| Users | 0.0 | |
| Reviewer | 2.0 | |
| Overall | 2.0 |
See individual titles for their synopses.
| Music | 100% |
| Crime | 3% |
| Drama | Insignificant |
| Romance | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1, 2.35:1
Original aspect ratio: 2.39:1, 1.85:1
English: DTS-HD Master Audio 2.0
None
25GB Blu-ray Disc
Single disc (1 BD)
Region A (C untested)
| Movie | 3.5 | |
| Video | 2.0 | |
| Audio | 2.5 | |
| Extras | 0.0 | |
| Overall | 2.0 |
Shout! Factory's double-bill Blu-ray release of Traveller and Telling Lies in America is themed around the classic coming-of-age story, one the tale of a young man who's recently lost his father and faces the challenges of the petty criminal life on the road, the other the story of a young man growing up before his time in 1960s Cleveland. The movies are two of the under-the-radar sorts, neither prominent back catalogue titles but both fine little pictures in their own right. The video and audio transfers leave something to be desired, but given the low asking price and the quality of the films included, this is a priced-to-sell release that movie fans will want to buy.

Travelling.

Traveller
Rating: 2/5
Traveller's Blu-ray transfer leaves quite a bit to be desired; the image has been sourced from a worn and weary element that's seen better
days. While light
grain
retention and generally satisfying details and colors are evident throughout -- the image holds firm in the basic elements, no doubt about that -- it's
the
ancillary stuff that keeps this one from a higher score. Indeed, facial lines and clothing textures -- brighter clothes, anyway, the darker ones show no
detail whatsoever -- look fine, and general odds and ends around the screen appear with a nice, crisp, film-like appearance. Colors are even and
accurate in a general sense; natural greens, a red F-150 pickup truck, and other general shades fare well, but black crush is evident in darker scenes,
flesh
tones often favor a reddish tinge, and other scattered elements struggle to find accurate balance. As for the source, it's dotted by a fairly constant, but
not overwhelming, field of spots and speckles. Blue and black globs hover around the top and bottom left-hand corners throughout much of the film.
This one
definitely appears to have been transferred to Blu-ray from any old ("old" being the operative word) element laying around the vault. It benefits in
terms
of stability, crispness, and finer detailing from the boost in resolution, but there's no question that Traveller could look quite a bit better than
this.
Telling Lies in America
Rating: 2/5
Shout! Factory's uneven Blu-ray transfer of Telling Lies in America yields results largely reasonable for a relatively low-cost double feature
release. At-a-glance, the image features acceptable detailing and fair stability. Light grain remains, and many scenes offer positive definition across
many surfaces
and objects, such as the wooden confessional booth as seen in chapter nine, odds and ends in the WHK broadcasting booth, and facial and clothing
textures in general scenes. Darker scenes suffer through overwhelming blacks, pasty details, minimal definition, and heavily blocked backgrounds, for
instance a red-drenched bar scene in chapters six and nine. Colors never sparkle, but brighter scenes offer stable, sturdy hues. Additionally, the image
suffers through bouts of wobbliness, speckling, edge halos, banding, a few soft focus shots, and stray vertical lines. This transfer won't dazzle, but
audiences should find it passably acceptable.

Traveller
Rating: 2.5/5
Traveller's DTS-HD Master Audio 2.0 lossless soundtrack doesn't fare much better than its video counterpart. Shout! Factory's audio
presentation offers
an evident steadiness in all areas, but greatness in none. The opening Randy Travis tune plays with a good, clear, stable, toe-tapping tenor. General
sound effects work in a basic context, whether the slight rumble of a pickup truck rambling down the road as heard from within its cab or the slow
ca-chug, ca-chug of a train idling down the tracks. Light ambience satisfies across the front, but a few gun blasts capture only a basic sonic
signature. Dialogue is
generally even and clear, but a few scenes suffer through some slight sync issues, a nighttime encounter between Pat and Kate being the best
example.
This track won't dazzle the ears or test the limits of the sound system, but it's an adequately efficient presentation.
Telling Lies in America
Rating: 2.5/5
Like Traveller, Telling Lies in America arrives on Blu-ray with a no-frills DTS-HD Master Audio 2.0 lossless soundtrack. The track never
falls victim to any
obvious defects, but neither does it excel in any category. Music, whether through the radio or performed live, enjoys a fine, vigorous presentation,
nice
clarity, and a room-filling presence. There's fine background ambience throughout, including out on the streets, within the market where Karchy and
Diney work, or nighttime crickets heard both out on the street and inside the Jonas house. Dialogue comes through the center, efficiently and with no
loss of clarity at any point. This track doesn't impress, nor does it depress. It's a fair presentation that performs the basic requirements of a listenable
track.

No supplements are included.

Shout! Factory doesn't really have a winner on its hands with this double-bill release of Traveller and Telling Lies in America. The truth is that the Blu-ray presentations fails to impress in any area; both movies arrive featureless and showcase borderline abysmal video and merely passable audio. But the bright spot is where every Blu-ray release matters the most, and that's in the quality of the movies. These are two must-see pictures that, chances are, even many cinephiles have probably allowed to slip under the radar. Both tell captivating tales, each is well-made, and the two both feature quality acting shaping strong character rosters. Even though the Blu-ray quality isn't great -- and it's difficult to suggest rewarding shoddy workmanship -- this release comes recommended based on the strength of the films and, to a lesser extent, the low asking price.