6.9 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Two young lovers long to leave Dakar for the glamour and comforts of France, but their escape plan is beset by complications both concrete and mystical.
Director: Djibril Diop MambétyForeign | 100% |
Drama | 86% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
Wolof: LPCM Mono (48kHz, 24-bit)
English
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 3.5 | |
Video | 4.0 | |
Audio | 5.0 | |
Extras | 2.5 | |
Overall | 3.5 |
Djibril Diop Mambéty's "Touki Bouki" (1973) arrives on Blu-ray courtesy of Criterion. The supplemental features on the disc include archival introduction by Martin Scorsese; video interview with filmmaker Abderrahmane Sissako; the short film "Contras' City"; and more. In Wolof, with optional English subtitles for the main feature. Region-A "locked".
Presented in an aspect ratio of 1.37:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Touki Bouki arrives on Blu-ray courtesy of Criterion.
Touki Bouki initially appeared in the Martin Scorsese's World Cinema Project, No. 1 box set, and this release offers the exact same technical presentation of the film. (The entire film was restored in 2K at L'immagine Ritrovata).
The visuals are quite impressive. Clarity, sharpness, depth, and fluidity range from very good to excellent. On a larger screen many of the panoramic shots can be rather impressive. There are no traces of problematic digital corrections. While some minor density fluctuations exist, grain is typically very nicely and evenly exposed. Colors are lush and stable. There are decent varieties of nuances as well. However, it is very difficult to tell if all color values and the overall color balance are correct. Indeed, while I was revisiting the film last night, I felt that there were quite a few segments with the tonal shifts that usually appear on projects that are graded at L'immagine Ritrovata. So, the overall balance looks good, but I think that there is more than a decent chance that it does not reproduce the original color timing of the film. (Screencaptures #5 and 10, for instance, have a very common for the lab color timing). But I also have to admit that it is impossible for me to offer more than a guess since I discovered the film only after it became available on Blu-ray. (Note: This is a Region-A "locked" release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).
There is only one standard audio track on this Blu-ray release: Wolof: LPCM Mono (48kHz, 24-bit). Optional English subtitles are provided for the main feature.
The original soundtrack incorporates plenty of organic sounds and noises, so dynamic intensity can fluctuate a bit. However, clarity and stability are excellent. Some of the dreamy sequences have interesting effects that sound great as well. Also, Josephine Baker's voice sounds outstanding.
So, for this type of film, I think that the lossless track is as good as it can be.
Touki Bouki was included in Criterion's Martin Scorsese's World Cinema Project, No. 1 box set. This release offers a presentation of the same 2K restoration of the film that was prepared at L'Immagine Ritrovata, but with additional bonus content. If you are curious about the film, I think that you should just pick up the box set while it is still available because there are a couple of great films there (Dry Summer and Trances) which I am quite certain you will enjoy a lot.
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