5.2 | / 10 |
Users | 1.8 | |
Reviewer | 2.0 | |
Overall | 2.0 |
Wanted by the mafia, a new York City bike messenger escapes into the world of parkour after meeting a beautiful stranger.
Starring: Taylor Lautner, Marie Avgeropoulos, Adam Rayner, Rafi Gavron, Sam MedinaAction | 100% |
Thriller | 45% |
Crime | 24% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English, English SDH, Spanish
25GB Blu-ray Disc
Single disc (1 BD)
UV digital copy
Slipcover in original pressing
Region A (B, C untested)
Movie | 2.0 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 1.5 | |
Overall | 2.0 |
It used to be cabs and their drivers that you needed to be afraid of in the wild and wooly concrete canyons of Manhattan, and ironically the fear was typically only amped up if you were inside the taxi yourself. Anyone who has survived a bumper car experience getting ferried around town in New York City will know the helpless feeling of watching near misses (and, frankly, more than a few hits) pass by as an intense driver whisks his passenger to a hopefully achievable destination. Pedestrians in New York have become so accustomed to the darting to and fro of any given taxi that they’ve developed a more or less instinctual response to the yellow vehicles, typically giving them wide enough berth that if there were a sudden lane change (or even an incursion onto the sidewalk, something I’ve personally seen happen), death (or debilitating injury) would not be the inevitable result. All of that “training” for the Big Apple’s populace may now need to be transported away from motor vehicles and aimed more squarely at the bicycle riding hordes which have overtaken Manhattan over the past several years. New York has always had bike messengers (at least as far back as I can remember, anyway), but they tended to be lone soldiers in a battle fought mostly on the mean streets with gas guzzling cars and trucks. Now downtown streets are often filled with bike riders, both “civilians” opting for a supposedly “easier” commute and/or more ecologically friendly one, and “professionals” who are ferrying important documents or other ephemera from one locale to the next, darting in and out of traffic in an often frightening display of bravado. While Tracers' focal hero Cam (Taylor Lautner) is indeed a bike messenger with such proclivities well on display, both the film and Cam ultimately give way to parkour, as if to put wary Manhattanites on notice that both cabs and bikes have, sadly, become passé and that there’s a new threat in town.
Tracers is presented on Blu-ray courtesy of Lionsgate Films with an AVC encoded 1080p transfer in 2.40:1. Shot digitally with Red Epic cameras, despite the constant use of "jiggly cam" and similar techniques, things look commendably sharp and well detailed throughout the bulk of this presentation. If you were to fast forward through the film (something I wouldn't necessarily argue against, as it will at least prevent you from having to hear the risible dialogue), the bifurcated color grading scheme employed by director Benmayor and cinematographer Nelson Cragg becomes readily apparent: in what almost might be thought of as a cinematic checkerboard effect, a yellow tinged sequence will give way to a blue tinged one, and so on and so on, alternating back and forth for much of the film's running time. (See screenshots 14 and 17 for some yellowish shots, and many of the rest of the screencaptures accompanying this review for the blue tinted ones.) Despite these (by now pretty tired) color grading techniques, detail and fine detail remain well resolved, sharp and precise looking, albeit within the context of visual imprecision caused by handheld cameras darting to and fro. Close-ups often reveal excellent levels of fine detail. The film segues through a large variety of lighting conditions and there's a slight lack of shadow detail in some of the darkest moments, though this is relatively minimal and does not ever devolve into total crush (see screenshot 14 again and look at the fine delineation between the black t-shirt and surrounding darkness). There are no issues with image instability and no problems with compression artifacts.
Tracers' well rendered and involving DTS-HD Master Audio 5.1 audio provides near constant immersion, including everything from the bustling traffic noises of Manhattan to the pitter patter of little (?) feet scurrying across rooftops and over various objets d'art. At times just slightly crowded feeling, there's still excellent prioritization on hand and excellent attention to detail in spatial placement of sound effects. Dialogue (such as it is) is presented clearly and cleanly. Fidelity is top notch and dynamic range is very wide in this problem free track.
You can run but you can't hide from the fact that a film needs to be more than just a series of well executed stunt scenes linked by feeble attempts to actually come up with a story to support them. Lautner's acting performance here is largely lamentable, but his action and stunt chops are first rate. Tracers is a kind of chaotic mess overall, but those who like exciting parkour sequences and Lautner diehards may well want to check this out. Technical merits are very strong for those considering a purchase.
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