5.3 | / 10 |
Users | 0.5 | |
Reviewer | 3.0 | |
Overall | 2.8 |
In a private, wealthy community, priority is placed on security and no exception is made for the Miller family's estate. Behind their pristine walls and manicured gardens, Kyle, a fast-talking businessman, has entrusted the mansion's renovation to his stunning wife, Sarah. But between making those big decisions and keeping tabs on their defiant teenage daughter, Sarah often finds herself distracted by a young, handsome worker at their home.
Starring: Nicolas Cage, Nicole Kidman, Cam Gigandet, Liana Liberato, Ben MendelsohnThriller | 100% |
Crime | 53% |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.41:1
Original aspect ratio: 2.39:1
English: Dolby TrueHD 5.1 (48kHz, 16-bit)
English: Dolby Digital 2.0
English SDH, Spanish
25GB Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
Digital copy (as download)
DVD copy
Region A (C untested)
Movie | 3.0 | |
Video | 3.5 | |
Audio | 4.0 | |
Extras | 0.5 | |
Overall | 3.0 |
They won’t break.
There's a scene in Trespass where the bad guys are rather thrilled to find a diamond necklace of obvious value in their victims' home, only to
be told that it's a worthless knockoff from the home shopping channel. Real diamonds won't break, but the fake ones will. Real diamonds have great
value, the fake ones only serve to promote an image of great value. It seems like a perfect metaphor for the movie: will a true family hold firm in the
face of incredible danger and despair, or will they break, crack under pressure and give into the demands of their captors? Can the movie work on its
own merits, or is it just a mirage of snazzy filmmaking techniques covering up flaws? The metaphor works rather well; the family in turmoil as
depicted in the movie must find its real worth and authenticity, but the whole of Director Joel Schumacher's Trespass is more akin to the fake
cubic zirconia. This is no diamond in the
rough, but it sure does a fairly good job of convincing its audience that it does have some worth to it. The movie is little more than skin-deep; it
manages to create quite a bit of thick tension, but the story is relatively generic and flat. It's a tribute Schumacher's ability as a filmmaker that he can
make such bland material look so good and elicit so much raw emotion from his audience. Trespass is a relatively harmless little picture that's
all feeling and no substance, try as it might to convince its audience otherwise.
This could get messy.
Trespass' 1080p transfer is a little like the movie, strong in places and frustratingly weak in others. Fortunately, the picture quality far more often than not falls on the positive side of the ledger. Colors are sometimes balanced but sometimes unnaturally warm and also unnaturally lifeless. Much of the movie has a rather sterile feel to it, despite a fairly light but nevertheless readily-evident grain structure. The result is something of a mixed palette that sees flesh tones range anywhere from unusually golden to unusually pale. Outdoor greens and indoor woods can look a little harsh, but flashy silver safes and chlorine-treted pool water both look fairly neutral. Fine detail is also mixed; there's never an astonishing level of detail to be seen, but faces, clothes, and general surfaces around the house -- as smooth and lifeless as they naturally may be -- pass as adequately conveyed in high definition in some places, but do excel in others. The image is stable and quite clear. It's also free of print issues and obvious digital tinkering. Blacks are hit-or-miss; some scenes see background shadows and dark clothes melt together with no separation or definition, while they're deep and natural but not overpowering in other places. This is neither the best nor the worst Blu-ray has to offer, but it fortunately winds up on the "better" end of spectrum when it's all said and done.
Trespass doesn't rob audiences of a good listen. Millennium's Dolby TrueHD 5.1 lossless soundtrack is active and sometimes even intense. Music enjoys rather good clarity that drops off a bit in places but picks up elsewhere. It plays with fair spacing across the front, a slight but evident surround support structure, and a good bit of bass. The latter is sometimes tight and sometimes loose, notably in the early party sequence where noisy music thumps into the listening area. Dialogue echoes nicely through the Miller's cavernous home but otherwise never strays from the center channel. Ambience is minimal and limited, mostly, to that party sequence that throws a lot of sound at the listener and does a fair job of recreating a raucous environment. Various action effects, particularly gunshots, are neither potent nor wimpy. Most favor the former, but listeners won't mistake this track for an afternoon at the shooting range. This is a competent but not necessarily accomplished soundtrack, but the whole suits the movie well enough.
Trespass contains only one true supplement that's directly related to the film.
Trespass is nothing special, but it's good enough to hold the audience's attention. It's polished all around and does the best it can with a handicapped script, a script that does "generic" rather well but that fails to take the genre in a new direction. Director Joel Schumacher keeps the movie rolling, creating a fair sense of tension despite a predictability in both the main storyline and the secondary plots. The movie is just good enough to get through a watch, but it has about zero replay value. Therefore, it's worth a rental, considering the frustrating quality of the film, the midlevel picture quality, and relative absence of extras.
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