7.3 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.5 | |
| Overall | 4.5 |
Rising from the nihilistic ashes of the punk movement in the late 1970s, a fresh crowd of flamboyant fashionistas, who would later be christened the New Romantics, began to materialize on the streets of London, England.
Starring: Duggie Fields, John Maybury| Documentary | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: DTS-HD Master Audio 5.1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 4.5 | |
| Audio | 4.5 | |
| Extras | 4.5 | |
| Overall | 4.5 |
Director Kevin Hegge (“She Said Boom: The Story of the Fifth Column”) looks to go beyond punk and assorted mainstream culture movements with “Tramps,” which is being sold as a study of the New Romantic era in British style, but it doesn’t share much interest in the topic. The feature looks to head deeper into counterculture ways during the 1970s and early ‘80s, with Hegge creating more of a tribute than an offering of journalism, driven to highlight the “Blitz Kids” experience in London, where young people all powered up on arts education set out to alter scenes of the city with their imagination. “Tramps” captures a time and place vividly, and the helmer has access to charismatic people willing to share their memories and dreams, contributing to an overall understanding of creative ambition.


The AVC encoded image (1.85:1 aspect ratio) presentation for "Tramps" delivers strong detail on the interviewees, exploring broadness of style, with clothing fibrous. Skin particulars are clear, capturing the textures of age. Living spaces are also defined, showing off interior decoration achievements. Color is sharp, working with makeup and hair color to provide some brighter primaries, and personal style is distinct. Older footage and photography is cleaned up to a certain degree, offering some vivid hues with art and club imagery. Delineation is satisfactory.

The 5.1 DTS-HD MA mix secures crisp interview segments, with the witnesses and authorities delivering sharp thoughts and accents. Musical moods are common in the documentary, with much of the score immersive, utilizing the surrounds. Synth is clean, and low-end is somewhat responsive with heavier beats.


"Tramps" does go into mournful mode in its final act, becoming more of a tribute than an investigative piece, losing some momentum as it tries to be respectful to those who passed away or flamed out. Hegge shows some sensitivity, which is to be expected when dealing with art, but "Tramps" is most involving when drilling into the ideas and offerings that contributed to the Blitz Kids and their distinct areas of expression and, in some ways, revolution.
(Still not reliable for this title)

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